Friday, July 18, 2025

Sunset Cliffs



Last night, my friend Kevin hit me up spontaneously to see if I’d want to go photograph the sunset in Ocean Beach. My initial thoughts were…I’ve got to get cleaned up, I need to pull out the photography equipment, where will I park…and then I said f%^k it and told him “yes.” That he offered to drive was a huge bonus. We went to Sunset Cliffs, lucked out on parking, and just caught the sun as it was sinking below the horizon.



Kevin at work:



With the telephoto lens:



…and the wide-angle:



Just plain old normal lens (albeit without auto-focus anymore!):



We were both pretty happy that we made the time to catch one of nature’s most amazing wonders, and a beautiful reminder of why we Californians pay out the wazoo to live here.



Back in the day (aka the 1980s/90s), pretty much every day I was in San Diego I was at the beach AND in the water. I still have my boogie boards, but they just don’t get any use.



Ah, Spring Break 1986:



Afterwards it was time to eat. The Hob Nob was an easy decision.



Kevin shoots beautiful photos; he poses for dorky ones.



The meatloaf dinner hit the spot (in the right way):



And so did dessert:



The moral of the story: instead of overthinking and being a bundle of negativity, STFU and just do it. You’ll be glad that you did. I know I was.

See more photos at my main website.

Wednesday, July 16, 2025

Mary Poppins at Grauman’s



This image from October 1964 shows Disney’s “Mary Poppins” playing at the famed Grauman’s Chinese Theatre on Hollywood Boulevard. Released on August 27, 1964, the blockbuster hit continues to be a source of revenue for the Disney Corporation. A closeup of the posters on both sides of the theatre:



I could not match the style of the poster shown; the original one-sheet is slightly different from what Grauman’s has in their display case:



This publicity still can be seen in the case, lower right below the poster:



On the right side is a poster highlighting the cast of the film:



A few years back, I was able to see the original neon dragon from Grauman’s at the Museum of Neon Art in Glendale:



Switching gears to a very hot topic in the Disney community: the recently unveiled Walt Disney animatronic figure. The DSNY Newscast is one of many fan outlets that have released a video from the highly anticipated media preview. Kudos to Jack from DSNY for doing a great review of the figure and the show. It was much less dramatic and peppered with more thoughtful feedback than the Disney fan community usually gets. I read USA Today’s review and wondered if they had been sniffing glue beforehand, it was so over-the-top enthusiastic. Disney Imagineers created a slightly-walking-talking Walt Disney robot. It is apparent that there was a lot of work put into this figure, but it still does not transcend the creepy factor. More Stepford Wives than Walt Disney, the all-too-youthful sounding voice does not match the cigarette-scarred voice of the real man at the time of his life that this animatronic is supposed to represent. Had they let the animatronic smoke, I would have REALLY been impressed! Videos of Walt also show his motions as being much quicker than what the robot is capable of doing. I won’t pan the efforts as hard as what most Disney fans seem to be doing out there; when you attempt to re-create an iconic real person such as Walt Disney, the expectations are going to be higher than for someone like Abe Lincoln, for which none of us have ever seen in person. You are basically fighting a losing battle. I also want to applaud the efforts of Imagineers for making an attempt to keep the Man behind the Mouse in front of the public, so that he is able to stay “alive” and relevant for future generations.



I was really anxious to go to the Park to see this show in person (which debuts to the public tomorrow, July 17), but after seeing the video, the chances of that happening any time soon have been dampened. Hopefully the figure can be upgraded and the likeness of the face can be improved with time and feedback. We shall see…

See more Grauman’s Chinese Theatre photos at my main website.

Tuesday, July 15, 2025

Temple Tuesday: Little Miss Marker sets, Pt. 1



Today gives a rare behind-the-scenes glimpse of Shirley’s breakout lead role in Paramount’s “Little Miss Marker” (1934). I acquired a large collection of set stills that I am now pairing with publicity shots, screenshots, and fascinating tidbits to highlight the often unappreciated work that set designers and art directors do, in this case the uncredited Hans Dreier and John B. Goodman. Set number 1 was the tiny apartment of the crusty bookie Sorrowful Jones (Adolphe Menjou)



At this point, the film had only been assigned a production number; the name of it had not been settled, as you can see by the slate below. I love zooming in on the details that are chosen to be included in the set design, such as the shoes seen below:



A kitchen set built for Sorrowful’s new and improved apartment, which he rented in order to make room for Shirley:



John Kelly and Warren Hymer supplied the physical comedy relief with their not-so-bright characters of Canvas and Sore Toe:



Even the refrigerator of a movie set has to be “dressed”; anyone like carrots?



One of the scenes with Shirley and Adolphe in the kitchen:



The bedroom of Sorrowful’s  second apartment:



By combining two screenshots, I was able to achieve more of a panoramic view of the set as seen in the final film. Sore Toe and Canvas were attempting to cheer up Shirley’s character with their comic rough-housing and acrobatics:



On the nightstand you can see the children’s book, Farm Friends Story Book:



I found a copy on ebay:





By the time the film was shot, this edition was about six years old:



A closeup of the bed:



Shirley’s character, Marker, wants a bedtime story. Apparently not remembering that Farm Friends was nearby, Sorrowful takes the Racing Times and converts it into a tale to appease the little girl.



A publicity shot of director Alexander Hall with Shirley in the same bedroom:



An alternate shot of the same set:



Out in the living room, the boys play poker; in the background is a seated Warren Hymer:



How it looked in the film:



In examining the slate, you can see that the director’s name was Sternberg, as in Josef von Sternberg of Marlene Dietrich fame. Whether he was the original director or somebody didn’t wipe the slate clean from a previous production is not sure.



An alternate shot of the living room area:



This set still shows the office of hardened gang kingpin Big Steve (Charles Bickford):



As seen in the film, with Tammany Young on the left and Bickford making a call on the right:



A publicity shot of the office, with unknown actor, Frank McGlynn Sr., Bickford, and Tammany Young:



McGlynn would later play Abraham Lincoln in Shirley’s “The Littlest Rebel” (1935):



Zooming in to the office set, you can see a large shot of Dorothy Dell’s character sitting on an easel:



The same image was used on the film’s sheet music:



An alternate shot from the same photo session, showing Dell, who typically played sultry Mae West parts, but gave them an extra level of vulnerability:



The photo  is seen in a smaller size on the opposite of the set as well:



Shirley expert supreme, Rita Dubas, supplied these rare images of a poster using the Dorothy Dell image and a publicity shot when the film was still being called, “Half-Way Decent.” That title referred to the Sorrowful Jones character, who was not as crusty as he appeared. All it took were Shirley and Dorothy Dell to melt his heart. According to Rita, the film was named “Little Miss Marker” from January to April 7, 1934, changed to “Half-Way Decent” for a brief period, and then back to “Marker” by April 28th. Paramount obviously decided to put the focus on Shirley’s character by naming the film after her. They knew they had a goldmine!



More to come from this topic!
 
See more Shirley Temple “Little Miss Marker” photos at my main website.