Showing posts with label john agar. Show all posts
Showing posts with label john agar. Show all posts

Tuesday, November 10, 2026

Temple Tuesday: Shirley and the Waltz



Shirley Temple appeared in a full color cover for the February 1949 issue of Screen and Television Guide. Inside was a two-page spread titled Mrs. Agar Struts. The magazine wrote:

The Agars were so popular in “Fort Apache,” fans demanded an encore. Now they’re in “Baltimore Escapade.” Shirley’s a siren in a slicker when she steps into the captivating old-time rhythm of the Charleston. Remember 'way back when Shirley Temple was a little charmer with an amazing ability to master grown up dance routines? When RKO’s “Baltimore Escapade” called for a Charleston, Mrs. John Agar showed director Richard Wallace that she could go into her dance with more grace and charm than ever!



The Charleston dance is part of the opening montage showing girls (all Shirley) through the ages. Although brief, it is utterly delightful to see Shirley dancing with utter carefree abandon, devoid of any of the stiffness she sometimes exhibited in her teenage movies. It is the fulfillment of her childhood promise and makes one wish she had been given the opportunity to do more.



Retitled “Adventure in Baltimore” before its April 1949 release, it is what I would call a pleasant film. Shirley was expected to carry the movie with her star power, as it lacks a compelling story and a good script. The cast is more than competent, but it is obvious they are all doing the best they can with what they have been handed. It’s also a shame that the film wasn’t done in Technicolor; in the end it comes off as the poor stepchild of “Meet Me In St. Louis.” Below is a wardrobe test for Shirley, showing her in the outfit featured on the cover of Screen Guide:



She also wears the period outfit in  this church with costar and then husband John Agar:



The Charleston isn’t the only dance Shirley performs in the film. During a scene where she is fighting with boyfriend (played by Agar), her father (Robert Young) has a heart to heart chat with her.



Afterwards, the two enter the dance contest doing a waltz. Guess who wins?



Young had played Shirley’s adopted father thirteen years before in “Stowaway” (1936):



Below are two publicity shots of Shirley working with dance instructor Charles O’Curran for the waltz contest:



From the accompanying publicity blurb:

SPIRITED LESSON - Shirley Temple and Dance Instructor Charles O'Curran rehearse a lively number for RKO Radio’s 1905 period comedy romance, “Baltimore Escapade,” which stars Robert Young, Miss Temple and John Agar.



How the twirl looked in the final film:



This pleasant little film lost $785,000 and was one of the reasons Shirley left Hollywood, frustrated with the bland material forced upon her.

See more photos at my main website.

Tuesday, November 03, 2026

Temple Tuesday: Shirley, Soda, and More



Legend has it that W.C. Fields (shown above with Baby LeRoy) once said, “Never Work With Children Or Animals.” Why? Because invariably they are either unpredictable and/or they will steal the scene from the adults. In truth, humorist and author Leo Rosten once joked ABOUT Fields saying “Any man who hates dogs and babies can't be all bad,” which eventually morphed into being attributed to W.C.

Shirley Temple never had to worry about that; whether as a child, a teen, or an adult, she always held the focus of the audience, and was never afraid to share a scene with an animal, especially a dog, as seen below.



From the accompanying caption:

Shirley Temple makes friends with Soda, the pet English bulldog appearing with her in “Since You Went Away.” The picture was taken on the set of this Selznick International Picture directed by John Cromwell with an all star cast including: Claudette Colbert, Joseph Cotten, Jennifer Jones, Monty Woolley, Robert Walker, Hattie McDaniel and others of note.



Shirley had previous experience with a bulldog in “The Blue Bird” (1940). She didn’t have many scenes with the dog though, as the animal was transformed into a human early on in the film and played by Eddie Collins:



What a cutie!



Shirley surrounded by Collins and Gale Sondergaard:



Back to Soda…Shirley’s affection for dogs is visible throughout the film with this lovable bulldog.



The publicity machine continued to generate “news” about Shirley and Soda even as she was making her next film without him.



Favorite pin-up boy on the wall of Shirley Temple’s dressing room on the set of Selznick International’s “I’ll Be Seeing You” is Dick Whittington, English Bulldog who recently appeared with Shirley in David O. Selznick’s “Since You Went Away.”

Shirley truly loved dogs and had them throughout her life On set it was Soda; at home it was her beloved Ching Ching:



Below is an image of Shirley and then husband John Agar outside their home:



A 1949 image at home with Agar and her collie:



Shirley from 1960 at home with her Boxer, Chris:



See more “Since You Went Away” photos at my main website.

