More Marilyn at the Academy

We’re back at the Academy Museum of Motion Pictures on Wilshire Boulevard in Los Angeles to see more of the Marilyn Monroe exhibit that is currently being featured until February 28, 2027. I was truly impressed by the display, but also knew enough to carefully read the accompanying small placards to learn whether the item was authentic or a repro. In the deleted scene below from “The Seven Year Itch” (1955), Tom Ewell, Marilyn, and Robert Strauss vamp it up:



This particular William Travilla outfit appears to be mostly original. From the placard:

Monroe wore this “cellophane effect” gown in a scene that was cut from director Billy Wilder’s “The Seven Year Itch.” In the scene, Richard Sherman (Tom Ewell) dreams of Monroe’s character styled like early Hollywood star Mae West. Designer William Travilla micked key elements of West’s typical costuming, which often featured boas and her signature cigarette holder. Monroe admired West in real life, often emulating her sassy persona and irreverent humor for blonde bombshell roles. Synthetic eyelash fabric; non-original boa, jewelry, shoes, and cigarette holder.



Next I saw the famous “subway dress.” Could it be original? Or was that too good to be true for the outfit that was auctioned off for a cool $4.6 million in 2011? The answer is a little muddy; not original, BUT...it was still made by Travilla himself. From the placard:

This replica was made by the original costume designer William Travilla. He often made close copies of his most iconic film looks for publicity purposes. This version has the belt secured in the middle. For the original costume, Monroe tied the belt to the side. Rayon crepe; non-original shoes and jewelry.



 Last one from “The Seven Year Itch” is this silk pajama outfit. From the placard:

One of Monroe’s most successful roles was as The Girl in director Billy Wilder’s “The Seven Year Itch,” a comedy about a restless husband left to his own devices for the summer. These silk pajamas mark a pivotal moment in developing Monroe’s girl next door character: when her scheming neighbor invites her over for a drink, he imagines her arriving in a sexy ensemble. Instead, she appears in casual attire, selected by Travilla and made by Jax—one of Monroe’s favorite clothing brands. Silk; non-original shoes.



 What’s your guess on this one? Real or replica? From the placard:

Director Howard Hawks’s comedy “Gentlemen Prefer Blondes” was the third of eight film collaborations between Marilyn Monroe and costume designer William Travilla. In the movie, showgirls Lorelei Lee (Monroe) and Dorothy Shaw (Jane Russell) are introduced in matching red sequin gowns for the opening song and dance number, a performance that catapulted Monroe from up-and-coming starlet to icon. Travilla used a mix of beige and red sequins that give the costumes extra shimmer on camera. Rayon crepe, sequins, and silk chiffon; non-original hat, shoes, and jewelry.



The jewelry was re-created by Kathleen Lynagh Designs; the hat by Robyn Simms Johnson.



Below you can see Marilyn wearing the costume (sans hat) with Tommy Noonan, who played her nerdy but wealthy suitor:



More Monroe memorabilia to come!

See more Academy Museum photos at my main website.