The Hotel del Coronado: Reality vs. Set

The Hotel del Coronado in San Diego has proudly heralded its association with the 1959 Marilyn Monroe movie, “Some Like it Hot.” Many scenes were actually filmed at the hotel and the nearby beach. When Sweet Sue’s band arrives in Florida, the bus is actually dropping them off at the Hotel del. Above Marilyn is on the porch with Tony Curtis (in drag) and below, Jack Lemmon (also in drag) gets assistance from an older wealthy millionaire (Joe E. Brown):



The shot below is also from the entrance area to the del, circa 1959, with Tony & Marilyn.



You can try to match up the shots at the hotel today but it would be difficult as the building has gone under many renovations since the 1959 movie. This was how it looked under construction during its most recent remodel in 2021:



How the hotel looked in 1950, pre-Marilyn:



Compared to this 2021 remodel shot:



One brilliant comic bit between Lemmon, Curtis (doing his best Cary Grant imitation), and Marilyn was shot on the beach behind the hotel:



This trio of July 1962 gals were on the very same beach. Wonder if they realized they were standing exactly where Lemmon, Curtis, and Monroe had been?



Tony and Marilyn share a kiss on the steps of the hotel when he drops her off after their first date. In real like, Tony’s infamous quote about kissing Marilyn when asked how it was replied, “It’s like kissing Hitler.” Years later, he attempted to say he had no malice towards Marilyn, but was making a joke. Whether that was true or not, his remark fell flat.



Towards the end of the movie, Curtis and Lemmon attempt to escape the mob by running through the Hotel’s lobby, which was shot on a soundstage:



How the lobby looked in March 2008:



…and August 2012:



…and this year:



Have you been to the del?

See more “Some Like it Hot” photos at my main website.

Temple Tuesday: Shirley at the Derby

This 1940 photo of Shirley at the Vine Street Brown Derby shows her with actor Preston Foster. At top right is a neon sign for the Bamboo Room. The two performed together in the Lux Radio Theatre broadcast of “The Littlest Rebel” on October 4, 1940.

 

The Brown Derby near Hollywood and Vine was located in an area from which many network radio shows were broadcast so stars often ate there. It was typical for the cast of a program to do a performance for the East Coast, then head to The Derby for food and drink before returning to the studio for the West Coast transmission.

 

The Derby was known for the celebrity caricatures that hung on the wall, most by Eddie Vitch. I see Joe E. Brown and Frederic March (as Dr. Jekyll and Mr. Hyde). Who do you recognize?

 

Here’s a previously posted shot of the “The Littlest Rebel” radio show being performed. Most likely that is Preston hiding his face behind the paper.

 

See more teenage Shirley Temple photos at my main website.

Savannah: Some Like It Hot

Savannah is known for its food, its architecture, its quirky citizens, and....the heat. Appropriately enough, "Some Like It Hot" was playing at the Lucas Theatre in Reynolds Square during my visit this month. Honoring what would have been Marilyn Monroe's 87th birthday, this classic Billy Wilder comedy was a perfect tribute for the late actress.

For a history of this beautifully restored theater, here's the 411, edited from the Lucas Theatre website:

Arthur Lucas and architect C.K. Howell opened the Lucas Theatre in December 1921. It featured architectural details from the Greek revival, Adams-inspired, Art Deco, and Neoclassical periods. Lucas owned more than 40 theaters in the South, but The Lucas in Savannah was the only one to bear his name. From the outset, he intended the Lucas to be a “preminent amusement palace.”



The theater quickly became a favorite venue for movies and touring vaudeville acts. Staying on the cutting edge of technology, the theater was the first building in Savannah to install air conditioning, making the balcony a welcome retreat during the sultry summers, when local businessmen could be found in the mezzanine spending their lunch hours sleeping (and often snoring) in the cool, comfortable balcony.



Arthur Lucas died in 1943, and with the advent of television and the population shift to the suburbs, the theater era began to wane across America. Downtown businesses began to feel the sting of suburbia, and the Lucas Theatre was no exception. It closed in 1976 after a deserted screening of “The Exorcist.” Different owners attempted unsuccessfully to convert the venue into a comedy club and restaurant, and the building was eventually slated for demolition.



