For her 1934 starring vehicle, “Bright Eyes,” Shirley Temple’s character got to dress up in over-sized adult clothes and parade around as if she was an elegant society lady. Here is candid shot of Shirley with director David Butler, in between takes at the Pasadena location for this scene. The accompanying publicity blurb:
WHAT, NO LOLLIPOP? —Shirley Temple is positive Director David Butler will buy her that chocolate lollipop now she’s donned a feathered hat and long dress. The dimpled starlet plays at being grown-up for a scene in Fox film’s “Bright Eyes,” in which she is featured with James Dunn.
Little Shirley patiently awaits her next scene:
SMALL GIRL. IN A BIG CHAIR — Shirley Temple takes a few moments off for rest in Director David Butler’s set chair. Butler is directing Shirley in his own story, “Bright Eyes,” which will be her last picture for 1934.
In the scene, Shirley pushes a baby carriage around the property with her doll. Below is a screenshot of the house that was used for exterior locations:
How that house looks today:
Jane Withers and Shirley pushed their baby carriages up that very same driveway ninety years ago!
Shirley’s character was kind and loving to her little dolly, whereas Jane Withers’ bratty counterpart constantly swatted hers. Hey Jane, careful — that’s a very valuable Lenci doll!
You can see tensions boiling between the two; who is going to get to keep the dolls once the filming is done?
Named “Pinkie,” the 37” tall Lenci doll began the worldwide tidal wave of dolls gifted to Shirley in real life. From her autobiography
Child Star:
For props we were each issued a doll, mine modest and frumpy, befitting my role, and hers a giant glorious Lenci from Italy with dangling blond curls and exquisitely costumed in ruffles and a velvet bonnet garlanded with lifelike flowers. Following her stage role, Withers became possessive, denying me even a peek, clutching it and turning away. Ultimately it developed into a quiet offstage competition for something she really did want, but I did not. Toward the end of “Bright Eyes,” Sheehan caught wind of the doll competition and offered Mother the Lenci doll in order to gain her cooperation on some other minor matter. Believing I really coveted it, Mother acepted his bribe, thinking perhaps to employ the doll in some secondary inducement with me. Her hope vanished when Sheehan publicly announced that I was starting a doll collection with the Lenci as my first. This action was tantamount to removing a finger from the dike. From all over the box-office world a thousand dolls of every type and nationality flooded in. In fact, the concept of a collection of anything beyond slingshots had no appeal whatsoever. It was a Pyrrhic victory; winning the Withers war imposed the unwelcome burden of becoming curator for an unwanted collection.
Below is a photo I shot when the doll came up for auction in 2015.
Pinkie had a place of prominence in Shirley’s Santa Monica bedroom (photo below).
Sorry, Jane - you shouldn’t have messed with Shirley.
Shirley and Jane Withers’ December 1976 reunion at the Beverly Wilshire Hotel was captured by the photographers. Note that Shirley is covering Pinkie in the photo in her left hand. Why stir up old wounds? Always the diplomat!
In a quieter moment, you can just hear Shirley: “Really Jane, if you hadn’t been such a pill, you could have had the darn doll for yourself!”
This darling costume also graced the cover of one of Saalfield’s many 1930s Shirley Temple publications:
In 2003, the Danbury Mint released a limited edition porcelain doll of Shirley recreating the same scene (minus the carriage) in honor of Shirley’s 75th birthday:
Sorry, Jane - you weren’t part of that tribute, either!
See more Shirley Temple in “Bright Eyes” photos at my
main website.