Tuesday, July 07, 2026

Temple Tuesday: Rodeo Drive and Howard Greer



In the film “Pretty Woman” (1990), Julia Roberts’ character asks her friend Kit (Laura San Giacomo) where the best place in Los Angeles is for expensive clothes. Her response: “Rodeo Drive, Baby!” In the 1940s, Shirley Temple already knew the answer to that question!



Here she is in her off hours (am guessing 1946/1947), strolling down that legendary street for shopping. Other cities may have a Rodeo Drive, but Beverly Hills has the most famous one! Behind Shirley is the 300 block of Rodeo Drive, which at the time had The London Shop (a British clothing importer for men), Chapman-Pollock tailor, and a Jewelry Store. Shirley is blocking any other details about the jeweler!



Below are two vintage ads for The London Shop:






How that section of Rodeo Drive looks now (from approximately the same angle, thanks to Google Maps!), with the Burberry shop and a completely different structure in its place:



In this previously posted image, Shirley and her mother have just parked at the Rodeo Auto Park lot in Beverly Hills as they go to pick up her wedding dress at designer Howard Greer’s private fashion studio, September 10, 1945. This parking lot was located at 485 North Rodeo Drive, near the corner of Santa Monica Boulevard and Rodeo Drive.



Below, Shirley flashes her engagement ring to Greer, a Hollywood costume and fashion designer, once under contract to Paramount before going on his own:



Shirley’s class mate from the Westlake School for Girls and future sister-in-law, Joyce Agar, was also along for the fitting that day:



Shirley and her mother as they exit Greer’s Beverly Hills fashion studio, reported by the following publicity caption:

BEVERLY HILLS, CALIF., SEPT. 10 — SHIRLEY SHOPS FOR WEDDING DRESS. Shirley Temple, accompanied by her mother, Mrs. George Temple, leaves a dressmaking shop here today after picking out her wedding dress. The young screen actress will become the bride of Sgt. John Agar sometime between Sept. 15 and 22, depending on when Agar is granted a furlough.



The LA Evening Citizen News breathlessly described Greer’s creation:

A small crown of corded satin in loops topped Shirley’s famous golden curls. Her dress of white satin, especially designed for her by Howard Greer, had a fitted bodice, short sleeves and a “Little Infanta” skirt held out at the sides by panniers. The round low neck was edged by a looped cord of satin studded with seed pearls, more of which dotted the bodice. The train was full and long. From the headdress coronet fell a silk net veil and a short cape veil of the same material. Shirley’s gloves were of self-satin in wrist length, scalloped and embroidered with seed pearls.



Two shots from the Agar wedding, taken during the reception that followed at the Temple residence:



According to the LA Daily Mirror website, Greer’s shop was originally at 6530 Sunset Boulevard in Hollywood, moving in 1940 to the 310 N. Rodeo Drive location where Shirley and her mother were pictured. Previously on August 28, gossip columnist Louella Parsons for the LA Examiner mentioned Shirley and Greer:

Don’t let anyone tell you that the Shirley Temple wedding to John Agar isn’t just around the corner. Three dresses for her trousseau were modeled at the Howard Greer fashion show that brought out Loretta Young, Irene Dunne, Dinah Shore, Doris Le Roy, Kay Williams et al. But to get back to Shirley’s little numbers—one was a sky blue cocktail suit with a jacket of Bugle beads shimmering like blue sunshine. Another was a black and white check suit but the “bridiest” of all was a white robe with quilted bodice and sleeves and a full flaring flannel skirt.



I don’t see any bugle beads, but this suit was worn by Shirley as she exited the Temple residence for her honeymoon.



Shirley is holding the same purse; not sure if the interesting pin is buried underneath the gigantic corsage of orchids or not!



Here’s a genuine Howard Greer label, found on eBay:



Didja’ know…Greer also designed this uniform for TWA flight attendants in 1944 with the interesting logo cutout on the shoulder, found on csews.com:



And so concludes this particular Shirley Temple rabbit hole!

See more Shirley Temple photos at my main website.

Tuesday, May 05, 2026

Cinco de Shirley



Six years ago, I did a Cinco de Mayo themed Temple Tuesday post; one pitiful photo that is new to my collection is what I have to offer today. Scanned from a badly faded transparency, this undated image is most likely from 1949. The chopped caption on the sleeve states, “Ektachrome by Arnold Johnson. Shirley Temple shops for imported Mexican fabrics in the Maya de Mexico shop in Beverly…”
 
Deductive reasoning would conclude that the shop was in Beverly Hills. I did the usual internet deep dive and came up with very little about the shop itself, however, I did find an Etsy listing for a skirt that has a Maya de Mexico label as well as some eBay listings for similar items. Perhaps the caption was off and the shop was a different name but carried these colorful and vibrant fabrics. Any vintage Beverly Hills aficionados know the story?



