Temple Tuesday: No Jitterbug for Shirley

As soon as she hit the silver screen, Shirley Temple was known for both singing and dancing, as seen above in “War Babies” (1932). In “Miss Annie Rooney” (1942), her first teenage romantic role, it was only natural that Shirley’s footwork kept up with the times. Below, she can be seen getting coached by choreographer Nick Castle and costar Dickie Moore.



Fortunately for Dickie, for this jitterbug dance sequence he was able to get by with just standing still while Shirley did all the work.



Later in the film, wrong-side-of-the-tracks Annie (Shirley) finds favor with the rich kids by teaching them how to cut a rug. “Drizzlepuss” Stella Bainbridge (June Lockhard) refuses to join the fun and stands off to the right. 



When Shirley returned to the screen a little over a year later in David Selznick’s “Since You Went Away” (1944), the producer was adamant against Shirley doing any singing or dancing. According to publicity of the time, the movie “…definitely is not ‘another Temple picture.’ It is based on a series of letters written by Margaret Buell Wilder, Dayton, Ohio, newspaper-woman and mother of two teenaged daughters, to her husband in the Army. It is the every-day story of their problems and efforts to make ends meet by taking in boarders. And it is definitely not another Temple role. Shirley plays a straight dramatic part. No dancing and no singing.” In one of his famous memos, Selznick wrote, “I’m anxious to get the accent off this as a Temple vehicle and start hammering away at its tremendous cast.” Selznick would even go so far as to admonish Shirley against singing and dancing on her War Bond Tours. What a fink! Below is Shirley with costar Claudette Colbert who played her mother, Anne Hilton.



As in Selznick’s “Gone with the Wind,” a military dance plays a central part to the story of the film. Here, Jennifer Jones (playing Shirley’s older sister) arrives to the thrill of the soldiers who get a temporary break from World War II to dance with some pretty girls.



Shirley is not even in this scene at all; instead, the focus is on the romantic leads (Robert Walker and Jones) and their chaperones, Colbert and Joseph Cotten, who plays a close friend of the Hilton family.



According to the AFI website, the hangar dance was shot in a reproduction of an Army aviation hangar that encompassed two sound stages, over 20,000 sq. ft. of floor space and utilized 100 electricians. Below, director John Cromwell coaches Cotten and Colbert as they dance and recite their dramatic dialogue.



Colbert and Cotten rest between takes:



With Cromwell watching at right, Jones and Walker (married at the time the film was being made) perform their scene:



Silver Screen Magazine shot a series of dance photos during filming of the movie. From their publicity blurbs:

Jitterbugs Elsie Peritz and Jack Arkin warm up their motors, so to speak for an aerial take-off in the hangar dance sequence of “Since You Went Away,” first picture made by David O. Selznick since his Academy Award winning “Gone with the Wind” and “Rebecca.”



Peritz also had an uncredited role in the Robert Benchley Paramount Technicolor short, “Boogie Woogie” (1945). Arkin had a few small uncredited roles, including the Judy Garland film, “The Clock” (1945) and “Thirty Seconds Over Tokyo” (1944) where he also danced the Jitterbug.

Below: Jack gives a spin and—oops!—we got something in our eye, so we didn’t see that.



Now Elsie is really getting up in Hollywood. The lady in the background, if she had it to do over again, would never learn how to knit but would concentrate on jitterbugging, as Elsie has, so that she too could be the life of the party.



Don’t feel bad for Shirley; she continued to dance for her fans, including in Central Park with former dance partner and close friend, Bill Robinson, Summer 1944:



She gave Franchot Tone Jitterbug lessons in “Honeymoon” (1947):



In the 1970’s, Shirley performed the Jitterbug with talk show host Mike Douglas. I have yet to find a clip of it on YouTube. From what I recall she was magnificent!

See more “Since You Went Away” photos at my main website.

Temple Tuesday: Shirley behind the lens!

In this 1946 images, Shirley Temple is between takes of the movie, “Honeymoon” for RKO studios, sitting on the stoop of her dressing room. It looks like Shirley was taking photos that day; her photo was shot by Rod Tolmie (1902-1980), a still photographer and cameraman during the golden age of Hollywood. I was curious to see what kind of camera Shirley used.



