Temple Tuesday: Shirley, Soda, and More

Legend has it that W.C. Fields (shown above with Baby LeRoy) once said, “Never Work With Children Or Animals.” Why? Because invariably they are either unpredictable and/or they will steal the scene from the adults. In truth, humorist and author Leo Rosten once joked ABOUT Fields saying “Any man who hates dogs and babies can't be all bad,” which eventually morphed into being attributed to W.C.

Shirley Temple never had to worry about that; whether as a child, a teen, or an adult, she always held the focus of the audience, and was never afraid to share a scene with an animal, especially a dog, as seen below.



From the accompanying caption:

Shirley Temple makes friends with Soda, the pet English bulldog appearing with her in “Since You Went Away.” The picture was taken on the set of this Selznick International Picture directed by John Cromwell with an all star cast including: Claudette Colbert, Joseph Cotten, Jennifer Jones, Monty Woolley, Robert Walker, Hattie McDaniel and others of note.



Shirley had previous experience with a bulldog in “The Blue Bird” (1940). She didn’t have many scenes with the dog though, as the animal was transformed into a human early on in the film and played by Eddie Collins:



What a cutie!



Shirley surrounded by Collins and Gale Sondergaard:



Back to Soda…Shirley’s affection for dogs is visible throughout the film with this lovable bulldog.



The publicity machine continued to generate “news” about Shirley and Soda even as she was making her next film without him.



Favorite pin-up boy on the wall of Shirley Temple’s dressing room on the set of Selznick International’s “I’ll Be Seeing You” is Dick Whittington, English Bulldog who recently appeared with Shirley in David O. Selznick’s “Since You Went Away.”

Shirley truly loved dogs and had them throughout her life On set it was Soda; at home it was her beloved Ching Ching:



Below is an image of Shirley and then husband John Agar outside their home:



A 1949 image at home with Agar and her collie:



Shirley from 1960 at home with her Boxer, Chris:



See more “Since You Went Away” photos at my main website.

Temple Tuesday: The Blue Bird at The Metro Theatre

In the 1930s and 40s, my father was living in a small bungalow in the Hillcrest neighborhood of San Diego, cramped with his Italian immigrant family. To escape that existence, he often spent his time in a darkened theater, watching “Flash Gordon” serials, Charlie Chaplin, The Marx Brothers, or other popular fare. Years later, I remember his astonishment when he was perusing his Time-Life 1930s/40s volume of their This Fabulous Century series. There was a photo of the movie theatre he attended as a tot, with a crowd of excited kids holding up their free prizes and the owner whom he identified as Mr. Fink. Dad’s memory was spot-on; I looked up Fink’s name and came up with this info from the Chicano Park Museum website:

Prior to the toxic-air pollution and mixed land-use patterns, Barrio Logan, once known as Logan Heights, stood strong as a healthy and thriving neighborhood. During World War II the Coronet Theater opened in the heart of the community at 1796 Logan Avenue, along with Metro Theatre (located at 25 and Imperial Avenue) & Victory Theatre. A man by the name of Mr. Fink owned all three. These three theatres became extremely popular- especially amongst the community.…Metro was great for the community because for those that did not understand English there were not many theatres for them to go to and understand, Metro Theatre was completely in Spanish. There was little money available for entertainment. Movie theaters were one of the few affordable diversions. However, these theaters also sponsored events like a dish night or a grocery night. This was in the 1930s and families welcomed the opportunity to win a bag of groceries or some dishes. The Metro Theatre Building is located in Barrio Logan, near Galleries such as La Bodega Gallery & Creative Studios, Cafes like Cafe Moto & many more. The Metro Theatre itself was built in 1915. Today however it is currently being renovated into apartments with a lower level gallery for local artists.