It would appear that based on the decor in her 1949 home, Shirley was no stranger to bold prints!



Above and below, Shirley poses with then husband John Agar and her first child, Linda Susan.



These were shot for the April 1949 issue of Modern Screen, shown below in full color!



See more Shirley Temple photos at my main website.

Tuesday, June 10, 2025

Temple Tuesday: Party at Captain Kramer's!



Even if you don’t “get” the reference to the movie “Airplane!” (1980) in the title of today’s post, Shirley fans can still enjoy it! I recently acquired two color transparencies of Shirley and John Agar wearing costumes from 1949’s “Adventure in Baltimore” at what appeared to be some kind of celebrity event. Naturally, it was Shirley expert supreme Rita Dubas who tipped me off to the backstory!



In the July 1949 issue of Modern Screen, the magazine carried a breathless article about a party held at actor Robert Stack’s home. Yes, Robert Stack of “The Untouchables,” “Unsolved Mysteries,” and the classic disaster spoof “Airplane!” The article is a charming and innocent look at how times have changed in the last seventy-five years, especially the games played at the party AND the menu! I present the article in its entirety for your enjoyment.




The quiet dinner party which Bob Stack had planned mushroomed into a fancy dress party featuring games and a mob of guests.

“Come dressed” the party invitation said, so some came in calico and others in lace. They stacked up the records, stoked in the food and let ’er rip!



John Agar was, quite naturally, Shirley Temple’s beau.

by reba and bonnie churchill

Robert Stack had carefully enclosed tiny hand-sketched maps with the invitations to his costume party, showing just how to get to his Bel-Air home, high on a crest overlooking Los Angeles. But as we started up the steep winding road that led to Bob’s house, no map was needed. All you had to do was follow the gay caravan of gypsies, cowboys, swashbuckling cavaliers, French maids, 1890 belles and what have you.

Sporting these brightly bizarre get-ups were Shirley Temple and John Agar, Guy Madison and Gail Russell, the Donald O’Connors, Martha Hyer and Dick Jackson, Anthony Curtis and Lois Maxwell, Michael North and Barbara Lawrence, Dick Flato and Annie Rooney—and we, the Churchills. Reba was a 17th-Century French countess, while Bonnie appeared as a be-haloed angel (the halo was through the courtesy of two bent clothes-hangers).



(photo above) Donald O’Connor doesn’t need an audience to be funny, but he’s got one anyhow in the attentive Mike North. The ladies (Barbara Lawrence and Gwen O’Connor) concentrate on gossip and good food.

As we followed trail-blazers Guy and Gail into Bob’s flagstone driveway, we could hear soft music and the laughter of early arrivals. Through giant eucalyptus trees, we caught glimpses of multi-colored Chinese lanterns strung around an emerald-green pool.

We rang the bell—or, rather chimes—and the oak-carved door swung open on a burst of festive noise. Against a background of balloons, serpentines and confetti, stood our grinning host, Bob Stack. Tonight he was Two-Gun Texas Bob, toughest cowboy in the West.

Taking a properly bow-legged stance, he drawled, “Howdy, friends! Right proud y’all could come to my little ole git-together!”

“Little” proved to be a bit of an understatement. The party had started out to be a dignified dinner for six, featuring barbecued pheasant (which Bob had shot on a hunting trip some months ago and had been keeping in the deep freeze). But somehow, plans had snowballed until the guest list had multiplied to 20—but the pheasant hadn’t.

This switch in menus didn’t bother Bob or his guests. He dropped the pheasant back in the deep freeze and started ordering other food.



(photo above) Martha Hyer has Dick Jackson nibbling out of her hand while host Stack serves Shirley.

The first sensation of the evening came when Barbara Lawrence appeared in a black wig. At first, we thought she’d dyed her blonde tresses. “Oh, no!” we moaned, “you didn’t!”

“Of course not,” said Barbara. “Mike North just talked me into being Carmen to his Don Jose. Never again! My head itches like fury.”

Donald O’Connor thoughtfully inquired, “You mean you don’t know if you’re Carmen or going?”

Before Barbie could crown him with a coke bottle, Gwen O’Connor led him quietly over to the phonograph, where Guy and Gail were piling on samba records.

Then, between shakes and twirls, Guy explained that he and Gail were trying out some of the steps they’d learned on their two-day tour of Cuba.

Besides the dance-steps, they’d also acquired two cases of sunburn and a couple of native drums, which Guy had installed in this apartment and insists on thumping at all hours. “He’s pounding out his own eviction notice,” said Gail.



