Saturday, February 15, 2025

#3 At The Roundhouse



These two images from 1980 show the Fred Gurley locomotive parked at the Disneyland Roundhouse. It has been in service at the park since March 28, 1958 but was built back in 1894. It’s the oldest locomotive in operation at the Park.



In September 2011, I was able to capture the Gurley at the Roundhouse again. By this time, it had been converted to burn biodiesel fuel.



A closer view:



Just for the heck of it, here’s a shot of the Roundhouse from June 1969.



Something appears to be parked in there, but I can’t tell what. On the far left you can see one of the signs from the freeway.



See more Disneyland Railroad Roundhouse photos at my main website.

Wednesday, February 12, 2025

Shopping with Jayne and Mickey



Just when I thought there couldn’t be any more vintage shots of Jayne Mansfield’s May 1957 trip to Disneyland with husband Mickey Hargitay, another gem pops up! Here the stunning couple go shopping in Adventureland. It could be the Bazaar, or it could be Tiki’s Tropical Imports. Lots of thatched roof structures in Adventureland at the time.



An exterior shot of Tiki’s from 1959:



See more Jayne Mansfield photos at my main website.

Tuesday, February 11, 2025

Temple Tuesday: No Jitterbug for Shirley



As soon as she hit the silver screen, Shirley Temple was known for both singing and dancing, as seen above in “War Babies” (1932). In “Miss Annie Rooney” (1942), her first teenage romantic role, it was only natural that Shirley’s footwork kept up with the times. Below, she can be seen getting coached by choreographer Nick Castle and costar Dickie Moore.



Fortunately for Dickie, for this jitterbug dance sequence he was able to get by with just standing still while Shirley did all the work.



Later in the film, wrong-side-of-the-tracks Annie (Shirley) finds favor with the rich kids by teaching them how to cut a rug. “Drizzlepuss” Stella Bainbridge (June Lockhard) refuses to join the fun and stands off to the right. 



When Shirley returned to the screen a little over a year later in David Selznick’s “Since You Went Away” (1944), the producer was adamant against Shirley doing any singing or dancing. According to publicity of the time, the movie “…definitely is not ‘another Temple picture.’ It is based on a series of letters written by Margaret Buell Wilder, Dayton, Ohio, newspaper-woman and mother of two teenaged daughters, to her husband in the Army. It is the every-day story of their problems and efforts to make ends meet by taking in boarders. And it is definitely not another Temple role. Shirley plays a straight dramatic part. No dancing and no singing.” In one of his famous memos, Selznick wrote, “I’m anxious to get the accent off this as a Temple vehicle and start hammering away at its tremendous cast.” Selznick would even go so far as to admonish Shirley against singing and dancing on her War Bond Tours. What a fink! Below is Shirley with costar Claudette Colbert who played her mother, Anne Hilton.



As in Selznick’s “Gone with the Wind,” a military dance plays a central part to the story of the film. Here, Jennifer Jones (playing Shirley’s older sister) arrives to the thrill of the soldiers who get a temporary break from World War II to dance with some pretty girls.



Shirley is not even in this scene at all; instead, the focus is on the romantic leads (Robert Walker and Jones) and their chaperones, Colbert and Joseph Cotten, who plays a close friend of the Hilton family.



According to the AFI website, the hangar dance was shot in a reproduction of an Army aviation hangar that encompassed two sound stages, over 20,000 sq. ft. of floor space and utilized 100 electricians. Below, director John Cromwell coaches Cotten and Colbert as they dance and recite their dramatic dialogue.



Colbert and Cotten rest between takes:



With Cromwell watching at right, Jones and Walker (married at the time the film was being made) perform their scene:



Silver Screen Magazine shot a series of dance photos during filming of the movie. From their publicity blurbs:

Jitterbugs Elsie Peritz and Jack Arkin warm up their motors, so to speak for an aerial take-off in the hangar dance sequence of “Since You Went Away,” first picture made by David O. Selznick since his Academy Award winning “Gone with the Wind” and “Rebecca.”



