Temple's Turkeys

Temple Tuesday is two days late, but these photos go perfectly with today’s celebration of Thanksgiving. Whether you get riled up about the origins of the celebration or not, EVERYONE would benefit from slowing down and taking at least one day to focus on what they can be thankful for. Just getting the disclaimer out of the way first, folks, cause that’s how I operate.

Photo #1 is from 1935 and shows Shirley in the duds that she wore during the orphanage sequences from “Curly Top.” Even though the film was shot from May 25, 1935 through July 10, 1935, the publicity department was thinking ahead by shooting photos that could be used during the upcoming Thanksgiving holiday. From the accompanying (now) gruesome caption:

“You eat now, and I’ll eat Thanksgiving Day,” seems to be the idea Shirley Temple, little Fox Film star, has as she watches one of her turkeys go after the corn supply.



One of Shirley’s semi-notorious stories from her childhood film career took place during the filming of “Rebecca of Sunnybrook Farm.” Early in the film, Rebecca (Shirley) goes to visit neighbor Tony Kent (Randolph Scott). Her cousin Gwen (Gloria Stuart) eventually joins the two as Rebecca dines on some turkey that Tony’s butler (Slim Summerville) has served the little girl. The photos above and below were taken during the filming of this sequence.



Shirley’s brother Jack was hired as third assistant director, to which she would later say, he “spent time thinking up things to take care of, one of which was me.” Director Allan Dwan fired him after a dispute over a roasted turkey prop. The turkey had been sprayed with insecticide and Jack loudly ordered her not to eat it, which she had no intention of doing. Out of spite, she popped the turkey in her mouth, prompting her brother to shake her to dislodge it. “Despite a slightly bitter taste, it was good turkey and my disobedience was immensely satsisfying.” Below, Shirley calms down between takes of the sequence by doing a little crafting:



In the 1938 film “Just Around the Corner,” Shirley and Bennie Bartlett share some turkey in the kitchen as their characters play matchmakers for their family. Do their attempts work? Of course they do!



The film was released just in time for Thanksgiving, on November 11, 1938. From the Sunday, November 20, 1938 Milwaukee Sunday News-Sentinel:

Hollywood’s little dream-girl-come-true (Shirley Temple, of course) is pictured having a dream of and for herself…and Shirley’s vision should come true Thanksgiving Day. As for the forthcoming holiday, seems to us Shirley has quite a few things for which to be thankful. Only 9 1/2 years old, she has earned a sizable fortune…should be able to enjoy a bright and bountiful future. On the other hand, millions of moviegoers might well remember to be appreciative of the happiness and cheer she has given them from the screen. Then there are the thousands outside the motion picture industry for whom her fame has been a source of livelihood…employees of doll manufacturers and children’s clothing concerns, etc. Doesn’t the title of her next picture, “The Little Princess,” fit Shirley to a ‘T’? The film a 20th Century-Fox production, will be her first full-length Technicolor vehicle.



The dress Shirley wears while carving the turkey was seen in “Just Around the Corner” and is known as the Lucky Penny dress, named after her character in the film, Penny Hale.



“The Blue Bird” (1940) was shot from September to October of 1939, so it stands to reason that Shirley would be photographed carving yet another turkey, wearing her peasant garb from the movie.

After a brief retirement in 1940, Shirley was back in the kitchen with a turkey again in 1941 during the filming of MGM’s “Kathleen.” These publicity shots were taken in Shirley’s Brentwood kitchen.











In the above and below shots, you can see the Morgantown Ruby Red goblets on the top shelf, as Shirley happily pretends to munch on her Flintstone-sized turkey leg.



I hope you all have a joyous, reflective, and relaxing day. I’ll be out this morning running the Turkey Trot, attempting to earn whatever calories I take in! And while I’m at it, I’d like to wish a VERY happy birthday to faithful Daveland reader and stellar Shirley’s Army member, SJR!!
 
See more Shirley Temple photos at my main website.

Temple Tuesday: Tales from Rebecca

I am a behind-the-scenes info nut, as it adds an extra dimension of fun when re-watching my favorite movies (which I tend to do). Here are a few fun tidbits from the set of Shirley’s 1938 film, “Rebecca of Sunnybrook Farm.”

Apparently, the Quaker Oats Company objected when they learned that there was to be a song in the film about “crackly corn flakes” since Shirley was under contract to them to advertise their product, Quaker’s Puffed Wheat.



The company felt that if the song were included, they would look ridiculous, as Temple would seem to be promoting the competition, Kellogg’s Corn Flakes. Because of this, Producer Darryl Zanuck ordered the title changed to “Crackly Grain Flakes.”