One movie that my dad recalled vividly was Shirley Temple’s “The Blue Bird,” released in early 1940. Specifically, he would talk about the scene set in the Land of the Unborn Children. Frank Dawson played the Roll Caller, reading off the names to the children waiting with great anticipation:



Below, Shirley poses with Thurston Hall, who portrayed Father Time:



NOBODY would want to mess around with Father Time. He made sure the children made it to the ship with silver sails that would take them down to earth to be born. No dilly-dallying, kids!



The set was impressive, as was the large ship. Shirley is at left, with Johnny Russell who portrayed her brother and Helen Ericson, who played their ethereal guide, Light.



The ship ready for departure:



Zooming in, a tall Gene Reynolds is at back and child star Dickie Moore, noted for his earlier appearances in the Our Gang comedies.



Reynolds portrayed  Studious Boy, a thinly veiled character meant to represent President Abraham Lincoln. Fox producer Darryl Zanuck had no problem inserting a few political messages into his movies, and this scene with Reynolds predicting his own death is a bit chilling.



Russell and Temple as their characters survey all that’s going on in the Land of the Unborn Children:



This detailed view of the teenage couple at right shows what really yanked at my dad’s heartstrings:



PLOT SPOILERS! The young couple is separated by Father Time, who tells them that they will not be born at the same time and therefore will not be able to continue their love for each other.



Despite their tearful pleadings, Father Time turns a deaf ear and forces the young boy to join the ship.



The little girl dramatically falls to the floor, as her golden hair manages to land perfectly on the gleaming marble. I wonder how many takes this shot required?



We see both lovers, tears streaming down their faces as they imagine a life without each other.



Some thirty years after he first saw this movie, my dad would tell me about how deeply this scene affected him.



Although I have no concrete proof, this little vignette was probably inspired by the popular 1935 Mildred Cram novel Forever. Irving Thalberg at MGM purchased the rights to it for wife Norma Shearer, but died before it got off the ground.



Tyrone Power gave Judy Garland the 60-page novella as a gift; she devoured the book and hoped that she could make the film version with Power, with whom she had a huge crush. Next, it was to be a project for Power and Lana Turner, who had an intense love affair. Turner’s daughter, Cheryl Crane, later recalled:

No book ever affected Mother as much as ‘Forever’ by Mildred Cram. It’s the book she wanted to make into a movie more than any other in the world, co-starring Tyrone Power. It would have been no small miracle if a loan-out for either of these two stars to rival studios could have been arranged. Short but powerful, ‘Forever’ is a story about a love longer than life & stronger than death. In the story, Julie & Colin meet in some otherworldly land before they are born but in their adult forms. They fall in love & vow to reunite in the next world, in exactly 27 years. Memories of this magic time before they are called to life are wiped from Julie and Colin’s minds upon birth & they grow up leading very different lives; she growing up & marrying well in Philadelphia; he living a quiet life in England, going to war, & then returning to his fiancée. Drawn together by some mysterious force, Julie & Colin’s paths converge on a fateful trip to the French Alps where love, tragedy, & a haunting recollection alter the course of their lives.

See more “The Blue Bird” photos at my main website.

Temple Tuesday: RIP, Tyltyl

Thanks to Melissa (aka “The Colonel”), I recently learned of the passing of Johnny Russell, who costarred in “The Blue Bird” (1940) with Shirley Temple. The Hollywood Reporter did a short little write-up about Russell, who was born John R. Countryman. Sounds very patriotic! The article contained the usual semi-correct info as well as the outright `myths:

In the biggest role of his brief acting career, Russell portrayed Tyltyl, the younger brother of Temple’s Mytyl, in the fantasy film The Blue Bird (1940), which was Fox’s answer to MGM’s The Wizard of Oz, released a year earlier. In a dream, the two kids set out on on a series of adventures.