In 1986 the owners obtained a demolition permit and made arrangements to turn the once-thriving Lucas Theatre into a parking garage. The news motivated a group of Savannah citizens who founded The Lucas Theatre for the Arts. The group pooled their resources, purchased the building and began what would be a $14 million restoration.



With a starting budget of $3 million and a looming workload ahead, the nonprofit Lucas Theatre for the Arts planned to restore the building in just a few years’ time. There were numerous fits and starts during the restoration process but close attention was paid to historic detail. Molds were made from surviving plaster decoration so that they could be recreated. Paint samples were used to create a color scheme. When possible, photos were used as references to recreate as much of the original opulence as possible.

Supported by donations from Savannahians and celebrities such as Kevin Spacey, Clint Eastwood, and the cast and crew of the film “Forrest Gump,” the complete restoration spanned nearly 14 years.



The Lucas Theatre reopened in December 2000 with a screening of “Gone with the Wind,” and in the following months hosted Broadway shows and famous musicians. Although show attendance was high, the operation of the building proved too expensive to sustain on its own. The Savannah College of Art and Design recognized the theater as an important cultural asset in the community, and formed a relationship with The Lucas Theatre for the Arts. The theater’s future is now assured by the college’s support, which allows for a wide range of community uses in addition to top-notch local and international entertainment such as opera, orchestras, country stars, traveling repertory companies and film series.

After a prize raffle and a brief intro to the film, the houselights dimmed and the big screen was awash with glorious black and white. BEWARE PLOT SPOILERS!



Joe (Tony Curtis) & Jerry (Jack Lemmon) are two struggling musicians during prohibition, who have nothing but bad luck. Losing their jobs because of a raid on the speakeasy, the two next find themselves to be the witnesses of the St. Valentine's Day Massacre.



To avoid a mob hit, the two disguise themselves as girl musicians and catch a train bound to Florida with an all-girl band (Sweet Sue and her Society Syncopators). Curtis falls for ukelele & singer Sugar (Marilyn), who is unlucky in love, typically getting "the fuzzy end of the lollipop."



Once in Florida at the Seminole Ritz ("played" by the Hotel del Coronado in San Diego), a row of old millionaires is rocking on the porch of the hotel, ready to greet the female musicians. Osgood Fielding III (Joe E. Brown) attempts to attach himself to Daphne: "Zowie!."



Sugar confesses her type to "Josephine," who uses the information to his advantage.



On the beach with "Daphne" (aka Jerry), the two stumble onto Junior, heir to the Shell Oil fortune. Turns out Junior is actually Jerry, who has donned yet another disguise, this time to get Sugar to fall for him.



Junior threatens Daphne with a story about "a girl who squealed on her roommate and was strangled with her own brassiere," making clear that if Daphne/Jerry blows his cover that there will be a heavy price to pay.



Daphne still attempts to warn Sugar, who is too determined to land a millionaire to care.



That night at their concert, Sugar sings her heart out, knowing that afterwards she is to see Junior again.



Joe makes it happen by getting Jerry to go on a date with Osgood so that he (Joe) can use Osgood's yacht with Sugar. Sugar gets a bouquet of flowers, telling her of the plan.



Once on the yacht, Junior tells Sugar of his "problem": he can't get it on with a woman. A past relationship turned him frigid. More determined than ever, Sugar works hard to thaw him out. And it works.



Meanwhile, Osgood and Daphne dance until dawn.



A perfect night is had by all, including Jerry/Daphne, who comes home with an engagement offer from Osgood as well as a diamond bracelet.



Unfortunately, the mobsters who have ordered the hit on Jerry and Joe are in Florida, hot on the trail of our heroes, forcing them to flee.



Having truly fallen for Sugar, Joe breaks the news gently to her with a lie about the family business forcing him to go through with an arranged marriage.



He sweetens the deal with the bracelet from Osgood, much to Jerry's dismay.



Sugar figures out the charade though, and follows Osgood, Jerry, and Joe to their escape boat, where she tells Jerry that she doesn't care...she loves him.

Jerry makes his own confession, removing his wig and telling Osgood that he's a man, to which Osgood replies, "Well, nobody's perfect."



The End. What a fantastic film, with a script and cast that is absolute perfection. Thanks to the Lucas for a wonderful evening.

See more Lucas Theatre in Savannah, Georgia photos on my Lucas Theatre web page.