Showing posts with label billy wilder. Show all posts
Showing posts with label billy wilder. Show all posts

Monday, March 06, 2023

Marmont Monday: By the Numbers



A recent Architectural Digest article spilled the beans about my favorite hotel ever, the Chateau Marmont on Sunset Boulevard in West Hollywood. The first paragraph says it all:

Since it opened in 1929, the Chateau Marmont has been a beloved retreat of actors, writers, musicians, and directors craving a temporary (or sometimes not so temporary) home away from the prying eyes of the public and the press. As the Old Hollywood adage goes: “If you want to be seen, go to the Beverly Hills Hotel. If you don’t want to be seen, go to Chateau Marmont.”

The story mentions many of the hotel’s famous guests and the rooms that they stayed in. The article uses a number of stock photos that weren’t even shot at the Chateau; I will attempt to rectify that. You know already that I’m a visual kind of guy.



In discussing famed director Billy Wilder (“Sunset Boulevard” and “Some Like it Hot”), the description of his room sounds a lot like Room 16, which also happens to be the very first room I checked into during my first few stays there.

Rather than go to another hotel, he stayed in an antechamber beside the women’s restroom for several days until a room opened up.



If I have the room correct, what was then the women’s room near the lobby is now a men’s room…but it’s still located next to 16 (shown above, looking larger than it is, thanks to my wide angle lens). The women’s room moved to a hallway off the bar located next to the lobby (which was once a formal dining room). 16 can also count Barbra Streisand, Buddy Hackett, and Warren Beatty as former guests.

29 is where Myrna Loy lived for a number of years (once again, according to Vanity Fair). What a great balcony!



One of the most infamous rooms is 54 (below), for which the phrase, “If you must get into trouble, go to the Marmont” was coined. 



To keep two of his biggest male stars out of the tabloids, Columbia Pictures head Harry Cohn rented suite 54 for William Holden and Glenn Ford so that they could carry on with their affairs in private. According to Vanity Fair, David Niven ended up tagging onto their little deal with Cohn. I’m sure that kind of stuff doesn’t happen anymore.

Both Howard Hughes and director Lloyd Bacon stayed in the penthouse (room 64, below).



Director Lloyd Bacon’s weekly penthouse parties attracted a who’s who of Hollywood in the mid 1930s.…Howard Hughes rented the penthouse off and on for years and used binoculars to spy on women at the pool below.

Howard’s view from 64:



Vanity Fair “allegedly” stated that Greta Garbo stayed in 64, signing the guest register under her alias, Harriet Brown.

Montgomery Clift recuperated at the Chateau in 1956 after getting in a horrific car accident (below) leaving Elizabeth Taylor’s home. He stayed in a two-bedroom suite on the sixth floor during his residency.



To my knowledge, 64 is the only two-bedroom suite on the sixth floor. Add Clift to that fabulous roster of guests who have slept there.…unless you read Vanity Fair, which states that 36 is where Clift stayed after his accident, which says the star emerged…

onto the terrace from time to time to scream obscenities in the nude.

The terrace of 36. You be the judge.



Director Nicholas Ray rented a bungalow for eight years, beginning in 1952. While living there, he made “Rebel Without a Cause” and carried on an affair with one of the film’s stars, Natalie Wood.



Today, it is numbered as bungalow 1.



While actor Anthony Perkins lived at Chateau Marmont, he would use the payphone in the lobby to avoid the listening ears of the switchboard operators.

While the phone itself may have changed, one of these three doors is probably the one Perkins hid behind.





Based on this photo, you can also add Perkins to the guest roster for 54.



In 1955 he [Anthony Perkins] met Tab Hunter by the pool, and they quickly began a relationship.



The diminutive pool still seems magical, all these years later. Another instance where size just doesn’t matter.



Bette Davis frequently caused a stir at the Chateau. In 1958, her bungalow caught fire when she fell asleep with a lit cigarette.

Shown here is the courtyard to the poolside bungalows, most likely where Bette was staying.