While not completely false, Producer Darryl Zanuck’s choice of “The Blue Bird” for Shirley had more to do with Disney’s financially successful “Snow White” than it did with the still unreleased “Wizard of Oz.” Zanuck attempted to buy “Oz” for Shirley but was outbid by MGM. He began negotiations for “The Blue Bird” in February 1939, a good six months before the release of “Oz.” In a touch of irony, the rights to film “The Blue Bird” cost Zanuck $25,000 more than MGM’s winning bid for “Oz.” As Shirley recounted in her autobiography Child Star:

Some thought our film was conceived as a retaliation to MGM’s Wizard of Oz. Zanuck staunchly resisted such innuendo. “Oz is a musical comedy without any drama or sentiment,” he declared. “The Blue Bird is strictly a dramatic fantasy. MGM made extravagant blunders and underwent financial tortures. We do not intend to copy Oz as to theme, or the mistakes that were made.”

During the initial story conference on April 24, 1939, Zanuck continued to weigh in “against ever getting into the type of spectacle of ‘Midsummer Night’s Dream,’ ‘Alice in Wonderland,’ or ‘The Wizard of Oz,’ all of which are flops. This is the human, simple adventure of two little children,” he said. Since “The Wizard of Oz” hadn’t been released yet, he was most likely referring to the 1925 silent film version with Oliver Hardy.



Another tidbit from the Hollywood Reporter obituary:

Temple’s mother, Gertrude, was reportedly unhappy that her daughter was sharing so much screen time with the adorable Russell and sought to have him replaced, but producer Darryl F. Zanuck insisted that the youngster remain.



Mrs. Temple had concerns about the script, the size and characterization of Shirley’s role, and her costar, Johnny Russell. As Shirley recounted:

She was critical of Johnny Russell, a boy co-starring in some of my scenes. Although only six years old, he was an extroverted kid with a gift of mimicry…The mimicry annoyed Mother, but I suspect she disliked his casting because Russell was younger and could potentially upstage me on that basis. What I needed was someone my own age she urged Zanuck, again through attorney Wright. “Ridiculous,” responded Zanuck. Two contemporary children meant I could not be the leader, as the story required. “If the boy were the same age, we would have to assume he was mentally incompetent or otherwise deformed if Shirley took the leadership away from him,” Zanuck said in a burst of chauvinism. “A younger brother can cling to her for protection and guidance during the great adventure.”



In the play, the brother was older than the sister. It was Zanuck’s decision to flip the ages to benefit Shirley. Zanuck’s original choice for Tyltyl was Bobs Watson (“Boys Town,” 1938), but in the end, Russell was cast, most likely because he was three years younger than Watson.



Zanuck also dropped some of the characters in the original story so that the story focused more on Shirley, in an attempt to appease the Temple family, who had become increasingly more vocal about their fears about Shirley’s future at Twentieth Century-Fox. Mrs. Temple had begun to consider other options since Zanuck avoided any direct contact with her, which made her feel that Zanuck’s interest in Shirley was waning and more focused on others in the Fox stables, such as Alice Faye and Sonja Henie. Just in case the project did not meet expectations, Gertrude had checked out the Westlake School for Girls considering it as a possible non-studio school for Shirley. Attending Westlake would enable her daughter to establish friendships with girls from upper-class homes and obtain a well-rounded education. In the detailed shot below, you can see the ever-present Mrs. Temple on the set during filming, with Shirley’s bodyguard, Griff (John Griffiths), standing next to her.



For the Screen Guild Theatre radio broadcast of “The Blue Bird,” which aired December 24, 1939, Russell’s role was replaced. Sorry, Johnny!



Back to the Hollywood Reporter:

Countryman came on active duty in the U.S. Foreign Service in February 1962 and reported to the diplomatic mission in Istanbul about a year later. He would have postings in Saudi Arabia, Libya and Gabon before serving from 1976-78 as deputy director and acting director of Arabian Peninsula Affairs at the U.S. State Department, when he dealt with the Iran hostage crisis. In the mid-1970s, he and Temple reconnected when he was stationed in Gabon and she was the U.S. ambassador to Ghana.



