Showing posts with label john derek. Show all posts
Showing posts with label john derek. Show all posts

Tuesday, April 23, 2024

Temple Tuesday: 96th Birthday Bonanza!



Today marks the 96th “Heavenly Birthday” for Shirley Temple Black, actress, diplomat, wife, mother, and author. One of the most infamous tales about Shirley was how her movie studio, Fox, got her mother to agree to shave a year off of her birthdate to make her antics appear all the more precocious. Above, you can see her original Santa Monica Hospital birth certificate, with the true year of 1928. Below is a shot of Shirley at age one.



For the earliest deep dark secrets about Shirley, look no further than this Important Event card, diligently recorded by her mother, Gertrude:



Gertrude also charted Shirley’s growth progress:



Shirley’s studio birthday parties at Fox were legendary. Here’s the first one, from April 1934. Is that little boy on the right actually using a toothpick while the camera is snapping his photo? Such poor manners - bet he wasn’t invited back again!



By the time of her 1936 birthday, Shirley looks a little bored with it all, despite the spectacular cake! Shirley would later recall:

Fox would have (a party) for a large number of people I didn’t know, a lot of children I’d never seen in my life and never saw again. And I was hostess. It was kind of strange. I figured it was part of the job. Fox would pay h alf the cost of the parties and my mother and father - or I - would pay the other half. Why I had to pay for the parties at all is a mystery, but that’s how it went. And there’d be two hundred kids, maybe more. I thought those parties were a big bore.



Shirley’s first stand-in, Marilyn Granas, had this recollection about the parties:

They always had lovely food and lovely prizes. Everybody got a favor and I remember one of the favors was a beautiful leather autograph book that Shirley had autographed. I’ve still got mine.

Shirley’s last studio birthday at Fox was held during the filming of “Young People.” Stand-in Mary Lou Isleib is two over from Shirley’s left.



For 1940, Shirley got not one, but TWO incredible birthday cakes! That’s what happens when you’re the most beloved child star of all time. The shot below was from her party at the studio commissary, which had a Dutch theme. Dickie Moore, Shirley’s first on-screen kisser in “Miss Annie Rooney” (1942), recalled this birthday celebration in his autobiography,  Twinkle, Twinkle, Little Star:

The day of Shirley’s party all guests parked their cars in the main parking lot and were met by buses and driven to the commissary. There Shirley stood at the head of a long reception line, gravely shaking hands with all arrivals, telling each of us how glad she was we had come, and thanking us for the presents we had brought, which were passed along to join the growing mountain of unopened packages, most of which were later sent to an orphanage. Everyone ate cake, while mothers tried to get Hymie Fink to take their children’s pictures. There were many party favors, including a pen with a magnifying glass on one end and Shirley’s name inscribed on it.



If you’re wondering about the art on the wall, here’s a closeup:



By 1944, Shirley was working for Producer David O. Selznick. Her sweet sixteen birthday party was attended by her costars from “I’ll Be Seeing You.” L-R: Dorothy Mann, Tom Tully, stand-in Mary Lou Isleib, Guy Madison, Shirley, and John Derek.



In 1946, Shirley turned eighteen and celebrated the milestone birthday on the set of “Honeymoon” with then husband, John Agar.



Shirley’s last movie-birthday party was held during the filming of “The Story of Seabiscuit” (1949). At left is co-star Barry Fitzgerald, Director David Butler, Shirley, and John Agar.



See more Shirley Temple photos at my main website.

Tuesday, December 19, 2023

Temple Tuesday: Shirley’s Christmas Quintet



Today for Temple Tuesday we celebrate a quintet of Shirley movies that take place during the Christmas holiday. First up is “Bright Eyes” (1934), one of my favorite Shirley films. There is a very touching Christmas Eve scene where Shirley’s widowed mother (Lois Wilson) confides in her daughter that she misses her husband. The next morning, little Shirley is celebrated by all her aviator friends who used to work with her father before he “cracked up.” She is showered with gifts and love.



Yes, that’s mistletoe in the pilot’s hand. When I attempted to look up the meaning of the branch and berries on Google, this is what it said:

Historically, mistletoe represents romance, fertility, and vitality. Because nothing says love like bird feces and poison. But seriously, the Celtic Druids valued mistletoe for its healing properties and likely were among the first to decorate with it.



Who knew Google has a sense of humor? In “Stowaway” (1936), Shirley is a little girl who must flee her home to avoid being killed, then gets robbed, stows away on a ship, befriends a rich playboy (Robert Young), runs afoul of Alice Faye’s character’s mother-in-law (Helen Westley), almost gets put in an orphanage, and then has to plea to a judge to keep her “new” parents (Young and Faye) from getting a divorce. Doesn’t sound very Christmas-y, does it? Well, that’s what happy endings are for! The final scene has Shirley singing, “That’s What I Want For Christmas,” and judging by all the toys, dolls, and trains surrounding her, she gets everything on her list.