In another scene, Aunt Miranda (Helen Westley) asks Rebecca (Shirley) if she has had anything to eat. The girl says that her uncle bought her a candy bar, to which Aunt Miranda replies, “Candy bar! Gwen, take the child into the kitchen and get her something decent to eat.” The National Confectioners’ Association filed a $500,000 libel suit against 20th Century-Fox, claiming this scene did members of the association irreparable damage, and that it “libels a bar of candy and holds up the candy profession to ridicule and shame.” The suit was eventually dropped.



For the “Toy Trumpet” grand finale, Bill Robinson joined Shirley and her mother Gertrude at the Palm Springs Desert Inn to rehearse the number.



Temple was first made aware of racism when she learned Robinson was forced to sleep in the chauffeurs’ quarters. “But you’re not a chauffeur,” Shirley said to him when she found out. “I was unknowledgeable of the reality that racial prejudice was part of a complicated and powerful social system that enshrined such inequity,” she later wrote in her autobiography, Child Star.



A drum sequence was also to be included where Shirley would play along with the musicians on the set. She befriended studio drummer Johnny Williams, who taught her how to play. Dwan noticed her aptitude and ordered another drum set for her. However, Gertrude was against it, believing Shirley sitting with legs apart was unladylike. As Shirley recalled, “The film sequence was scrubbed, and drumsticks and traps disappeared, a donation to the local boys’ club.”



Shirley’s brother Jack was hired as third assistant director, to which she would later say, he “spent time thinking up things to take care of, one of which was me.” Dwan fired him after a dispute over a roasted turkey prop, used in a scene where Rebecca joins Tony (Randolph Scott) for lunch.



The turkey had been sprayed with insecticide and Jack loudly ordered her not to eat it, which she had no intention of doing. Out of spite, she popped the turkey in her mouth, prompting her brother to shake her to dislodge it. “Despite a slightly bitter taste, it was good turkey and my disobedience was immensely satsisfying.”

Are you ready to watch “Rebecca” again? See more Shirley Temple photos at my main website.

Temple Tuesday: Anatomy of a Deleted Scene

Since the advent of home media, the ability to watch deleted scenes from contemporary movies has become commonplace. Most DVDs/Blu Rays have a few deleted scenes as extras, often with director commentary explaining why it was decided to remove that particular scene before the film’s release. Classic Hollywood enthusiasts classify deleted scenes as some of the most coveted pieces of “lost film,” turning the search for them into something akin to the Holy Grail. While the actual scenes may never be found again (due to the film studios literally trashing them or because of the flammability of nitrate film), it is often easy to find little remnants of these never before seen gems. Today’s post presents an example from Shirley Temple’s 1938 film, “Rebecca of Sunnybrook Farm.” As always, The Colonel (aka Melissa) has done the majority of the legwork in piecing together what this deleted scene may have included. 

According to the script dated October 2, 1937, the day after she arrives at the farm, Rebecca wanders into the farmyard to explore and spies a hen with her brood. Delighted, she picks up two of the chicks and turns to the mother hen, who is protesting violently. “Don’t worry, Mrs. Hen, I won’t hurt your babies.” She rubs the chicks against her cheek before setting them down on the ground. At that point, she hears a squeal and the script continues with the pig-caught-in-the-fence scene. 

Often, promotional photos taken during the filming of a movie are used even if the scene that they represent was removed before release. The still shown above goes along with the scene Melissa has described. The photo below was taken from the trailer for “Rebecca.” Back in the day, it was commonplace to find little snippets of deleted footage used in those promotional trailers.



Based on the studio numbering of their stills, this shot of Shirley with costar Gloria Stuart would have been next.



Back to the script:

When Rebecca chases after the pig, she encounters Homer and Aloysius dancing together and introduces herself. Homer describes himself as a caretaker and Rebecca isn’t sure what that is. He says he’s practically the boss but he can do a week’s worth of work in one day and then spend the other six resting and playing his kazoo. She asks Aloysius if he’s a caretaker and he says he’s a hired hand but he can dance too. Homer starts playing “Old Straw Hat” on the kazoo and Aloysius starts to dance. 



Here is another frame of film from the trailer showing Bill Robinson from this deleted sequence:



This leads to a production number with twelve scarecrows. They disappear by the end of the number and the three are left to dance alone.

This is a bit of a mystery. For the actual deleted sequence, perhaps the twelve scarecrows were replaced with four farmhands, as seen in the publicity stills shown below:







Aunt Miranda comes out and tells Rebecca she should be ashamed of singing “trashy songs.” Homer tells Aunt Miranda that it wasn’t Rebecca’s fault that they were singing. 



Below is another frame from the trailer, illustrating Aunt Miranda’s arrival on the scene:



Fingers crossed that some of these classic gems will reappear one day!

See more Shirley Temple photos at my main website.

Temple Tuesday: The Coat & Beanie Craze, Pt. 1

One acquisition can end up being the equivalent of a match to a powder keg, like this 1938 autographed photo of Shirley Temple. I have always associated the wearing of matching coat and beanie hats with Shirley’s 1938 era.

