Even More Marilyn at the Academy

Who would have thought that a backwoods country singer could unite the world through her love, talent, and infectious joy? That's exactly what Dolly Parton did, and while I plan on doing a tribute post for her, there was just not enough time for me this morning to do it right, so instead, you get more Marilyn Monroe from the Academy exhibit in Los Angeles. Two dresses from one of my very favorite Monroe flicks, “Some Like it Hot” (1959) were on display together.



Designed by Orry-Kelly, they both appear to be original (other than the shoes), based on the nearby placard:

Marilyn Monroe’s work in director Billy Wilder’s “Some Like It Hot” is often cited as her best. The film was controversial for its racy humor and story about two musicians (Tony Curtis and Jack Lemmon) who disguise themselves as women to evade the Mafia. But of equal scandal were the Oscar-winning costumes by Orry-Kelly for Monroe’s Sugar “Kane” Kowalczyk. These two dresses feature carefully placed beading and sequins so that when shot in black and white, Monroe appeared partially nude.



Silk, sequins, and chiffon never looked so good. Here’s a color publicity still showing Monroe in the outfit:



This one is probably my favorite outfit she wears in the film. The amount of detail in the sequins for something that would barely be able to be seen on screen is astonishing.



Marilyn wearing the dress. At the bottom of the photo, you can see my very favorite detail - a heart on her left butt cheek:



I wonder how many people who watched the movie even caught this little detail? While Monroe looked fabulous in black and white, seeing this costume in person in full color gives one an even deeper appreciation for the craftsmanship that went into it.



Monroe and Curtis between takes:



As I approached the legendary “Seven Year Itch” (1955) subway dress, I wondered…could this be the real thing? Well, kind of, but not really.

This replica was made by the original costume designer William Travilla. He often made close copies of his most iconic film looks for publicity purposes. This version has the belt secured in the middle. For the original costume, Monroe tied the belt to the side.



Tied front and center:



As seen in the film (with Tom Ewell), tied to the side. Much better! Good choice, Marilyn!



Final outfit for today is from “Bus Stop” (1956). All original EXCEPT for the shoes, tights, and gloves.

“Bus Stop” marked a turning point in Marilyn Monroe’s career. She had recently formed Marilyn Monroe Productions and signed a new contract with Twentieth Century-Fox that gave her a higher salary and more creative agency. This design by William Travilla supported Monroe’s performance as saloon singer Chérie, who dreams of one day making it big in Hollywood. Monroe learned an Arkansas accent for the role. She asked Travilla to tone down the glamour used for her costumes in previous roles to better suit Chérie.



Monroe wearing this outfit on the larger-than-life marquee in front of Grauman’s on Hollywood Boulevard:



If you haven’t seen it yet, you have until February 28, 2027. Don’t put off for tomorrow what you can do today!

See more Academy Museum photos at my main website.

Temple Tuesday: Rebecca Restored!

Very quietly, it was revealed that Shirley Temple’s 1938 musical comedy, “Rebecca of Sunnybrook Farm” has been restored. Those that live near the Orinda Theatre can view it on the “big” screen on September 5 at 1pm, according to the theatre’s website:

A new chapter unfolds for cinema enthusiasts: We have secured an extraordinary partnership to showcase a Disney Restorations Series. Starting in 2026, the first Saturday of each month will bring an amazing opportunity to experience some of cinema's most treasured classics on the big screen, right here at the Historic Orinda Theatre. This series celebrates a milestone in film preservation, with the Walt Disney Studios Motion Pictures' Restoration and Library Management Department sharing their remarkable work, including restored classics from Disney, Selznick International, 20th Century-Fox, Fox Film Corp., and 20th Century Pictures. Many of these cinematic gems have been absent from theaters for years, making this year-long showcase a groundbreaking event for Northern California, with numerous premiere presentations of these restored masterpieces. We will be opening the series with the 1950 Animated Classic, Cinderella! Hosted by Film Critic, Matias Bombal

The Orinda, just under seventeen miles outside of San Francisco, was designed by architect Alexander Aimwell Cantin, are right up my alley. If only it were closer! Photos below were found online:



From the exterior signage:

The Orinda Theatre opened its doors in 1941 and is the city’s most prominent visual landmark with its signature dorsal fin marquee. It is a textbook example of Streamlined Moderne Architecture, a late type of Art Deco design inspired by structures built for the 1939-40 Golden Gate International Exposition on Treasure Island. The building includes Carrara glass and stainless steel finishes, with the interior theatre walls and foyer ceiling painted in classic murals.