We have a match! Shirley was using a Contax. Edited from Wikipedia:

Contax began as a German camera model in the Zeiss Ikon line in 1932, and later became a brand name. The early cameras were among the finest in the world, typically featuring high quality Zeiss interchangeable lenses. The final products under the Contax name were a line of 35 mm, medium format, and digital cameras engineered and manufactured by Japanese multinational Kyocera, and featuring modern Zeiss optics. In 2005, Kyocera announced that it would no longer produce Contax cameras. The rights to the brand are currently part of Carl Zeiss AG, but no Contax cameras are currently in production, and the brand is considered dormant. They became very popular among professional photographers, such as Robert Capa and Phil Stern, especially photojournalists who demanded high-performance, large-aperture lenses for available-light work and a workhorse. The vertical shutter had both variations in speed, slit and a brake at the end of travel that was again a Zeiss first.

Shirley had good taste! Below is a photo I found online of the camera in glorious color:




The other detailed shot shows a pack of Pall Mall cigarettes. Yes, Shirley smoked. You can even see a lit cigarette smoldering on the edge of the table.



Here’s what that pack of death said on the side:



“Protects your throat”? Yes, one of the many reasons you should be wary of advertising! On the same day, Shirley posed behind what I am “assuming” (very dangerous!) was Tolmie’s camera with her stand-in, Mary Lou Isleib.



“Say cheese!”

See more Shirley Temple “Honeymoon” photos at my main website.

Temple Tuesday: Behind the Scenes of "Honeymoon"

After three back-to-back-to hits in her teen career (“Since You Went Away,” “I’ll Be Seeing You,” and “Kiss and Tell”), Shirley Temple was poised for a second round of success in the movies. How unfortunate that David Selznick allowed her to be put in the misguided comedy (and I use that term loosely), “Honeymoon.” Oh Shirley…you should have fought as hard to get out of this turkey!



Apparently, the original intentions were good, as three of the stars from “Since You Went Away” were to be reteamed in this one, according to the New York Times on January 20, 1946: Shirley, Joseph Cotten, and Guy Madison. Cotten would have played the role that eventually went to Franchot Tone, but he wisely turned it down which resulted in his suspension. A smart move on his part, as his next film turned out to be the runaway hit, “The Farmer’s Daughter” with Loretta Young. Poor Shirley…she stayed with the project like a trooper. Guy himself attempted to drum up some excitement with his fan club, giving them some details about his upcoming movie:



The trip to Mexico didn’t happen, thanks to a workers’ strike in the Mexican film industry. The stars stayed in Hollywood, and only the second unit went to Mexico City to shoot a few long shots (with obvious doubles!).

With ad copy like, “She’s His Glamor Girl…He’s Her Guy!”, it’s not wonder this movie was doomed. Oh, I get it…her costar’s name is Guy Madison! Please…stop…no really…please…



At least the movie provided an opportunity for a few behind-the-scenes publicity stills of Shirley, looking gorgeous.



The glow of her own recent wedding and honeymoon are evident. However, I am sure she was thinking here, “Oh, if only Joseph Cotten had stayed on…”



There are a few redeeming parts of the movie, including getting to watch Shirley do a jitterbug dance with Franchot:





The film ended up losing $675,000 at the box office.

See more teenage Shirley Temple photos at my main website.

Temple Tuesday: Burnin' down the (school)house!

Shirley Temple’s 18th birthday celebration was held on the set of the lackluster comedy (and I use that term loosely), “Honeymoon.” The caption for the photo above read:

4/23/1946: Shirley called on husband, John Agar, for help in blowing out the 18 candles on her birthday cake. In addition to the cake, RKO provided a soft drink bar and buffet supper for the guests who attend the part on the “Honeymoon” set.