In “Heidi” (1937), Shirley sings “Silent Night” at the Sesemann household with crippled Klara (Marcia Mae Jones), wicked governess Fräulein Rottenmeier (Mary Nash), Herr Sesemann (Sidney Blackmer), and all the household servants.



It is a touching scene as the little girl gazes in wonderment upon the tree, ornaments, and abundance of gifts in the house, followed by a cut to the townspeople, nuns, and law enforcement singing the Christmas carol as well. Pardon the colorization; it was the best clip I could find!



A vintage hand-tinted photo from the same scene in “Heidi”:



“The Blue Bird” (1940) begins on Christmas Eve, as Mytyl (Shirley) and her little brother (Johnny Russell) rush home for dinner after an afternoon of bird hunting. The merriment inside a mansion causes the poor little girl to stop and gawk, wishing she had all the riches that the people inside did. Regardless, she is too proud to accept cookies from the kind gentlemen who works there.



After a long journey in a dream sequence (or was it?), the children awake on Christmas morning to discover that the war has been called off and they can celebrate the holiday with their parents.



Note the festive garland around the door?



In “I’ll Be Seeing You” (1944), the Morgan family celebrates the Christmas holiday by welcoming their niece Mary (Ginger Rogers) for a visit. Mary meets a handsome Sergeant (Joseph Cotten) on the train there. Sounds like the beginning of a beautiful romance, right? Not so fast, folks. Mary is on parole (for accidentally killing the man who tried to rape her) and Zach is on leave from a military hospital, attempting to adjust to his PTSD. Are they honest with each other? Of course not! However, Barbara Morgan (Shirley) inadvertently spills the beans to Zach about Barbara and…well, you’ll just have to watch it yourself. In this scene from the movie, Barbara is about to go on a date with Lieutenant Bruce, played by John Derek, who put the “Derek” in Bo Derek! You’ll note that in both “The Blue Bird” and “IBSY” Shirley’s mother is played by Spring Byington, who would eventually play Major Nelson’s mother in “I Dream of Jeannie.”



“I’ll Be Seeing You” may not be the happiest of holiday movies, but it is still worth a watch and guaranteed to draw a tear from the driest of ducts! 

Which Christmas Shirley movie will you watch this season?

See more Shirley Temple photos at my main website.

Wednesday, June 04, 2014

Eight Years of Blogging



Eight years…never would have guessed it. When I did my first post, I don't think I had any idea what I was getting into, let alone that it would become a daily task that would last for eight years. Today's post uses the stats from blogger to display my Top 10 posts, starting with…

The #10 Daveland Post. Sometimes, it's obvious to me why a post gets high readership; this one baffles me. Coming in with more than 1,936 views, you can read about "The Aristocats" and "The Three Caballeros."

Squeaking in at #9 with 1,975 views, the classic holiday treat "A Christmas Story" is covered in this post.



Shirley Temple, Bo Derek, and crazy in the desert. It's no wonder that this post is #8 with a walloping 4,645 views.



The debut of an unseen Steve Martin at Disneyland in 1957? I totally understand why this post got 4,721 views and earned the #7 spot.



The #6 Daveland Post inches up the ladder with 4,912 views and a photo of Elizabeth Taylor at Club 33.



The #5 Daveland Post covers the "High School Musical" phenomenon and has gotten over 7,432 views.



Unable to turn away from the weird, over 9,298 people have looked at The #4 Daveland Post which shows the evolution of the Mickey and Minnie Mouse costumes in the Park.



Could it be the sight of Michael Douglas copping a feel from Kathleen Turner that got The #3 Daveland Post 9,780 views?



Two beloved child stars meet, and people obviously want to see it. With more than 12,528 views, The #2 Daveland Post shows Annette Funicello and Shirley Temple Black at the Oscars.



With a whopping 41,008 views, I am totally baffled as to why The #1 Daveland Post earned the top spot. Getting my car's smog test, I wandered through the University Heights neighborhood and took a few photos. Even more baffling is why this particular post has been spammed to death by idiots trying to sell Michael Kors purses.



Interesting to note that despite grumblings from a few readers who get upset when I veer the topic here from Disney, 4 of the top 10 posts have absolutely nothing to do with the Mouse. Raise your glasses to another 8 (or more) years of diverse offerings here at Daveland; thanks for stopping by!

See more vintage and current Daveland photos on my main website.

Thursday, January 09, 2014

Walt Disney Makes the Rounds, Pt. 2



You might recall a few months ago I posted this photo of actor John Derek at an unidentified amusement center (now identified by Daveland reader Beachgal as The Pike/Nu Pike Amusement Park in Long Beach, California) from November 1953. Today, I present another photo from that same day, showing Walt & John shooting guns at the park's arcade:



Yup, that's Walt.



I still have no idea how the two happened to be together, but here are two more shots of Derek enjoying the "Skooter" bumper car ride:



and a slide:



If you know anything about these photos, I sure would love it if you'd share!

Derek is probably best remembered for the role of Joshua in "The Ten Commandments":



and for being the husband of Bo Derek:



Meanwhile, back in Orlando...my niece is there with her friends, visiting Walt Disney World and Universal.