Back to Shirley…I was curious what “restoration” meant in this case. No information was given as to whether the efforts sourced the original negative, a vintage print, or…? Due to “vault fires” and the natural aging of nitrate film, many of Shirley’s early films don’t look so good. “Rebecca” has always looked pretty decent in its VHS and DVD releases, so for this one to be the first chosen for a restoration effort seems like Disney (who now owns her childhood catalog) was seeking some low hanging fruit, or perhaps because it is one of Shirley’s least controversial movies. Whatever the reasoning is, I am very happy that Disney is actually doing something positive with Shirley, who has been buried since they took over the 20th Century-Fox classic catalog of films. Below, Shirley helps “Titanic” dish Gloria Stuart bake some cookies in “Rebecca”:



Kevin Schaeffer, the current Director of Restoration & Library Management for the Walt Disney Corporation, posted this on his LinkedIn account:

Incredibly proud and excited that our restoration of the Shirley Temple classic "Rebecca of Sunnybrook Farm" (1938) is premiering at the Venice International Film Festival today. Congratulations to our Restoration Manager Nikki Jee, Natalie Altounian, our partners at The Film Foundation, and the artists at Cineric Inc and Audio Mechanics for their great work.

When using AI to find more information, I learned just how faulty it can be. It apparently mixed up information for the Mary Pickford version, and also freely takes information about negative restoration and haphazardly paired it with “Rebecca.” One should ALWAYS check the sources for AI and follow-up with more questions. Below, Shirley’s “Rebecca” costars Randolph Scott and Jack Haley (best known as the Tin Man in “The Wizard of Oz”) have a discussion:



Franklin Pangborn (below) has a memorable bit towards the end of the film. Few played the prissy/fussy comedic characters like he did; he was often a foil for W. C. Fields (“International House,” “The Bank Dick,” and “Never Give a Sucker an Even Break”).



Below is a still from a deleted musical number with Shirley, Slim Summerville, Bill Robinson, and some of the other fieldhands from Sunnybrook Farm. If only this sequence survived!



In other Shirley news, it appears that the rest of her autobiography might finally see the light of day. Hollywood gossipy Deadline, quietly broke this story last October (which was briefly regurgitated this March on the official Shirley Temple website):

Marty Tudor has been working with the family estate of Shirley Temple and will have access to the rights of the child actress-turned Ghana and Czechoslovakia ambassador across streaming, film, stage and more. There are also two unpublished autobiographies by Temple which Tudor is helping the estate get published. Tudor is an industry vet, who managed the careers of Paula Abdul and Jon Cryer, and of late has been behind a series of Hologram concert shows starting in 2018 with performances by the late Maria Callas, Roy Orbison, and Whitney Houston. His Orbison-Buddy Holly hologram tour was booked for 58 dates while Houston’s was a 36-date tour in Europe. Tudor’s credits include the Cryer movie Hiding Out, the 1995 TV movie Sahara, the 2004 TV special Carol Burnett: Let’s Bump Up the Lights, and the 2005 Disney TV movie, Once Upon a Mattress starring Burnett, Zooey Deschanel and Tracey Ullman. “There’s so much more to American icon Shirley Temple’s life that people aren’t aware of. She was the U.S. delegate in the United Nations, a female Ambassador to Ghana and Czechslovakia, she was a breast cancer survivor, she fought sexism as the first female U.S. Chief of Protocol. What appeals to me, as a father of a daughter, is that Shirley continues to be an amazing inspiration and role model for young girls. We see a lot of kid actors who go the wrong way, she did not. There’s an amazing human being here with a big story who gave back as opposed to a pop star in it for the glory,” Tudor tells Deadline. The Temple Black family tells Deadline in a statement: “As the 100th anniversary of our Mom’s birthday approaches, we are so pleased at the idea of sharing with the world the lesser-known second half of her incredible life story. She often observed that ‘the Little Girl opened the door’, but then our Mom stepped through it, confident, courageous, authentic – all grown up.”

