Temple Tuesday: Behind the Scenes, SYWA

A teenage Shirley Temple made a comeback of sorts with the 1944 prestige picture, “Since You Went Away” (hereafter referred to as “SYWA”), produced by David Selznick. Like his blockbuster hit of 1939, “Gone with the Wind,” the theme of “SYWA” was about how war affected those at home; no battles were shown in either movie, other than the personal struggles felt by its characters. Unlike its predecessor, “SYWA” was more of a lowkey picture, lacking the driving core of the romance between Scarlett O’Hara and Rhett Butler. Regardless, “SYWA” is an amazing snapshot of World War II and the brave women who made a difference on the homefront. Shirley played Brig Hilton, the daughter of the female lead, Claudette Colbert, and sister of Jennifer Jones. The three were the heart of the story, which begins as the unseen father leaves to join the war effort. Above, Shirley is pictured with Monty Woolley, who plays a boarder of the Hilton family, thus helping them make ends meet without the father’s regular salary. One of the early scenes in the picture has frenemies Agnes Moorehead and Colbert meeting up for a drink, where they run into family friend Lieutenant Willett (Joseph Cotten).



While most people don’t think about the set design when watching a picture, I completely geek out on it, especially if it’s not done on location. What props did the set department choose to use? Does it feel authentic? What was the inspiration? Below is the set for the cocktail lounge where the three are hanging out. Imagine creating all that atmosphere for only a few minutes of celluloid and then having it torn apart, destroyed, or re-used in another film.



In this scene, Colbert, Temple, and Jones gather in the master bedroom after the father has gone to support the war effort.



A shot of the set from the Huntington Collection:



Another angle of the room from my collection:



A number of family photos are shown on the mantle and dresser:



A closeup shows a childhood photo of Shirley and one of Jennifer Jones:



Interestingly enough, in the Huntington shot, Shirley is nowhere to be found. Instead, there is a small picture of actor Neil Hamilton on the left.



A screenshot from the movie, showing Claudette looking longingly at photos of her character’s husband, portrayed by Neil Hamilton.



A detailed view from my photo of the set:



Hamilton is probably best known as Commissioner Gordon from “Batman” (1966), also the father of Batgirl (Yvonne Craig).



Back to Shirley! Here’s another copy of the photo that was used in the movie and placed on the mantle for the final set design:



This photo session was for “Little Miss Broadway” (1938), and like most publicity shoots, there were plenty of alternate poses taken!









One of the shots even made it on a magazine cover, circa December 1938:



Also from the Huntington collection is this color test shot taken of the living room set:



In a few scenes, Colbert can be seen leaning outside the upstairs bedroom window.



Thanks to movie magic, partial set design, and matte paintings, only this portion of the window was built. Not sure who is leaning out the window, but it definitely is not Claudette!



How the exterior of the house looked in the movie, thanks to a partial set built which was combined with a matte painting:



For the final shot of the film, a miniature set was used and footage of the three women hugging was combined with the model:



Here’s a view of the gargantuan set created for the dance at the hangar:



Combined with a matte painting for the top portion, it truly was impressive.



A production shot of the hangar dance scene. Director John Cromwell can be seen in the upper right corner with the camera crew:



Dancers from the hangar scene, Elsie Peritz and Jack Arkin were captured in these five publicity shots doing some impressive jitterbug moves!











I can’t verify this, but my gut feeling is that the bowling alley scene with Robert Walker and Jennifer Jones was shot at a real bowling alley. If so, I would love to know which one was used and what happened to it.



The premiere of the film was held on July 17, 1944 at the Carthay Circle Theatre in Hollywood:



Demolished in 1969, it was reborn in a slightly smaller scale at Anaheim’s Disney California Adventure theme park:



Back to the premiere: shown below are the arrival of Lt. Commander Joel Pressman, Colbert, Captain Don Wilcox, and Commander Michael Sanchez:



Shirley went to the premiere with then boyfriend Private Andy Hotchkiss. Naturally, her parents followed right behind her.