The Doors frontman Jim Morrison lived in a poolside bungalow in 1970 and was known for swinging between windows and balconies, once falling two stories.

Although Morrison may have stayed in the bungalow, this shot was definitely taken inside the main hotel.



I am off by at least one floor from where Morrison posed; the fire escape stairwell behind him angles to the left; the one I shot (below) angles to the right.



Roman Polanski and Sharon Tate lived at Chateau Marmont as newlyweds. They gave up their apartment when Tate got pregnant.

I was told that the two stayed in room 54; however, in Polanski’s autobiography he states that they stayed on the fourth floor. This shot of Sharon shows her hanging over the balcony of 54. According to an article in Vanity Fair:

The McGraths hosted a brunch salon every Sunday, drawing the likes of Sharon Tate and Roman Polanski (who lived below, in 54, before moving to Cielo Drive in early 1969).



Since I’ve stayed in 54 and been on that balcony, too, I’ll side with Vanity Fair over Polanski’s memory.



Back to A.D.:

The hotel’s most famous resident may be John Belushi, who died of an overdose in bungalow three in 1982. Pictured here is the scene outside the hotel after his death. Several celebrities, including Jean-Michel Basquiat and Rick James, specifically requested to stay in bungalow three after Belushi died there.



Vanity Fair credits Errol Flynn with a drunken rampage in bungalow 3 back in 1959. There must have been something in the air. How it looked when I stayed there a few years ago:



Johnny Depp was a frequent visitor to the hotel and once claimed that he and his ex-girlfriend Kate Moss had sex in all 63 rooms.


Probably good that I don’t bring a black light when I stay there. Some things are best unknown.



Photographer Helmut Newton (above) was a regular guest. He and his wife, June, would arrive the week of Christmas and stay until March each year.

Newton stayed in room 49. Here’s how the desk/window looked last December:



In 2004, he died after having a heart attack and crashing his car outside the hotel.

The plaque outside the hotel that commemorates the spot where it happened.



Scarlett Johansson lived in the hotel in 2004 and was famously rumored to have had a dalliance with Benicio Del Toro in the elevator after the Oscars. In 2022, she set the record straight on a podcast, saying, “That was a story that followed me for a long time. But I always thought that was outrageous.”

That sounds like she neither confirmed/denied.



Stephen Dorff lived in the hotel in his 20s and returned to live in suite 69 while filming “Somewhere,” in which he played an actor living at the Chateau Marmont.

Room 59 was used for the film, as seen by this balcony shot of Dorff:



A shot of room 69, where Dorff resided during filming:



Vanity Fair names room 33 (below) as the one where Lindsay Lohan stayed in 2012. It’s also the one she was booted from for accumulating $46,350.04 in unpaid bills. Yikes. VF names 33 as the honeymoon suite for Jean Harlow and third husband, Harold Rosson.



The most famous guest of the Chateau refused to be interviewed for this post. He just wants to be left alone.



See more Chateau Marmont photos at my main website.

Friday, August 21, 2020

Double Indemnity at the Chateau Marmont


In my ritual of watching classic movies while eating dinner, I put “Double Indemnity” into the player. I’m one of those geeks that will watch the movie and listen to the commentary...and then obsess over the extra features on the disc. Longtime readers know I also obsess over figuring out where these vintage movies were shot. While most were shot on a soundstage, they still used actual building exteriors and outdoor locations for establishing shots. “Double Indemnity” used this home in the Hollywood Hills for the exterior shots of femme fatale Phyllis Dietrichson’s (Barbara Stanwyck) residence:


How that same home looks today:


From the moment she appears at the top of the stairs clad in a towel…


Insurance salesman Walter Neff (Fred MacMurray) is a goner.


And let's just get this over with…yes, I know Stanwyck’s wig is awful. That was a conscious decision on Billy Wilder’s part to make her look cheap. How about that curl on top?!?