This is a curious story as Disney/Fox owns the rights to most of Shirley’s well-known childhood titles. Most likely the movies the story refers to are her Baby Burlesks and the 1950s/1960s Storybook anthology television series. Below, a 32 year old Shirley plays a little girl magically transformed into a boy in “The Land of Oz” (1960) segment of “The Shirley Temple Show.” She is shown with Jonathan Winters:



A brave Shirley even tackled the role of “The Little Mermaid” on her series. In a bad blonde wig, Shirley was very miscast in this part. Below, Shirley and costar Torin Thatcher: 



The one comment left on the Deadline story was hilarious:

They’re gonna AI Shirley age 10.

A hologram concert with Shirley? Oh my…

See more photos at my main website.

Trio of Change

Change is inevitable, and no matter how much we resist it, it typically manages to beat us over the head at some point. “They” say bad news comes in threes, so I am hoping that when it comes to favorite restaurant closures, this is it for a while. This spring, longtime favorite Hob Nob Hill closed down for good, after struggling for a year under the poor choices of the new owners. The place I originally fell in love with was fairly priced, large portions, great service, and made-from-scratch meals that tasted like mom made ’em. It was one of those staples that I ate at often, and my friends all dug it, too. No more Cincinnati Chili:



…and no more group gatherings where you didn’t feel like you needed to be ushered out. Nothing but good times, good food, and good memories.



Nearly every trip to LA featured a lunchtime stop at Mauro Cafe on Melrose, in the now defunct West Hollywood Fred Segal shopping center.



Every friend I took there raved; with both indoor and outdoor seating, you could guarantee that there would be fun people watching (and a celeb or two), delicious food, and servers who looked like they just stepped off the runway.



It was also Willis approved.





They had a lemonade slushee that was tart as could be and I LOVED it. On my most recent trip to LA, I was going to stop at the recently moved Mauro, but ran out of time. Oh well, I’ll catch it next time, I reasoned to myself. Next time is now never. It has permanently closed. Don’t put off for tomorrow what you can do today. So many adages today.



Yesterday, I learned that local favorite Madison in University Heights is also closing down, to replaced by who knows what.



This was another place that I typically took out-of-town guests to, including my mom. It got her stamp of approval, which is no small feat; Tony is one tough customer.



The drinks were a tasty precursor to the meal, which was followed by their awesome desserts. Presentation was a hallmark of this place:



The barrel ceiling and mod design were unique, pairing perfectly with Madison’s vibe.



Many a special occasion was celebrated here, including a birthday or two.



Good friend Mona and her husband Patrick recently went there for a belated birthday celebration. We had no idea it would be our last time there. Had I known I would have brought my camera. Another lesson - never leave the camera at home.



The moral of the story: if there are places you want to go to, or a restaurant you enjoy dining at, get your ass there. Support it. Don’t let it languish. Like anything in life, nothing lasts forever, except maybe the sting of regret.

See more San Diego photos at my main website.

Temple Tuesday: Shirley in Color!

Shirley Temple had very few films that were made in Technicolor; the brief list includes a short sequence at the end of “The Little Colonel” (1935), “The Little Princess” (1939), “The Blue Bird” (1940), and “The Story of Seabiscuit” (1949). Even though color was becoming more of a thing by the 1940s, Shirley’s teen films were typically low budget, relying on her former starpower to bring in the bacon. “Honeymoon” (1947) was an RKO black and white comedy (which is debatable!) that just misses the mark. Joseph Cotten went on suspension for backing out of the production and was replaced by Franchot Tone. Probably the best move of Cotten’s career! While the movie wasn’t filmed in color, the fan magazines were documenting Shirley in all her Technicolor beauty! In attempting to get a marriage license in Mexico, Shirley (with Guy Madison) wore this stylish outfit with a hood designed by Edward Stevenson:



Thanks to this image taken in her dressing room, we can see it and her lovely auburn locks in full color! Yes, she knits! And check out the heels on those slingback shoes!