The entire happy foursome. Hotch is probably whispering, “When can we ditch Mom and Pop?”



Another shot of the theatre the night of the premiere:



A closeup of the marquee:



From the Los Angeles Evening Citizen News, July 17, 1944:

CELEBRITY THRONGS TO ATTEND PREMIERE

Set off by possibly the most distinguished guest list of stars that ever attended a world premiere, David O. Selznick’s “Since You Went Away” will be shown in a trade and press screening tonight at Carthay Circle Theater with bands playing and searchlights flashing the skies. “Since You Went Away,” which cost more than $3,000,000 to produce, is a picture of unusual interest to the motion picture industry, as well as to the fans, since it is Mr. Selznick’s first offering in four years. It is a war picture without battles, about America today. His most recent pictures were “Gone with the Wind” and “Rebecca.” Among the stars who will attend are: Claudette Colbert, Jennifer Jones, Joseph Cotten, Shirley Temple, Monty Woolley, Lionel Barrymore, Robert Walker, Frank Sinatra, Mary Astor, Fred Astaire, Charles Boyer, Gary Cooper, Jimmy Durante, Deanna Durbin, Errol Flynn, Clark Gable, Judy Garland, Gene Kelly, Hedy Lamarr, Adolphe Menjou, Burgess Meredith, Lana Turner, Joan Crawford, Gene Tierney, Jane Withers, and Mr. and Mrs. Alfred Hitchcock.

After the premiere, the headlines proclaimed: “Selznick Triumphs Again”

The Alameda Times reported this bit of sad news in connection to the premiere on July 19:

Film Actor Faces Leg Amputation

Film Actor Ward Bond, facing possible amputation of a leg injured in a traffic accident Monday night, today was being treated with the wonder drug penicillin. “If we save his leg it will be only by a miracle,” his physician, Dr. John C. Wilson, said. Bond, struck by an automobile shortly after leaving the Hollywood premiere of “Since You Went Away,” was taken to St. Vincent’s Hospital after treatment at an emergency hospital. The driver of the car was not held. The former University of Southern California football star’s leg was almost severed in the accident, hospital attendants reported.

The result can be found over on imdb.com:

On July 17, 1944, Bond was leaving the Hollywood premiere of Since You Went Away (1944) and was attempting to cross the street when he was struck by an auto. His left leg was so severely fractured that physicians wanted to amputate, but Bond refused to allow it, and although it took several months, Bond recovered. He limped in his next few films, and was still recovering, using a cane, when he served as best man at the wedding of John Wayne to his second wife in January 1946. The driver, a retired cosmetics manufacturer, was fined $25 for speeding but was not charged with failing to yield right of way to a pedestrian. In 1945, Bond was awarded $50,000 at a civil trial.

Bond would costar with Shirley in 1948’s “Fort Apache”:



And that’s the end of today’s rabbit hole!

See more "Since You Went Away" photos at my main website.

Temple Tuesday: LIFE can be cruel!

At first glance, the above photo is a charming shot of Shirley Temple, former child star and darling of the 1930s, and Mary Pickford, a “child” star from the teens and 1920s. At the time this 1943 photo was taken, Shirley was poised for a comeback under the direction of producer David O. Selznick. Mary had gone behind the camera, producing films for United Artists, which she was one of the founding members back in 1919. LIFE Magazine typically was kind to movie stars and often got exclusive photos and stories as a result; for this particular image, they were rather cruel. It ran full page in the October 4, 1943 issue with the headline, “TWO GREATEST HAS-BEENS.” From the rest of the feature:

Shirley Temple and Mary Pickford are seen here on a Hollywood movie set. Miss Temple is 15. Mary Pickford is 50. They are almost of a size. Their combined careers almost span the history of the motion picture industry. Mary Pickford has appeared in 60 full-length movies, Shirley Temple in 28. They are Hollywood’s two greatest has-beens. They are has-beens in the same peculiar way. Both of them have finished great movie careers. Mary Pickford as “America’s Sweetheart”; Shirley Temple as the screen’s greatest child actress. Miss Temple, for many years a top box-office draw as a curly-headed moppet, is now taking on her first real dramatic role. When Mary Pickford was her age she was appearing in David Belasco’s “Warrens of Virginia.” The occasion for their meeting was an on-the-set party to celebrate the first of shooting on Shirley Temple’s new picture, United Artists’s “Since You Went Away.” Miss Pickford, a part owner of United Artists, is also beginning a new movie career. Recently she paid $410,000 (the top price for a Broadway play) for the screen rights to “Junior Miss,” which she will soon produce. It is rumored that Shirley Temple will have one of leading roles in the movie.