(photo above) This alternate shot didn’t make the article. In the detailed view below, you can see Martha Hyer and Bob Stack in front, with Tony Curtis and Lois Maxwell behind them.



Those who weren’t dancing drifted onto the glass enclosed patio, where pale pink and aqua porch furniture was strategically placed. Here there was a low, very wide, green-marble coffee table bearing heaping bowls of homemade potato chips and pop corn. Across one end was a garden-banked wall, on which small bunches of old-fashioned flowers had been mingled with ferns and other greenery.



(photo above) Gail Russell tries out a shootin’ iron from the trophy room—and even though it isn’t loaded, Guy Madison, Bob, and Lois Maxwell stay out of her way. Gail spent most of the evening samba-ing with Guy.

Sitting just in front of this were Shirley and John Agar, decked out in the 1905 costumes they’d worn in RKO’s Adventure in Baltimore.



(photo above) This cute image of John and Shirley also failed to make it into the story.

Lois Maxwell had also borrowed a period gown from the studio. But when trying it on at home, she’d decided it wasn’t exactly her type. “I took a pair of scissors and snipped off the sleeves,” confessed Lois, “and let my Adrian tendencies take it from there.”

Before the evening was over Reba was wishing that she’d done a little snipping on her costume. It was a French colonial hooped-skirt outfit designed by Kay Drake. Before going through any door, she had to pause a moment and remember to shift sideways.



(photo above) After some persuading, Shirley and John Agar, Barbara Lawrence and Mike North got Bob to take them to the trophy room. The 400-pound phonograph console was moved out to the patio where there’s dancing space. (He-man Bob gave up trying to push it alone.) Lois, Bob, Guy, Gail and Gwen select their favorite records.

No one needed to be urged twice to approach the candle-lit buffet with its centerpiece of lilacs, when dinner was announced. The fragrance of steaming silver casseroles filled with tomato rarebit was a beautiful lure. There we found other delicacies spread before us. There were twin trays of jelly-glazed baked ham decorated with large slides of baked apples, green peas, tossed salad, scalloped potatoes, and the most wonderful crab meat and avocado in aspic that any of us had ever tasted. The dessert was fresh strawberry pie (with with whole berries) topped with whipped sour cream. Glory be! Some of the recipes had been int he Stack family for generations.

The boys gallantly volunteered to prepare trays for the girls. Jack Agar, with a stately bow, presented us Churchills with our dinners. (Not that we minded, but it might have been better if he hadn’t filled over half of our plates with delectable but calory-filled scalloped potatoes)



(photo above) Bob acts as safety-man for bannister-sliding Bonnie. He had to catch her twice before anyone guessed the charade she was acting out—Fallen Angel, natch! Richard Flato came as a bandleader with baton and music case. Gail Russell adds a false nose, a blond goatee—and presto, a maestro!

Martha Hyer and Dick Jackson migrated out to the flagstone terrace to eat their dinners. Here, Bob had umbrella tables and chairs set up.

Others, more venturous, walked down the narrow stepping-stone path, bordered wth camellias, to dine beside the swimming pool. This was heavenly. A warm night, a ceiling of stars, jasmine and honeysuckle heavy in the air, and—leave us face it—heavenly food.…

After dinner, Don O’Connor decided that now as the time to play games. Dick Flato—who has the killer role in Vendetta—gave Don a crafty glance as he suggested that oldie, Drop the Handkerchief.

Tony Curtis immediately excused himself from participating. Tony, you see, was wearing the dashing Beau Brummel outfit Douglas Fairbanks, Jr., had sported in The Fighting O’Flynn. And the skin-tight trousers were just that—skin tight. “As far as I’m concerned,” he announced, “if any fair lady drops her handkerchief tonight, I’ll just have to let it lie there—for security reasons!”

Thereafter we played everything from charades to monopoly. The latter was at Don’s request. The guy won every game.



(photo above) “Diamond Jim” O’Connor suggested all the games—and walked off with all the prizes. The next day, he and Gwen started a two-week vacation. After “Yes Sir, That’s My Baby,” “Curtain Call at Cactus Creek” and this fancy dress brawl, he needed the rest.

By the time “Diamond Jim” O’Connor’s winning streak was over, we were all too weary to compete. So, we went exploring in the trophy room. Here, Bob keeps part of his umpteen (we counted 30 on one table alone) medals and awards for sailing, flying, skeet-shooting, polo and just about every sport but jacks.