Her dark sense of humor (a family trait!) was shining yesterday as she sent me this photo from the Haunted Mansion:



See more John Derek photos on my John Derek web page.

Thursday, October 10, 2013

Walt Disney Makes The Rounds



It is fairly common knowledge that Walt Disney looked at a number of amusement parks to see what would (and wouldn't) work at his own. He didn't want Disneyland to be just another copy of what existed, even though the bean counters encouraged him to use off-the-shelf attractions that had already been created and tested. Today's photo shows Walt in November 1953, checking out a 3-D Movie viewer with actor John Derek at The Pike/Nu Pike amusement arcade/pier/park in Long Beach, California. I do not know if the two were out and about together or if they just happened to run into each other at some event. Perhaps Walt enjoyed Derek's performance as the son of Robin Hood in "Rogues of Sherwood Forest" (1950).



Or maybe there was no connection at all.

See more vintage & current Disneyland photos on my Disneyland web pages.

Saturday, October 09, 2010

Screen Gem Saturdays: John Derek & Columbia Studios



I’m sure few people have heard of the movie “Prince of Pirates” from 1953, but I couldn’t resist these behind-the-scenes shots showing what I am guessing is the Columbia backlot. John Derek (Bo’s Svengali) was the “star” of this forgotten flick and Barbara Rush was his costar.









Zooming into the shot we can see that the photo in John’s hand is most likely a make-up test to show what he would look like as he aged:



See more John Derek photos at my main website.

Saturday, July 31, 2010

Screen Gem Saturdays: Shirley Temple—almost a "Ten"



What do Ursula Andress, Linda Evans, Bo Derek, and Shirley Temple have in common? John Derek. Shirley's inclusion on that list may seem strange since she doesn't resemble the statuesque blondes that Derek (born Derek "Dare" Harris in 1926) seemed to be attracted to. As a teen, the pert Shirley went on a number of dates with John when they were both under contract to David O. Selznick of "Gone with the Wind" fame. Photo #1 shows the young couple together on March 7, 1944 in a photo captioned: “Oscar Fashion Notes: Shirley Temple is shown with Dare Harris. Shirley wears a grey crepe dress, with a peasant handsewn cap to match, and a beaver coat with gardenias.”

Besides being a Svengali-type married to some of the most beautiful women in the world, John Derek is probably most recognized for his role as Joshua in “The Ten Commandments.”



So just how close did Shirley come to being a “Ten”? According to her autobiography, "Child Star,” not that close:

Another victim of Mother’s protective attitude was a contemporary in the Selznick stable, bit player Derek Harris, later to become John Derek. A self-important young man, he had pleasing features, perhaps a little too sensitive for my taste. With a shock of dark hair cascaded artfully over his forehead and his suit shoulders padded out to disguise a rather delicate frame, he made a highly photogenic companion.

As an actor Selznick felt he had promise but so far little flair. Despite previous training, he still spoke downward and habitually missed his marks. Selznick had asked me to loosen him up. Not realizing the full extent of my task, I played the role of dramatic instructor. Relax, I urged. Ignore the audience. Never mind that twitch at your mouth or the one at the corner of the eye. Nobody can see it. Instruct and cajole him as I might, Harris would not, or could not, loosen up. On-camera he still came across wooden as a post.



Off-camera was another matter. The studio arranged for him to escort me around publicly...before long I detected he could be relaxed by necking. Neither of us was courageous about sex and we soon wearied of just kissing. As a replacement activity on the deserted moonlit playing field of nearby Riviera Polo Club, Harris taught me to drive stick shift in his jalopy and how exhilarating it was to floor the accelerator. Realizing how susceptible I was to offbeat behavior, he produced a long knife, and stabbed around at invisible enemies. That surely beat necking. To embellish himself even further as an extraordinary fellow one night he suddenly fell into an introspective mood and in rueful tones claimed to be the son of an undisclosed famous movie actress, but illegitimate. This pretext might have surprised his mother, Delores Johnson, a hardworking actress respectably married at the time to Lawson Harris, a songwriter. There in the moonlight, however, his unusual confession evoked awe and sympathy. Harris had set out to impress me, and he had. Not every girl gets to neck with a knife-wielding “bastard.”

Apparently he put more lasting weight on our twosome than did I, for he pursued me relentlessly as I flirted my way elsewhere. On one Palm Springs family vacation he slept out on the desert sand in his sleeping bag and lurked around possessively to see whom else I dated. The knell to our relationship was sounded by a macabre gift, an original oil painting. Someone’s bluish face was entwined in a surrealistic background of green seaweed. In his mystical, watery depiction Mother instantly saw a symbolic likeness between the disembodied face and mine. She forbade me to see him again, a tall order considering we were studio colleagues. But after thinking hard about her interpretation of his painting as a foretaste of undertow and death, I comfortably distanced myself, freeing Harris to skulk after more impressionable quarry.”

Hmmmm....Bo Derek and Shirley Temple. The comparison is fascinating!





See more Shirley Temple photos at my main website.