There were so many other ways LIFE could have chosen to describe these two legends, all of which would have been more respectful. Below is another shot of Temple and Pickford from the party:



From the accompanying caption:

In the friendly, informal atmosphere of a typical American home, Claudette Colbert and Producer David O. Selznick recently entertained a group of Hollywood notables at a “housewarming.” Scene of the unusual gathering was the “Hilton Home” set, on which will be shot some of the footage for Selznick’s “Since You Went Away,” story of a typical American home in wartime. Present at the party were Producer Selznick, Director John Cromwell and members of the all-star cast, Claudette Colbert, Joseph Cotten, Jennifer Jones, Shirley Temple, Monty Woolley, Robert Walker, Hattie McDaniel, Neil Hamilton, Eric Sinclair, Rhonda Fleming, Christopher Adams and Vicci Styles. Left to right: Commander Garcia, Shirley Temple and Mary Pickford.

A detail of the pin Mary is wearing:



Below are cast members Robert Walker, current wife Jennifer Jones, Selznick (who would eventually marry Jones), Shirley, and Joseph Cotten. Ingrid Bergman, smiling in the background, was a visitor to the set party.



Another shot with Bergman, Selznick, Temple, and Jones. That’s some purse Jones has tucked under her arm!



Below is a shot of Shirley getting ready. The accompanying blurb:

LADY’S TIME OUT to fix up before returning in front of the cameras. Shirley Temple has her hair done by Cleo, the hair stylist, for a scene in David O. Selznick’s “Since You Went Away.” Others in the all-star cast are Claudette Colbert, Joseph Cotten, Jennifer Jones, Monty Woolley and Robert Walker.



Poor Cleo; no credit or last name could be found for her on imdb. In an attempt to make up (pun intended) for that, below is a color shot of Shirley in the same outfit on the cover of Modern Screen Magazine, circa April 1944:



See more Shirley Temple photos at my main website.

Temple Tuesday: A Date with Shirley

Inspired by a comment from my most devoted reader, Fifthrider, today’s post takes a look at what was said:

Any time I see a pic of Shirley on a date, she's always smiling and the guys always look like someone off camera has a gun pointed at them. I've no idea what the backstory on any of those are, only that no one seems to be willing to smile at a camera for being out on the town with Shirley.

Let’s take a look at the photographic evidence from the Daveland archives, shall we? Exhibit A, the first photo above, with Cadet Captain Raymond Berlinger and Shirley at the California Military Academy formal commencement ball, November 1940. One point for Fifthrider. Below is Exhibit B, with Shirley and date at the California Military Academy Formal Cotillion, February 1941. Both boys are smiling; they realize the perq of being out with Shirley! Sorry, Fifthrider!



Uh oh…Fifthrider goes into the lead again with Exhibit C, a 1942 shot of Shirley and Earl Miller at the Alpha Sigma pledge dance at Santa Monica junior college. This guy looks like he’s mentally preparing his tax returns.

 

Back to ground zero with Exhibit D, a February 1944 image of Craig Flanagan and Shirley at the premiere of “Lady in the Dark” starring Ginger Rogers. At least Craig manages to muster a bit of a smile. This one counts in Shirley’s favor!



Exhibit E shows Shirley at the “Since You Went Away” premier on July 18, 1944, with her favorite beau at the time, Private Andy Hotchkiss. He appears to be saying, “Let’s ditch your parents and have a REALLY good time!”