This simple suit was also designed by Stevenson:



It stayed in Shirley’s personal collection until it was auctioned off in 2015, one year after she died. From the catalog description:

Teal Woolen Suit with Silver Buttons Worn by Shirley Temple in the 1947 Film "Honeymoon"

Description: The two-piece suit includes a silk-lined jacket with dart shaping and long sleeves, ruffled white cuffs and collar, and with 10 silver buttons with chain design; along with matching skirt. The ensemble was worn by Shirley Temple in the 1947 film “Honeymoon.” Sold: $1,100



The September issue of Photoplay magazine deemed it pattern of the month. Those interested in sewing their own could purchase the pattern for just 35¢!



I tried oh so hard to find the pattern itself, even joining a number of vintage pattern groups on Facebook. Alas, to no avail. Here is what the cover of the Advance Pattern #4659 looked like:



In this costume, Shirley’s character states that it’s her boyfriend’s favorite color. That piece of the script is wasted on a black and white movie!



However, thanks to this image from her 18th birthday party held on set, we can see what that color looked like. The burning of the little red school house signified Shirley was now an adult!



If you think you can reveal the colors of a film by looking at vintage lobby cards and poster art, think again. They are all pretty much colorized by the artists of the day, who used a lot of creativity (?) in assigning colors to the promotional ephemera. Would Guy Madison still like this one if it was pink and blue?



Another simple suit by Stevenson was featured in this scene with Tone and Madison; Shirley is the rose between two thorns:



Once again, a dressing room shot reveals that this one is beige in color; Shirley poses with then-husband, John Agar:



See more Sbirley Temple photos at my main website.

Top Gun in Oceanside

If the house above looks familiar, then you’re probably an 80s filmgoer who liked one of the biggest box office blockbusters of all time, “Top Gun” (1986). From the plaque in front of the quaint little home:

From the plaque in front: Built in 1887 by Dr. Henry Graves as a vacation home, The Graves House is an oceanfront Queen Anne Cottage and is now recognized as the “last best” existing such house in San Diego county. This house is best known by most people as The Top Gun House because of its prominent role in the movie of the same name. Scenes between Tom Cruise and Kelly McGillis were filmed here in 1985 and the popular movie was released in 1986. In 2022 the house was fully restored in conjunction with the grand opening of Mission Pacific Hotel and The Seabird Resort.



Above and below are two screencaps from the movie showing this Oceanside home:



Edited from the visitoceanside website:

In 1886 Dr. Henry Graves of Riverside came to Oceanside and while here bought a portion of a lot on North Pacific Street for just $1.00. The following year Graves purchased two more lots, one of which was on the northwest corner of Pacific and First Streets (now Seagaze Drive). Lot 7 on Block 16 was purchased for $1050.00 and would be the site of a new summer home for himself and his wife Sarah. The ornate Victorian cottage was built as a vacation home, Dr. and Mrs. Graves would “summer” in Oceanside and return to Riverside. The Graves sold their Oceanside home in March of 1905 for $1800, to Charles H. and Lillian Burlock. Dr. Henry Graves died on October 20, 1905, in Riverside at the age of 78. In 1921 the home was purchased by F. C. Janssen who was active in Oceanside real estate. The cottage was sold in 1926 to B. C. and Margaret Beers, the former being the President of the First National Bank of Oceanside and the developer of the Plumosa Heights subdivision on Alberta, Leonard and West Streets. The cottage was sold again to Edward and Edith Deggendorf in 1928, who promptly sold it to Angeline G. Morgan who also purchased a house and lot behind the Graves house on Lot 6. Angeline Morgan enlarged the former Graves cottage in 1929. She rented out the house until 1936 when she came to live there herself for a period of about five or six years until returning to San Bernardino to be nearer to her son. She relocated again by 1950 and her son, William M. Morgan, rented the house to the rear (112 First Street) for he and his family. By 1966 Morgan had moved to Encinitas and the cottage was purchased by the owner of the beach amusement park, Pacific Holidayland.