Shirley would later comment proudly about how she continued to “upstage” Russell, even into adulthood: 

Our issue of precedence was not in doubt then nor thirty-five years later in West Africa. By then I was a ranking U.S. ambassador, while Russell was a deputy chief of mission in a nearby national, still my junior by one step.

See more “The Blue Bird” photos at my main website.

Temple Tuesday: Blue Bird Blowout!

Faithful readers of this blog know that I am somewhat obsessed with the 1940 Shirley Temple film, “The Blue Bird.” While many consider it a poor stepchild to “The Wizard of Oz” (1939), I believe it stands on its own as an artistic triumph that gave Shirley an opportunity to play against type as a brat. In the above publicity still, Shirley is shown with Al Shean, who played her grandfather in the film. Shean was also the uncle to the famous Marx Brothers.

To avoid competition with “Gone with the Wind” which was released on December 15, 1939, 20th Century-Fox studio chief Darryl Zanuck decided to delay the premiere of “The Blue Bird” for another month.



The above photo shows Gene Markey (producer for the movie), Virginia Zanuck (Darryl’s wife), Joseph M. Schenck (Fox chairman of the board), Darryl Zanuck, and Hedy Lamarr (MGM actress and wife of Markey) as they arrived at Grand Central Terminal in New York City, December 19, 1940 for the film’s New York.

From The Motion Picture Herald, December 30, 1939:

The premiere of “The Blue Bird,” starring Shirley Temple, has been advanced to January 19th from January 17th to permit a Friday night opening. “Swanee River” opens December 29th at the Roxy theatre. Darryl F. Zanuck, vice-president in charge of production, will attend the premiere of “The Blue Bird” at the Hollywood theatre and remain in New York for the opening of “The Grapes of Wrath” at the Rivoli January 24th. Al Jolson and Don Ameche will appear in a broadcast of “Swanee River” on December 29th. Charles E. McCarthy, director of advertising and publicity for Twentieth Century-Fox, has put John Goring in charge of the roadshow of “The Blue Bird.”

Below is a page from the movie’s pressbook, featuring a variety of posters that theatres could choose from for promotion:



Motion Picture Daily gave their account of the premiere:

‘Blue Bird’ Lures Industry’s Top Executives to Premiere

Undaunted by the severity of the weather last night, 1,500 persons jammed the Hollywood Theatre to capacity to see the world premiere of “The Blue Bird,” 20th Century-Fox color feature. When the 80-minute show ended, the audience, with ovations and exclamatory words of approval, acclaimed the cinematic version of Maurice Maeterlinck’s famous fantasy. Included in the audience were practically all of the leading officials of 20th-Fox, besides executives from other motion picture companies. Notable among those present were the following: Darryl Zanuck, 20th-Fox studio chief; S.R. Kent, president; Joseph M. Schenck, chairman of the board; Will Hays, Jesse Lasky, Ernst Lubitsch, Barney Balaban, Herman Wobber, Spyros Skouras, Charles Skouras, Edwin L. Weisl, Gene Markey, associate producer of “The Blue Bird,” and scores of other industry officials. Other celebrities noticed among the “First Nighters,” most of whom were accompanied by their wives and formally dressed, were William Paley, CBS president; Postmaster General James A. Farley, Conde Nast, Irving Berlin, Jack Cohn, Andre Kostelanetz, Sidney Lanfield and many others. Crowds congregated early in front of the Hollywood where arc lights illuminated the front. Autograph seekers and others eager to see celebrities composed a large portion of the throng. When glamorous Hedy Lamarr arrived, scores struggled to catch a glimpse of her and husband, Markey.