In her autobiography, Child Star, Shirley refers to him in the index as Andrew D. “Hotch” Hotchkin, and in the text solely as “Hotch.” The publicity blurb on the above photo lists him as Hotchkiss. According to various other news items of the time, his name was Hotchkiss. From Ed Sullivan’s column in the Los Angeles Evening Citizen News on August 16, 1944:

Shirley Temple and Air Cadet Andrew Hotchkiss are an item.

Maybe Shirley was attempting to “protect the innocent.” Here’s what Shirley had to say about Hotch on page 335:

At one of those punch-and-cookies school exchanges with Harvard Military Academy, a tall, uniformed senior with straw-blond hair and blue eyes cut in on the dance floor. “I’m Hotch,” he said, leading me in a series of swooping turns, which immediately gained covetous attention from my schoolmates. Not only a superb dancer, he was the most handsome boy I had encountered, someone whose conversation revealed a personality of high energy and bright humor. The austere veneer I had been cultivating was dropped flat and I invited him somewhere at the first opportunity, which happened to be Smart Girl’s Thanksgiving barn dance, complete with blue jeans, checked shirts, and a punch bowl secretly laced with gin, rum, and whiskey. Having no experience with alcohol, let alone such a weird concoction, I sipped away and flirted with Hotch. Suddenly I needed fresh air. Fleeing unsteadily outside into the night, I skidded on something mushy, lurched, and slid sideways into a shallow depression, landing on my hands and knees. Even in the darkness I recognized the odor of richly decomposed manure, a perfectly good place to vomit. Having followed me in perhaps romantic anticipation, Hotch witnessed my performance from the bank above. When I had finished he reached down and hauled me up from the gluey clutch of the pit. Using a nearby hose, he washed me off, spread newspapers on his car seat, and drove me home. A charming date, for sure, and an unusual start to enduring love.

By page 369, Shirley had grown weary of Hotch:

Hotch showed up at our hotel on a twenty-four-hour pass from his Madison, Wisconsin, air base. Either from pining away or eating serviceman’s chow, he had grown lean and hollow-eyed. Although older on the calendar, he seemed younger in fact. From a playful, resourceful partner in puppy love, he now seemed to plead for repeated affirmation that he still rated number one. Perhaps what I saw was a junior airman trained to being bossed. However, the more subservient he seemed, the more I lost interest. The more obsequious, the less my affection. Obviously, we were two young people growing up in a different directions at different rates. It was our first reunion, but I realized absence had helped snuff out the love light.

I don’t quite know how to count Exhibit F below; is the guy smiling? Is he high?



Exhibit G is from August 1944. Shirley is with opera singer/auto nut James Melton. He had romantic intentions for Shirley, but her mother blocked them. From Child Star:

Thirty-year old James Melton, houseguest at ZaSu Pitts’ next door, occupied a room facing my bathroom window. My first clue to his presence came on morning while brushing my teeth. Suddenly a love song came belting across from his open window. Looking up from my basin I saw both his arms extended in a romantic finale. In addition to boasting a magnificent outdoor singing voice, he was an antique car buff. Inviting me to accompany him on a ride in one of his heirlooms, he managed, between gearshift, rubber squeeze horn, and ratchet brake, to suggestively cling to my hand. Mother soon saw he was hanging around too much for someone twice my age and sweetly suggested that henceforth I would probably be too busy with rehearsals to see him.



While the relationship was torpedoed, this guy is clearly smiling! Exhibit H is the photo that inspired today’s post. Shirley’s date is modeling the expression one would wear once the ex-lax starts kicking in. Circa 1944.



In 1945, Shirley’s dating career as a teen ended when she said “yes” to Sergeant John Agar after he popped the question. In Exhibit I, both are all smiles.



Based solely on the Daveland collection (including the engagement photo above), it appears Shirley is the winner in the make-your-date-smile department. In all seriousness, most of the guys at the time were probably in awe of being out on the town with Shirley Temple. Considering the majority of them were military, they were not trained on how to relax for the cameras. Anybody out there have photographic proof to tip the scales one way or the other?

See more Shirley Temple photos at my main website.