Showing posts with label los feliz. Show all posts
Showing posts with label los feliz. Show all posts

Friday, March 21, 2025

John Marshall High: From Wrecking Ball to Star



Whenever I get a chance to re-photograph an old shot from my 35mm point-and-shoot camera days, I am happy to do so. Back then, I used ALL the automatic settings and the flash for every shot, ensuring every detail was obliterated by that blinding light! I snapped the above shot of John Marshall High School from a tour bus back in 2005. Twenty years later, I drove back up to the Los Feliz neighborhood of Los Angeles and rectified my former lapses in photographic judgment.



Even though it’s a cool piece of historic architecture and a recognizable location for many famous films, it barely survived the wrecking ball. Edited from a 2017 feature from the LA Curbed website:

John Marshall High School’s Hollywood dream nearly died on February 9, 1971. The 6.6-magnitude Sylmar earthquake struck that day, just before dawn, killing 64 people. Among the casualties: A number of buildings at John Marshall High School, designed by George M. Lindsey in the Collegiate Gothic style. Several of the damaged structures were subsequently condemned, including the campus's eye-popping centerpiece: A five-story tower rising above Tracy Street in Los Feliz like a Tudor-brick cathedral. The threat of a wrecking ball loomed.



Today, John Marshall High is regarded as a treasured artifact. After pieces began falling from the famed tower in 2012, the school district approved $1.1 million in repairs to the historic structure. When the problem was found to be more serious than previously thought, more than 10 times that amount was allotted, and a temporary glass scaffolding was erected to protect students and faculty from falling debris. But, in 1971, John Marshall hadn’t yet transcended its status as an ingénue. It was already famous among locals for its use in Mr. Novak, the NBC TV series that followed an idealistic young teacher (James D. Franciscus) during his first year in the classroom.



But it had yet to rack up the A-list credits that would cement its stardom. “I guess film production ended up there, because it's so accessible,” says class of ’72 alumnus and music photographer Aaron Rapaport. “ABC was a half block away and all the studios." Geographic convenience aside, JMHS’s formal beauty was undeniably more important in attracting industry attention. Like the similarly photogenic Los Angeles High School located in Mid-Wilshire, the campus was an aesthetic jewel of the Los Angeles Unified School District and a popular draw with Hollywood location managers. Unlike the latter school, which also suffered damage in the 1971 quake, Marshall's dramatic edifice was spared demolition. “I was involved with the effort to retain and renovate the high school, not destroy it like they did to Los Angeles High School, where they turned a beautiful school into a cookie-cutter school,” says John Marshall alumnus (class of ’57) and former Los Angeles County Supervisor Michael Antonovich, who served in the California State Assembly from 1973 to 1978. “In the [Assembly] I put in legislation to stop that. And finally the school board backed down and renovated [it].”



The success of that campaign (spurred on by several neighborhood activists) was an undisputed win for Hollywood, a town well-known for its infatuation with physical beauty. “It's a gem,” says Marcia Hinds, a production designer who helped secure the campus for the 1998 teen comedy Can't Hardly Wait. “It's one of a kind.” Many LA-area high schools have extensive filmographies, but John Marshall is distinguished by the sheer number of iconic movies and TV shows that have used the campus as a backdrop. While I was unable to independently confirm several productions rumored to have shot there (Rebel Without a Cause allegedly shot interiors at the school, but I turned up no evidence of this), there are countless others whose use of the campus is well-documented.



Though Venice High School largely stood in for Rydell High in the classic 1978 musical “Grease,” John Marshall's athletic field provided the setting for the school carnival where John Travolta and Olivia Newton-John performed “You’re the One that I Want,” “We Go Together,” and then fly off in a hot rod.



Alumna Anne-Marie Johnson, who attended JMHS from 1975-78 before going on to star in such TV series as What Happens Now, In the Heat of the Night, and In Living Color, speaks enthusiastically about seeing the film’s cast milling around campus.“Those of us in the theater arts department were all very excited because Sid Caesar and Eve Arden and John Travolta and Olivia [Newton-John]—I mean, we were all just starstruck,” she says. “They were all on our campus for several days ... I just remember sitting in the bleachers watching them film the same scene over and over and over.” John Marshall High’s Grease connection runs even deeper: Annette Charles (née Annette Cardona), who played Cha Cha in the film, was an alumna. As noted by Joanna Erdos, a former student who taught at the school for over 30 years, the actress’s death in 2011 prompted the school to plant a tree in her honor.


Below is my 2005 shot of the field behind the school where the carnival sequence was filmed for “Grease”:



How it looks today:





Other films that used John Marshall include “Zapped” (1982), “Bachelor Party” (1984), Van Halen “Hot for Teacher” music video (1984), “A Nightmare on Elm Street” (1984), “Pretty In Pink” (1986), and the film version of “Buffy the Vampire Slayer” (1992). If you can’t get to Los Feliz, the video below is your next best option!



See more Hollywood movie location photos at my main website.

Monday, October 28, 2024

The Walt Disney home in Los Feliz



Recently I had the opportunity to tour the Walt Disney home in the Los Feliz neighborhood of Los Angeles. Even the driveway had a sense of Walt’s showmanship, as I anxiously walked up and around the corner of the brick wall for the big reveal. And it did not disappoint! Behind me was one of those most magnificent views of downtown Los Angeles. You could see the city, but still feel that you were tucked away in a serene spot where people and nature could cohabitate.