The Graves house reverted again to a rental property and over the years became dilapidated. Lynn and William Rego of West Covina, however, saw a diamond in the rough, and purchased the house in December of 1975 for $75,000. Much like Dr. and Mrs. Graves, they spent their summers in Oceanside looking over the blue waters of the Pacific Ocean and renting it out the remainder of the year. In 1985 the Regos were contacted by Paramount Pictures looking for a beach cottage for a film location. Paramount rented the house (including the property at 112 First Street) in June for two weeks. The crew prepped the perimeter of the property by removing parking and street signs and covering the curbs with sand. The movie being filmed was “Top Gun”, which became a blockbuster upon its release in 1986. In 2001 the City of Oceanside acquired the Graves house through eminent domain to control future development of the oceanfront block in hopes of securing a resort project. Save Our Heritage Organization (SOHO) recognized the significance of the Graves house in 2001 and included it on their Most Endangered List of Historic Resources, saying: “This sweet Victorian era seaside cottage was built for Doctor Graves from Riverside. It is the oldest and last best beachfront cottage in Oceanside. Featured in the movie Top Gun, it has consequently been known as the Top Gun Cottage. The site is threatened by the huge hotel development proposed by Manchester Resort Hotels and the City of Oceanside. The cottage is on a corner of the property and could easily be integrated into the development and used as an adjunct facility to the hotel. Right now, it appears it will be moved off site, out of context, with its use yet to be determined.” The Manchester project, a twelve-story, 475-room hotel failed, leaving Oceanside without its desired resort hotel overlooking the Oceanside Pier. However, two blocks fronting Pacific Street were cleared in anticipation of a new hotel project. Block 16 on which the Top Gun house was located, had four other historic homes.



The house known as the Pishon house, located on the southwest corner of Mission and Pacific Streets was moved to a location on Maxson Street. Three other historic houses were demolished, including the house behind the Graves house, at 112 First Street (now Seagaze) which was used in the “Top Gun” movie. By 2010 the “Top Gun” house was the only structure remaining on the block and seemed to be in the “Danger Zone.” In 2018 S. D. Malkin Properties, Inc. announced two new resort projects by developer Jeremy Cohen. Many wondered what would become of the “Top Gun” house. With the support and influence of Save Our Heritage Organization and the Oceanside Historical Society, the Graves house aka “Top Gun” house would be restored by S. D. Malkin and used as the “centerpiece of Oceanside’s much anticipated new oceanfront resort.” Groundbreaking ceremonies for the new hotels were held in February of 2019. The cottage was relocated one block away for structural restoration. Afterward much of the work had been completed, it was moved one block north of its original location in front of the beautiful new Mission Pacific Hotel. The cottage is still situated on North Pacific Street, facing the ocean, which was important in preserving its historical integrity and setting. Architectural Digest reported: “Among the projects were restoring the wood cladding and front windows, dismantling the original chimney, and rebuilding it with the same historic bricks, and bringing back gingerbread details. Both porches had also been damaged and were restored.” In May 2026, the story levels up. An’s Gelato is set to take over the iconic space with its bold new “Gate D5” concept- bringing an aviation-inspired vibe, creative flavors, and a fresh wave of energy to the coast. It’s the perfect next chapter for a place that’s always captured imaginations- bigger, brighter, and ready for takeoff.

Whew, that’s a lot of background! In front is another “prop” from the movie. Well, kind of, as the sign describes:
 
This Kawasaki Ninja ZX900 is an exact replica of the motorcycle made famous in the movie “Top Gun.” Lt. Pete “Maverick” Mitchell, played by Tom Cruise, rode it to visit his love interest, Charloe “Charlie” Blackwood, played by Kelly McGillis, who in the movie lived in this very house.



An’s Gelato was not open for biz yet, thus the lockbox on the door still:



I had to give Tom Cruise a run for his money, posing on the cycle with dear friend Mona (the only person I would go to Oceanside for!). Although it has since expired, yes, I once had a license to drive a motorcycle. Back then, this would have been referred to as a “crotch rocket.”



See more Oceanside photos at my main website.