From The New Dynamo, the in-house publication of 20th Century-Fox:

‘THE BLUE BIRD’ FLIES IN TRIUMPH OVER BROADWAY CELEBRITIES BRAVE SUB-ZERO WEATHER TO HAIL ‘BLUE BIRD’

Mr. Zanuck came 3,000 miles to get, first-hand, the reaction of this premiere audience. For more than a year he planned “The Blue Bird.” For months he supervised its production and cutting. And as Philadelphia’s Showman Al Boyd put it: “If its exploitation and presentation is given only one-half the thought this completed picture indicates went into its planning and production, ‘The Blue Bird’ will do the SRO business it certainly deserves to and can do.” And Mr. Boyd is not one of those gentlemen given to making hasty conclusions. He has been too long in the business to speak merely for the sake of being heard.

Schenck is missing from this newspaper photo showing Zanuck and entourage at the premiere:



Much of the beautiful and moody expressionistic art for the film was created by Hy Rubin, an American illustrator (1905–1960). His work was published in the Saturday Evening Post and Good Housekeeping magazines. His last studio was located behind the T in the Times Square building in New York City. 



For the artistic, black and white cartoon panels were available to moviegoers for coloring:



Below is a still from a deleted scene that occurred at the beginning of the movie when Shirley’s character’s father is about to go to war. Russell Hicks played the father and Spring Byington the mother.



Below are Tylo the dog and Tylette the cat:



…and Eddie Collins and Gale Sondergaard who played their human counterparts in the movie.



Whenever Shirley made a film, the studio was typically littered with visitors who wanted to meet the famous young actress. “The Blue Bird” was no exception. Note the costume/wardrobe board at the bottom left of the photo.



In between takes, Shirley did her schoolwork with studio teacher Frances Klamt.



In case you want a glance at the book Shirley is working from:



I hope all of you have a very fun New Year’s Eve - see you in 2025!

See more “The Blue Bird” photos at my main website.

Temple Tuesday: Shirley for Halloween!

Today’s Temple Tuesday celebrates the upcoming “holiday” of Halloween. Although Shirley is typically associated with all things sugar and spice, nobody liked a good scare better than Miss Temple! While there are no specific Halloween sequences in any of Shirley’s films (that I can recall, at least), she does have a few that could qualify for today’s post. In her early Fox film, “The Little Colonel” (1935), Shirley’s character must reach her grandfather at night to enlist his aid in saving her parents. To get to him, she has a terrifying run through a forest and encounters an owl with glowing eyes. Keep in mind this sequence pre-dated similar ones found in Disney’s “Snow White” (1937) and “The Wizard of Oz” (1939). Shirley was always a trailblazer!



In “The Blue Bird” (1940), siblings Tyltyl and Mytyl (Johnny Russell and Shirley) take a frightening journey through the graveyard with their evil cat, Tylette (Gale Sondergaard), just before the stroke of midnight.



Not wanting to return to her feline form, Tylette attempts to trap the little children in the cemetery… FOREVER!



Later in the same movie, Tylette tries to have the children scared off by arranging to have the trees in the forest attack them…



AND THEN BURN THEM! Instead, karma bites Tylette in the ass and she’s the one who gets incinerated. As I often say, don’t mess with Shirley!



In her private life, Shirley also loved to dress up, such as this costume party at Ciro’s nightclub on Sunset Boulevard, with then husband John Agar. Shirley came as Alice in Wonderland.



For this 1948 party, Shirley recycled a movie costume from seven years before (“Kathleen”), but added a period wig for some Marie Antoinette flair.



Agar most likely borrowed his wardrobe from “Fort Apache.” 



In her 1950’s Fairy Tale Anthology series, “Shirley Temple’s Storybook,” there were plenty of witches, but typically they were portrayed by other actresses. The Halloween episode of “Rapunzel” was first broadcast on October 27, 1958. Carol Lynley played the title role and Agnes Moorehead was the witch. This pre-dated her role of Endora in “Bewitched.”



“The Shirley Temple Show” 1960 episode of “Babes in Toyland” allowed Shirley to gleefully play the role of Floretta, the gypsy witch. Shirley relished the opportunity to be almost unrecognizable in her makeup and costume!



I hope you all have a fun Halloween this week!

See more Shirley Temple photos at my main website.