It is amazing how much was conveyed at a time when censorship was at its peak. Although there was no nudity, you knew that from this shot of the two on the couch…


which then cuts back to Neff doing his narration…


and then cuts back to the two on the couch again...there was more than just hugging that went on during that cut. They have not only changed positions on the couch, but Neff is dreamily smoking the “after” cigarette and Phyllis is reapplying her lipstick. Wow.


Finally, to the point of this post. During one of the documentaries, it was mentioned that Wilder had the interior of Neff’s apartment modeled after a Chateau Marmont interior (recreated on soundstages 8 and 9 on the Paramount lot). Wilder had roomed with Peter Lorre at the Chateau Marmont in the 1930’s and it remained a favorite haunt of his. His quote about the hotel is often repeated in histories about the fabled landmark:

“I would rather sleep in a bathroom than in another hotel.”

Apparently during the 1935 holiday season the hotel was booked; he persuaded the staff to put him up in the vestibule outside the lobby ladies’ room.

“It was a small room, but it had six toilets.” 

I immediately watched the film again, fast forwarding to the scenes that occurred in Neff’s apartment. Sure enough, the layout looked familiar. Set design by Bertram Granger:



The room that seemed the closest at the actual hotel was room 25; other than the position of the entry door, it is very similar as far as the size of the living room, location of the windows, and where the dining room/kitchen are situated. Neff’s bedroom is never seen in the movie.


The view from a Chateau kitchen into the dining room:


How it looked in the movie:


Neff in the kitchen:


I would even go so far as to venture that whoever owner AndrĂ© Balazs hired to redecorate the guest rooms when he first bought the hotel looked closely at “Double Indemnity” for inspiration. Compare the furnishings, pillow, and lamps in this shot with the previous ones showing Neff and Phyllis making out on the couch:


Just one more reason that I like (and will miss) the Chateau Marmont hotel.

See more Chateau Marmont photos at my main website.

Saturday, April 26, 2014

Daveland On Location: Double Indemnity



"Double Indemnity" (1944) has just been released for the first time on Blu-ray. Watching it last weekend, I was reminded of the genius of Director Billy Wilder. He took a decently written novella by author James M. Cain and fleshed it out into a film noir classic, creating the text book example of how the genre should operate.



Cain's dialogue was spiced up by detective fiction author and screenwriter Raymond Chandler ("The Big Sleep") and Wilder. Despite the fact (or maybe because of it) that the two didn't get along, the dialogue far surpasses the original. The interplay between femme fatale Phyllis Dietrichson (Barbara Stanwyck) and insurance salesman Walter Neff (Fred MacMurray) sizzles, laden with double entendres that allowed the film to pass the strict censors while still letting the audience know exactly what was going on, even if they didn't see it.



Stanwyck steals the picture. Wearing a cheap blonde wig that Wilder picked out for her, she transforms into the scheming wife who'll stop at nothing to get what she wants. MacMurray was an excellent choice, playing against type as the poor schmuck who is lost in the haze of sexual attraction, losing any sense of morality because of it.

Many films were inspired by "Double Indemnity," most notably "Body Heat," from 1981, starring Kathleen Turner and William Hurt. The storyline was not much different, but definitely a lot more graphic than its predecessor.



In 1982, comedian/writer/musician Steve Martin paid homage to the Film Noir genre with the hilarious, "Dead Men Don't Wear Plaid." In one sequence, he dons the horrid Barbara Stanwyck wig, recreating the "Double Indemnity" scene at Jerry's Supermarket.



Here, Detective Rigby Reardon (Martin) in drag successfully attracts Walter Neff with a bewitching perfume called "Fondle Me."



Thanks to the well executed inter-cutting of current and vintage footage, a serious scene from "Double Indemnity" becomes a riot in "Dead Men Don't Wear Plaid."



Surprisingly enough, the imposing Spanish Colonial style Dietrichson home from "Double Indemnity," built in 1927, still exists.



Other than an unfortunate change of garage doors, you would think you'd stepped back in time looking at the Beechwood Canyon home today, which is still a private residence.





You might even find an insurance man on the steps, still waiting for his femme fatale.



See more vintage & current Daveland Hollywood Movie photos on my main website.