The Art of Kapralik

For years, I have been obsessed by the art of Jacques Kapralik. Who? Yes, sadly, this genius is virtually unknown by name, but any film buff of the Golden Age of Hollywood has seen his brilliant work. At top is the promo art he did for “Girl Crazy” (1943), featuring stars Judy Garland and Mickey Rooney. His caricatures are brilliant, and perfectly capture the subject with the most simple of lines. On top of that, he made brilliant use of mixed media to create 3D sculptures of sorts that added an extra dimension to the flat art used on posters, flyers, and even on-screen in title credits. Below is the back of the flyer that MGM sent out to promote the Garland-Rooney musical:



Here is his edited bio from the American Heritage Center website:

Kapralik was a commercial artist and caricaturist whose art was used in the promotion of motion pictures throughout Hollywood’s Golden Era of the 1930s-1950s. Born in Romania in 1906, Kapralik first worked for various European newspapers, drawing cartoons and caricatures of famous Europeans and important events. In 1936, Kapralik immigrated to the United States. He first provided celebrity caricatures for various newspaper columns focusing on Hollywood gossip and events. Kapralik was fortunate to work during a time considered the Golden Age of Hollywood and a zenith for celebrity caricatures. Movie studios were putting increased focus and publicity on their stars, attempting to make them household names. Kapralik’s output of celebrity caricatures increased as he left the newspaper world and began working for movie studios such as RKO, Paramount, 20th Century Fox, Universal, and MGM, creating likenesses of Cary Grant, Greta Garbo, and Lucille Ball, among many others. He developed a distinctive and highly recognizable style for his studio publicity work, much of which was shown primarily in press kits and trade magazines such MGM’s Lion’s Roar Magazine, as well as the weekly Pictorial Review newspaper insert.



While heralded as a master of Hollywood caricature by industry insiders of the time, due to the nature of his work, today he remains relatively unknown to the general public. The caricature style Kapralik became most well-known for involved the creation of miniature models from paper and balsa wood. The models were then photographed and used as promotional posters for motion pictures, predominantly MGM films. These 3-D caricature scenes were incredibly elaborate and detailed, taking up to six weeks complete. Kapralik also created title sequences for films in the 1930s-1950s, an early innovator at a time when title sequences were just starting to evolve from simple text. His title sequence work included 20th Century Fox’s The Three Musketeers (1939) with the Ritz Brothers and MGM’S Presenting Lily Mars (1943) with Judy Garland. Aside from movie publicity, Kapralik also did advertising work for companies such as Nutrilite, S&W, and Squirt.

Below is Kapralik at work:



The 1940 MGM film “Go West” starred the zany Marx Brothers.



Kapralik’s innovative style matched perfectly with the Marx Trio:



Thanks to Shirley Temple expert supreme, Rita Dubas, I learned that the cute caricature of Shirley Temple in the title sequence of “Just Around the Corner” (1938) was done by Kapralik:



I did my best to recreate it in color digitally. Yes. I was obsessed with his work.



His work in the title sequence was significant because it captured Shirley’s new hairdo, with her curls pulled to the side of her head.



A few more pieces of Kapralik’s work, including the 1942 Hepburn-Tracy vehicle, “Woman of the Year”, which captures Hepburn’s haughty profile perfectly:



…and 1941’s “Honky Tonk” with Clark Gable and Lana Turner. This is one of the few misses for Kapralik, as this caricature looks nothing like Turner.



Below is a collage of four Judy Garland movies that Kapralik did the art for. Going clockwise from top left: “Andy Hardy Meets Debutante,” “Babes on Broadway,” “Little Nellie Kelly,” and “Presenting Lily Mars.”


Below is a screenshot of the title sequence from “Presenting Lily Mars” side by side with the original art, which I found at the Raphael Geroni website.



Want to see more of Kapralik’s work? Browse his collection at the American Heritage Center website.

See more photos and pop culture at my main website.

Temple Tuesday: The Marx Brothers and The Big Store

Although Shirley never starred in a movie with the Marx Brothers, she was very much connected to their final MGM film, “The Big Store,” released June 20, 1941. Crooner Tony Martin played the romantic lead:

Five years previously, he had an uncredited role as The Barry Baritone in “Poor Little Rich Girl” with Shirley:

Had Shirley been in “The Wizard of Oz,” she would have co-starred with Clara Blandick (Aunt Em), who had a cameo as an elderly lady who wants to have a record made by Tony Martin. Look at the sweet smile on her face as Tony sings to her; you didn’t see that smile too much in “Oz.”

When the camera changes angles, you can see the sheet music rotating on a display behind Blandick and Virginia Grey:

The sheet music behind Grey is from “Young People”:

…and the real thing:

Over in the toy/baby department, look what’s behind Virginia O’Brien, who is singing in her usual deadpan method:

Yup, that’s a Shirley doll. The art director should have positioned the doll a little better so that she wasn’t giving a spread-eagle shot of her onesie!

In this shot from the music department, you can see the “Young People” sheet music AND music from a Judy Garland/Mickey Rooney movie (on the left side of the carousel).

A closeup:

Looks like the music was for “Nobody’s Baby” from “Andy Hardy Meets Debutante” (released July 1940):

In a very labored not-so-funny scene in the bed department of “The Big Store,” Henry Armetta runs into his old friend Chico Marx:

In “Poor Little Rich Girl,” Armetta played Tony the organ grinder with Shirley:

Eagle-eyed Shirley fans might recognize Russell Hicks on the left, who plays a wealthy businessman who wants to buy the Department Store that Margaret Dumont’s character owns:

He also played Shirley’s father in “The Blue Bird” (1940):

Never missing a chance for promotion, Judy Garland and Mickey Rooney’s “Strike Up The Band” (released September 1940) is the movie on the MGM backlot theatre marquee in this scene where Harpo and Groucho “help” Margaret Dumont out of the car:

Since Shirley was filming “Kathleen” for MGM at the time, it’s not surprising that she was sprinkled throughout this MGM released Marx film.

Phew. Did I catch all the Shirley connections in that one?

See more teen Shirley photos at my main website.