I also assumed the photo was taken on the Fox lot during the filming of this scene from “Rebecca of Sunnybrook Farm” when Rebecca (Shirley) is unceremoniously taken away from her Aunt Miranda’s farm when her money-grubbing stepfather realizes her singing can make him a fortune.



Thanks to research by Melissa (aka “The Colonel”), I learned I was wrong on both counts. In the film, this is the dress Shirley (with costar Gloria Stuart) is wearing under her coat in the scene shown above:



The dress Shirley is actually wearing under the coat in my autographed photo can be seen in this rehearsal photo with Shirley, choreographer Nick Castle, and co-star George Murphy during the making of “Little Miss Broadway,” the film Shirley made AFTER doing “Rebecca.” Thanks to Shirley expert supreme Rita Dubas for that tidbit!



Since Shirley kept all of her movie costumes, her personal and movie wardrobe often blended together. The child star was photographed in public wearing outfits that had been seen in her movies, thus making it all the more amazing when the oft-worn dresses came to auction in 2015 looking brand new!

At first glance, one might think that this dress that came up for auction is the same dress Shirley wore in my autographed shot and the dance rehearsal shot. In comparing the two, the polka dot pattern is spaced wider here:



…than what is visible in this detailed view from the autographed photo where the dress is peeking out underneath the coat:



From the auction description of the 1937 auctioned dress:

SILK DRESS WORN BY SHIRLEY TEMPLE ON FAMILY TRIP TO HAWAII
Lot Number: 299



Of robin’s egg blue with pale blue polka dots, the dress has full-length vertical pleats, and is trimmed with an unusual diamond-point edging in cream silk, along with matching sash and with matching panties. The costume has original label of Miss L. Brogan New Orleans. A favorite dress of Shirley Temple, worn on a number of publicity occasions, such as that shown in the accompanying photograph in which Shirley (holding “Jimmie”, #300) is shown with her mother and father arriving for vacation in Hawaii.



Here’s a publicity shot of Shirley with her dog Ching Ching wearing the tighter-pattern polka dot dress:



Perhaps Shirley liked this dress so much that costumer Gwen Wakeling made a copy of it with a different fabric. Snooping around the web, I found a listing on etsy for another “Miss L. Brogan” creation:



According to the listing:

This dress belonged to a lovely lady who was from a wealthy family. She wore it in the 1930s and said it was a gift from her 4 maiden aunts. The dress is custom made by "Miss L Brogan New Orleans" (labeled) and is totally hand sewn. Miss Brogan was apparently a male who made custom children's clothing in the first half of the 20th century and charged a lot for doing it!



These are the details that keep us obsessive nutz in bizness!

As for the rest of the coat and beanie tale, you’ll need to come back next week!

See more Shirley Temple photos at my main website.

Temple Tuesday: Once Is Not Enough

For many of Shirley’s costars, one movie was just not enough! This post just covers the headliners, not the supporting players. That would be a post waaaaaaay too long for how much time I have today to put this together. Let’s begin with James Dunn, who played opposite Shirley in her breakthrough film “Stand Up and Cheer” (1934). The two did so well together that Fox put them together again not just once, but twice! “Baby Take a Bow” (1934):

…and again in “Bright Eyes” (1934):

For John Boles, twice was enough, with “Curly Top” (1935):

…and “The Littlest Rebel” (1935):

Guy Kibbee was one of the few to span both childhood and teenage films for Shirley, with a whopping three films. “Captain January” (1936); here’s a behind-the-scenes shot with Shirley and Kibbee’s daughter:

“Miss Annie Rooney” (1942):

…and “Fort Apache” (1948):

Michael Whalen was apparently satisfied with two; “Poor Little Rich Girl” (1936):

…and “Wee Willie Winkie” (1937):

It wasn’t just the men who were part of the repeat pairing process; songstress Alice Faye was in two of Temple’s hits. “Poor Little Rich Girl” (1936):

…and the romantic female lead in “Stowaway” (1936), where she came close to stealing the movie away from Shirley:

Gloria Stuart of “Titanic” fame was content with two; she was not happy about being cast in bland roles that supported the curly haired tot until studio chief Darryl Zanuck pointed out that millions would see her, vs. a juicy lead role in a non-Temple film that would most likely be soon forgotten. Here she is in “Poor Little Rich Girl” (1936):

…and “Rebecca of Sunnybrook Farm” (1938), which also starred Randolph Scott:

…who played again with Temple in 1939’s “Susannah of the Mounties”:

Last one for today is Phyllis Brooks, who had back-to-back roles with Shirley in “Rebecca of Sunnybrook Farm” (1938):

…and “Little Miss Broadway” (1938):

See more Shirley Temple photos at my main website.