Neglect of a Frank Lloyd Wright Treasure

An interesting yet sad article on the Curbed website shines a very unflattering light on USC's School of Architecture and their neglect of a lesser known Frank Lloyd Wright treasure.

I had never heard of the Samuel Freeman home when I visited it three years ago and was astounded that yet another Frank Lloyd Wright masterpiece existed right under my nose. Built in 1924 for Samuel Freeman and his wife Harriet, it was inspired by their love for Wright’s Hollyhock House in East Hollywood. The exterior has approximately 12,000 textile blocks, minus the ones that have been stolen over the years.



The Freemans ran their house as an artistic and political “salon” until 1986, when the Freemans donated their house to USC. According to the Frank Lloyd Wright website, the building was stabilized in 2005 and is undergoing additional renovations due to earthquake damage. When I visited, our guide told a different tale. A change in the faculty at the school had shifted interest, and other than having students act as live-in caretakers, the house had basically been frozen in limbo with very little work done on it for years. This information is echoed in the Curbed article, along with stories of missing/stolen furniture and light fixtures that USC has allegedly been aware of but kept very quiet about.



Looking at the photos I shot, you can see that this diamond is very much in the rough and needs more than just TLC.



The views of Hollywood Boulevard and Franklin Avenue are incredible:





…but the interior looks as if it was picked clean.



Wright must be rolling over in his grave over this living situation:





Here’s to hoping USC steps up to the plate and puts some attention (and money) towards fixing this tarnished treasure.



See more Frank Lloyd Wright photos at my main website.

Hooray for Hollywood-land

This vintage image was taken in the 1940s and shows the iconic "HOLLYWOODLAND" sign. That's right, readers. The original 1923 sign was intended to be a short-term advertisement for a local real estate development but as we all know, it ended up staying. The reason it was allowed to stay was that in 1949 the City of Los Angeles Parks Department demanded that "LAND" be removed so that the sign would be representative of the district, not the housing development.



While driving through the residential area of the Hollywood Hills in August 2001, I captured a shot of the Hollywood sign that is somewhat close to the vintage shot.



This photo from March 2002 is even closer; I was hiking in Runyon Canyon when I snapped this.



More vintage Hollywood at my main website.

Daveland On Location: Double Indemnity

"Double Indemnity" (1944) has just been released for the first time on Blu-ray. Watching it last weekend, I was reminded of the genius of Director Billy Wilder. He took a decently written novella by author James M. Cain and fleshed it out into a film noir classic, creating the text book example of how the genre should operate.



Cain's dialogue was spiced up by detective fiction author and screenwriter Raymond Chandler ("The Big Sleep") and Wilder. Despite the fact (or maybe because of it) that the two didn't get along, the dialogue far surpasses the original. The interplay between femme fatale Phyllis Dietrichson (Barbara Stanwyck) and insurance salesman Walter Neff (Fred MacMurray) sizzles, laden with double entendres that allowed the film to pass the strict censors while still letting the audience know exactly what was going on, even if they didn't see it.



Stanwyck steals the picture. Wearing a cheap blonde wig that Wilder picked out for her, she transforms into the scheming wife who'll stop at nothing to get what she wants. MacMurray was an excellent choice, playing against type as the poor schmuck who is lost in the haze of sexual attraction, losing any sense of morality because of it.

Many films were inspired by "Double Indemnity," most notably "Body Heat," from 1981, starring Kathleen Turner and William Hurt. The storyline was not much different, but definitely a lot more graphic than its predecessor.



In 1982, comedian/writer/musician Steve Martin paid homage to the Film Noir genre with the hilarious, "Dead Men Don't Wear Plaid." In one sequence, he dons the horrid Barbara Stanwyck wig, recreating the "Double Indemnity" scene at Jerry's Supermarket.



Here, Detective Rigby Reardon (Martin) in drag successfully attracts Walter Neff with a bewitching perfume called "Fondle Me."



Thanks to the well executed inter-cutting of current and vintage footage, a serious scene from "Double Indemnity" becomes a riot in "Dead Men Don't Wear Plaid."



Surprisingly enough, the imposing Spanish Colonial style Dietrichson home from "Double Indemnity," built in 1927, still exists.



Other than an unfortunate change of garage doors, you would think you'd stepped back in time looking at the Beechwood Canyon home today, which is still a private residence.





You might even find an insurance man on the steps, still waiting for his femme fatale.



See more vintage & current Daveland Hollywood Movie photos on my main website.