I had to zoom in on the matchbooks that were strewn around the table,



Here is the Lucey’s (circa 1939) that they advertise:



From the Calisphere website:

Lucey's Restaurant, owned by Antonio Luciano, who went by the nickname Tony Lucey (hence the name "Lucey's" Restaurant), first opened its doors in the 1920s as a place to wet your whistle during prohibition. It quickly became a big star hangout catering to movie industry clientele such as Robert Preston, John Wayne, and Ronald Coleman, to name a mere few. In 1945, Luciano sold his restaurant to businessman Nathan Sherry, one of Los Angeles' more important restaurateurs in the Golden Era of the 1940s. At the height of his business Sherry operated almost 12 nightclubs and restaurants, but in 1954 - just nine years after purchasing Lucey's, Sherry died of a heart attack at the age of 65. Lucey's Restaurant continued on, becoming Lucey's New Orleans in August of 1959, and then Casa Lucey's Mexican food in April of 1963. This restaurant was eventually demolished and replaced with Walter's Plants Rentals years later. This is a corner view of Spanish style Lucey's Restaurant, located at 5444 Melrose Avenue and Winsor Street in Hollywood. It shows a white, 2-story round Spanish style structure on the right, and a cupola can be seen peeking up from atop another portion of the restaurant on the left, behind several large shrubs.

A color shot taken during the festivities:



In this shot, Shirley stands over the charred remains of a miniature schoolhouse. Now that she was eighteen, she no longer had to take classes on set in between takes of her movies.



What the little red schoolhouse looked like before it got torched:



Shirley attempts to show costar Guy Madison and former costar Jack Oakie (“Young People”) how to dance on the nightclub set from “Honeymoon”:



A screengrab from the movie showing Shirley teaching Franchot Tone how to dance:



When looking closely at the previous shot from the birthday party I noticed this man who appears to be a deadringer for Douglas Fairbanks Jr. The timing is about right, as he was also working for RKO on “Sinbad the Sailor”:



However, in this view of Shirley and then-husband John Agar dancing, the gentleman in the background looks a bit less Fairbanksian:



The girl itching her scalp appears to be Joyce Agar, Westlake classmate and sister of John Agar:



Here she is at Shirley’s wedding, fourth in from the left:



What a party! Now I’m hungry for cake. See more Shirley Temple photos at my main website.

Temple Tuesday: Thank you for the use of the Hall

Poor little Shirley seemed to be a staple of the court system throughout her childhood film career! Her characters were often found charming a judge into helping her get the right adoptive family (as in 1934’s “Bright Eyes” above). Sometimes, Shirley was able to plead her case to the highest authority in the country, as she did with Abraham Lincoln (perfectly portrayed by Frank McGlynn Sr.) in 1935’s “The Littlest Rebel,” shown below. Of course he kept her on-screen father from the gallows!

In 1936’s “Stowaway,” Shirley lands in jail with co-star Robert Young who accidentally grabbed the hand of the wrong child, thinking it was Shirley. Don’t worry — they were bailed out quickly.

In the same film, Shirley’s expert (albeit coached) testimony helped keep adoptive parents (Alice Faye and Robert Young) from getting a divorce just in time for a Christmas celebration.

In “Heidi” (1937), Shirley is able to keep her grandfather (Jean Hersholt) from being locked away for kidnapping by namedropping “Herr Sessemann,” who just happened to be the wealthiest guy in town.

Shirley got creative in court in “Little Miss Broadway” (1938) by presenting a complete Broadway show as evidence to help keep her father from being evicted from the hotel that he ran.

Even in her adult career, Shirley’s characters sometimes ran afoul of the law. In “Honeymoon” (1947), an underage Shirley has trouble getting a marriage license in Mexico. Ick.

Although Shirley doesn’t appear in court in “The Bachelor and the Bobby-Soxer” (1947), her sister plays a judge. Thanks to that crucial family connection, Shirley’s underage attempt to romance an older man (Cary Grant) is kept out of the judicial system!

Finally, in “Adventure in Baltimore” (1949), Shirley lands in the klink for being part of a women’s rights protest. Father (Robert Young) has to bail her and the rest of the family out of jail.

Fortunately in real life, Shirley stayed on the right side of the law!

See more Shirley Temple photos at my main website.