Though we literally had to drag Bob into the room, we did finally wring out one statement about his interests in sports. Seems his fervor for death-defying motorcycle and motorboat racing is getting to be a thing of the past. When he was an aerial gunnery instructor in the Navy, one of the new recruits accidentally shot 25 holes into his plane. It was then that Bob decided that if he ever lived to be a civilian, he’d take it a bit easier. Dying in bed holds a great appeal for him, now.

Also in the room was Bob’s desk, piled high with papers, books, and letters. (It looked almost as cluttered as does ours when we’re writing our newspaper movie column.) Right next to the desk is where the phonograph console usually sits.

“But,” groaned Bob, “I got ambitious. Thought it would be more convenient to have the records and paraphernalia on the patio.” The moving job proved to be a little more strenuous than he’d anticipated—for the console weighs 400 pounds. After one push, he’d called for reenforcements.

But the effort had been worthwhile—at least, for those who hadn’t had to labor! The phonograph kept spinning most of the evening. Even in the trophy room you could catch faint strains of the “Polonaise” or the last chorus of “So In Love.”




When we returned to the patio, we found Annie Rooney trying out a second piece of pie for size. She’d planed in from New York that afternoon and was a house guest of the O’Connors. Just before we’d left for the party, Don and Gwen had frantically called us with the stimulating question of where to find a costume for Annie at eight o’clock on a Saturday night.

The problem had finally been solved when Gwen had taken a large hem in one of Annie’s black dresses, added a doily atop her brown locks, and presented her with a duster (vaguely resembling a dish mop). Voilà! She was a French maid.

All evening Shirley and John wore matching smiles and looked as pleased as punch. Thirteen-month-old Linda Susan had soloed for the first time that morning. Shirl had been bedded with the sniffles for several days and had been isolated from the baby. When she recovered, Su-Su had been so glad to see her that she’d promptly started walking toward her.

The balloons and serpentines, which had been neglected up until now, were re-discovered. Mike North and Fick Flato entered into a balloon-blowing marathon. It wasn’t until Mike was blue int he face from puffing into his balloon that Barbara Lawrence let him in on the fact that there was a pinsize hole in the bottom of it.

Guy and Gail were back doing their Latin-American antics and rapidly gaining converts. We all finally formed into a long conga line and—one, tow, three, ugh!—wove around the living room and den.

Footloose and fancy dress—that we were, that we were! THE END



Well, not quite the end! Those who are feeling nostalgic may want to have a party like this at their own home. Here are a few of the recipes to get you started. These were printed in the magazine and were supposedly the same recipes Stack used.

tomato rarebit
1 pound sharp cheese, grated
1 (10 1/2 ounce) can condensed tomato soup
2 egg yolks
2 teaspoons Worcestershire sauce
1 teaspoon dry mustard
2 egg whites, stiffly beaten
1⁄2 teaspoon salt
English muffins or crumpets, toasted and buttered

This can be kept warm in double boiler for a half hour before serving. Heat grated cheese and tomato soup in top of double boiler until cheese melts. Beat egg yolks slightly, add Worcestershire sauce, dry mustard, and blend. Add to cheese mixture. Fold in stiffly beaten egg whites and salt. May be thinned with milk or tomato juice if desired. Serve on well-buttered, toasted English muffins or crumpets. Serves 8.

crab and avocado in tomato aspic
1 1⁄2 tablespoons unflavored gelatin
2 1⁄4 cups tomato juice
1⁄2 teaspoon salt, or to taste
1 tablespoon lemon juice, or to taste
1 pound flaked cooked crab meat
1 1⁄2 avocados, peeled and diced
1⁄2 teaspoon Worcestershire sauce, or to taste

Allow gelatin to soften in 1⁄4 cup cold tomato juice. Heat remaining tomato juice and dissolve gelatin in it, stirring thoroughly. Add salt, lemon juice, Worcestershire sauce if desired, and cool. Arrange avocados in mold with crab meat. When tomato mixture has thickened to consistency of unbeaten egg whites, pour over diced avocados and crab meat. Chill until firm. Unmold and serve on lettuce with mayonnaise. May be made the day before, if convenient. Serves 8 to 10.

scalloped potatoes
8 medium potatoes pared, cut in slices
2 large onions, sliced
Salt and pepper
Flour for dredging
4 tablespoons butter
Top milk

Arrange a layer of sliced potatoes in buttered baking dish, then a thin layer of sliced onions. Sprinkle with a tablespoon (or a little more) flour, salt and pepper. Dot with butter. Continue layers until dish is filled. Add milk until it may be seen through top layer. Bake in moderate oven (350°F.) until potatoes are tender. Serves 8.

Happy baking! See more Shirley Temple photos at my main website.