Peritz also had an uncredited role in the Robert Benchley Paramount Technicolor short, “Boogie Woogie” (1945). Arkin had a few small uncredited roles, including the Judy Garland film, “The Clock” (1945) and “Thirty Seconds Over Tokyo” (1944) where he also danced the Jitterbug.

Below: Jack gives a spin and—oops!—we got something in our eye, so we didn’t see that.



Now Elsie is really getting up in Hollywood. The lady in the background, if she had it to do over again, would never learn how to knit but would concentrate on jitterbugging, as Elsie has, so that she too could be the life of the party.



Don’t feel bad for Shirley; she continued to dance for her fans, including in Central Park with former dance partner and close friend, Bill Robinson, Summer 1944:



She gave Franchot Tone Jitterbug lessons in “Honeymoon” (1947):



In the 1970’s, Shirley performed the Jitterbug with talk show host Mike Douglas. I have yet to find a clip of it on YouTube. From what I recall she was magnificent!

See more “Since You Went Away” photos at my main website.

Monday, February 10, 2025

Mineo Monday



Actor Sal Mineo is typically remembered for his role of Plato, the young boy seeking a father-figure who latches onto James Dean’s character in “Rebel Without a Cause” (1955).



Along with Natalie Wood’s character, the three form a somewhat dysfunctional family, with Mineo and Wood competing for the affections of Dean. They bond one night at an abandoned mansion, as they secretly hope to all find what they have been missing throughout their already troubled lives.



Sharp-eyed viewers will recognize the mansion as the same one that Norma Desmond (Gloria Swanson) lived at in “Sunset Boulevard” (1950) with her ex, Max (Erich von Stroheim). The Getty mansion has long since been dozed.



But I digress…

While the censors of the 1950s would not allow any hint of Mineo’s character being gay, the actor’s performance made it very clear. In real life, Sal Mineo, he was quoted as saying, “I got a girl in every port — and a couple of guys in every port, too.” His life was tragically cut short in 1976 at the age of 37 during what was most likely a botched robbery. When it comes to celebrity deaths, no site is better than Scott Michael’s. During my last visit to Hollywood, I decided it was time to visit the spot where the murder took place. I texted Michael’s to narrow down the actual spot at Mineo’s West Hollywood apartment complex (known as the Hollyview Manor at the time) and within seconds, I received the photo below.



That’s a true friend. Below is how it looked the day I visited.



Michael’s pointed out to me that the odd sloping concrete shown in my photo:



…matches the one from the crime scene photo shot the night Mineo was murdered in the back alley of the complex:



This shot of a policeman looking for evidence was shot in the front of the building:



How the complex looks today:



Edited from Scott’s site:

Sal was renting an apartment in West Hollywood, at 8569 Holloway. Marvin Mitchelson, the famous lawyer, owned the building. On Thursday, February 12, 1976 at about 11:30 p.m., Sal returned home from the Westwood playhouse, where he was rehearsing the play, “P.S. Your Cat is Dead.” He parked his blue Chevelle in the garage, and just as he exited the garage a man with a knife confronted him. Mitchelson’s mom and neighbor Raymond Evans heard Mineo scream, “Help! Help! Oh my God!” Evans rushed to the scene and found Sal lying in a pool of blood trailing 10 feet to the sewers. Evans saw that Sal was losing color in his face and tried giving him mouth to mouth. The Sheriff arrived and found Sal in the fetal position. They turned him on his back, cut open his jacket and shirt to attempt resuscitation, but the stab wound was fatal. After 5 or 6 minutes of gasping, Sal was dead at 37. He was stabbed in the heart.…The case was still unsolved for a year and a half, until a Michigan prison inmate Lionel Ray Williams did a bit of bragging to fellow prisoners that he had killed the star. They pimped on him, and in 1979 Williams was convicted. He is serving 51 years to life. All for a random, botched robbery. Now he’s out – released after serving about 25 years.