Walt and his wife Lillian moved into this F. Scott Crowhurst designed home in 1932, just as Walt was feeling the commercial success from Mickey Mouse. Daughters Diane and Sharon grew up there until 1950 when Walt moved to Carolwood Drive in the Holmby Hills neighborhood. Below is an ad from the Architectural Record, December 1933, which Shirley Temple expert supreme Rita Dubas alerted me to. “Ma Bell” gushed over the recently completed Disney home and included the floor plans for readers to see.



The obligatory selfie after I arrived.



A panoramic view of the exterior:



The tour guide turned out to be Dusty Sage. To say that his “Disney Resume” is impressive is truly an understatment:

The founder and CEO of MiceChat.com. When he's not visiting theme parks and writing, editing or speaking about Disney and theme parks worldwide, Dusty is involved in multiple Disney related projects and charities. He helped save and restore the charming Walt Disney Birthplace in Chicago, launched the Dick Van Dyke Foundation, and is the curator of Walt Disney's historic 1930's estate in Los Feliz.

 

I was most impressed that for the most part, this storybook-style mansion appeared untouched. Original front door, light fixtures, and hardware!



The foyer is the type that could take your breath away, and I’m not just talking about the low railings on the staircase or the wide circles that kids could easily fall through…I’m talking about the aesthetics! As Dusty so perfectly put it: “Today, if a kid fell over the railing, the parents would sue. If a kid fell over the railing back in Walt’s day, they’d be laughed at.”



The forced perspective of the second floor ceiling placement makes the foyer tower look much bigger than it actually is.



The current owner of the home has done an incredible job of furnishing the home to look as if you had stepped back into the 1930s.



The living room; oh, the stories that could be told here.



Projection rooms in Hollywood homes were not all that uncommon, so it’s not too surprising that Walt, the head of a film studio, had a pretty room one here on Woking Way.



You can see the hole in the wall for the projector:



The outside metal door was for the room where the films and the projection equipment were kept. Because of the flammability of nitrate film, lead-lined doors were a necessity.



This beautiful pool is one of the few things not original to the house. The original five acres that Walt owned was eventually sub-divided. Walt’s original pool still exists, but at the house next door. The one shown below is a more recent addition.



However, this little Storybook Playhouse IS original. It was built on Christmas Eve, 1937, while the Disney girls were sleeping. Studio craftsman built, plumbed, and electrified this structure all in one night so that Diane and Sharon could be surprised by it when they woke up Christmas morning. There was even a phone inside, which first greeted the sisters with a call from Santa himself!



A vintage shot of Walt (sans shoes!) with his daughters, from the Walt Disney Family Museum collection:



The backyard gave definite Disneyland Haunted Mansion garden vibes!



Original light fixtures; I was in geek heaven.



I don’t have any photos of the actual bedrooms where Diane and Sharon grew up, but I did get to tour them. To walk through the rooms where Walt read to his daughters (Pinocchio in this particular photo) was mind-blowing. The Disney movies “Mary Poppins” and “Winnie the Pooh” were basically begun here, as they were the favorite stories of the girls and the reason why Walt had his studio make them.



While this is a private home and rarely available for tours, when they happen you can find them listed on the Walt Disney’s Storybook Mansion Facebook page.

See more vintage and contemporary Los Angeles photos at my main website.

Thursday, September 15, 2016

Sowden House At Night



Just a few images for today, so I sure hope you like them. Lighting makes a heck of a difference when it comes to mood and atmosphere. I had shot the Sowden House in the daylight, and it was pretty phenomenal. At nighttime, I would say it was spectacular. Vince helped light the torches in the courtyard. This home was designed by Lloyd Wright...and yes, his father's name was Frank.



Even the interior glows as the sun begins to set:



More shots of this amazing home at my main website.

Tuesday, August 23, 2016

Sowden House Shoot, Pt. 2



Wanting to get the most out of my visit inside the Sowden House, I decided to shoot a few models rather than just have a set of stark interior shots. Wearing clothes from Ron Tomson, I worked with Daniel Sobieray (you might recall him from my Ghostbusters shoot) and Kamy Bruder. Both of them fit right into their surroundings and did a fantastic job.



My good friend Marlene was also long, working hard as my assistant and capturing (unbeknownst to me for the most part) some behind the scenes shots on her cell phone. Most people probably don't realize how physical you need to get during a photo shoot: standing on top of furniture, climbing ladders, straddling a bathtub (true)...all in the name of getting a good shot. It was fun matching up the result with the ones that Marlene took.











Posing by a ginormous fish tank and looking suave. What most people do in their home.



Can't wear shoes when climbing furniture. At least not in this place.



Daniel is mentally figuring out how many gigs he needs to get to pay for this pile of Mayan block.





He even makes an entrance into the bathroom.





Kamy modeling his Ron Tomson suit:









Is that scotch in his glass or whiskey? Only Kamy and I know what it really was.





Kamy suggested this Godfather-like pose in the dining room:



A few more of my favorites from the shoot:



Because of the lighting, I was not happy with this shot. However, desaturating all the color gave me an awesome black and white.



Marlene laughs while I squat to get just the right angle of the courtyard. Glad I could entertain.



Towards the end of the shoot I was pretty tired. Judging by this photo I was also a little cranky.



As long as the final shot is what I am looking for, all is good.





Daniel takes a selfie while Kamy is behind the lens.



No surprise that I would want a few shots of myself to prove that I was here, too. Matt shot this one for me.



Marlene and I look right at home.



A solo shot for Marlene:



A group shot at the end of the shoot. Me, Kamy, Amanda Kruger, Michaela & Matt, and Marlene. Those four hours flew by quickly.



And how Marlene and I celebrated when we got back to the Chateau Marmont:



More Sowden House photos at my main website.