A shot of Williams:



While searching on the web for more info about Mineo’s murder, I discovered a documentary film had been made that professes William’s innocence, saying that his incarceration was based on racial motivations rather than the truth. Documentary filmmaker Letitia McIntosh interviewed Williams himself, who claims he didn’t know Mineo and that it had to be somebody else. What McIntosh leaves out is that Williams confessed to numerous people (including a girlfriend and wife) to killing someone famous that night. If you can stand the staccato prose of James Ellroy, you can read his compelling account here.

What do I think? I wasn’t there. Not my circus. I just take photographs.

See more photos at my main website.

Saturday, February 08, 2025

James Dean: 94th Birthday Tribute



Today would have been the 94th birthday of 1950’s icon, actor James Dean. Still relevant, still studied, and still written about. At the age of nine, Dean’s mother died and his father decided to let him be raised back on the family farm in Fairmount, Indiana, shown below:



Fairmount is an interesting little community, seemingly untouched by the passage of time. This video does a great job of capturing the town (and Dean) through interviews with the locals who still memorialize the actor.



The town has two museums that are Dean-centric; there’s the James Dean Gallery, run by David Loehr:



A picture of Loehr that I shot back in 1995 at a Rockabilly show in nearby Marion, Indiana. He is surrounded by Christy (whose father went to school with Dean) and fan Diane.



The other museum WAS the Fairmount Historical Museum, which was once located in this historic home:



It has since moved closer to downtown in a brand-spanking new building and been rechristened as the James Dean Museum. What’s the difference between the two? If you want to see vintage souvenirs and get to know Dean from a fan perspective, the Gallery is the place for you. If you want to see Dean’s personal effects and have a better understanding of him as an actor and a human, the Museum is the far better choice.

In downtown, there is a little park with a bronze bust of Dean, sculpted by the late Kenneth Kendall.



It is a copy of the same bust Kendall sculpted that is at the Griffith Observatory in Hollywood.



I met Stephen Payne (at right) when he first came to the U.S. and journeyed to Fairmount; you’ll get to hear his story in the video. On the left is Luke Williams, an Australian who traveled to Fairmount as well, seeking to find out more about Dean.



More than just a “rebel,” James Dean was a gifted human being who tragically died too young before getting to explore his many talents. We are fortunate to have the celluloid reminders that will forever enshrined his youth.

See more James Dean and Fairmount photos at my main website.

Friday, February 07, 2025

Arrivederci, Hotel Hollywood



The Hotel Hollywood was a staple of Hollywood Boulevard for years, just about a block away from Grauman’s Chinese Theatre. It opened December 1902, designed and built by Lyman Farwell and Oliver Perry Dennis for Hollywood developer H.J. Whitley. The photo above was taken some time before 1910 (for explanation of how I know this, keep reading!). The photo below, which appears to be from the 1940s, was used to accompany an October 1952 news story:

HOLLYWOOD’S OLDEST LANDMARK

The Hollywood Hotel, on Hollywood Boulevard at Highland Avenue, and the film capital’s oldest landmark, was at one time the show place of the stars and home for many of them. Part of the hotel was built in 1906, the rest 10 years later. Now the structure is occupied mostly by retired folk who like to sit on its porch and rock.




The below image from 1951 illustrates how the hotel had begun to suffer from deferred maintenance:



Below is a color shot from Christmas, 1954:



When I see photos of the large historic structure, it’s hard for me to believe that it was eventually removed. But, that’s what they do in Hollywood to its history. By the 1950s, the land it was on was worth more than the business, and so it was demolished in August 1956. Below is a shot from July, before the lot was completely cleared.



Oh, to have been there to salvage some of the items from that historic Mission Revival building!



In the corner, you can see Toff’s Diner, which was removed some time around the 1970s (don’t quote me on that!).



Originally, Hollywood Boulevard was called Prospect Avenue, as you can see from the detailed view from this post’s first photo:



By 1910, the town of Hollywood was incorporated into Los Angeles, and Prospect Avenue was officially renamed Hollywood Boulevard.

See more vintage and contemporary Hollywood photos at my main website.