Showing posts with label the sound of music. Show all posts
Showing posts with label the sound of music. Show all posts

Tuesday, October 01, 2019

Temple Tuesday: School Time for Shirley!



Today’s first image shows Shirley on the set of “Captain January” (1936) doing her schoolwork. Not even the world’s most famous child star was exempt from studies! Want to see the personalized pencil she used?



Shirley wasn’t just handed her lessons by the studio. She was assigned a personal teacher by the name of Frances Klamt, who was much more than just your basic school marm. As she recalled many years later:

We were companions for quite awhile. But she always got down to business; she didn’t try to monkey out of her lessons.

Here’s a studio portrait of Miss Klamt by Frank Powolny, graciously sent by Shirley Temple expert extraordinaire, Rita Dubas:



The accompanying publicity blurb reads:

Working under the direction of the state board of education, Miss Frances Klamt has been engaged by 20th Century-Fox studios as Shirley Temple’s own private teacher. Miss Klamt works with the famous child star at the studio, giving her fourth grade lessons in the three “R’s” between scenes on production of “Dimples” or at her studio bungalow between pictures. Shirley spends about four hours each day with her studies and unlike most children she actually loves her school work.

This shot of Shirley and Miss Klamt shows them leaving the child star’s bungalow for the set of “Rebecca of Sunnybrook Farm,” 1938:



and one from the set of “The Little Princess,” 1939:



Besides her regular lessons, Miss Klamt taught Shirley much more and actually set the foundation for her future career as a diplomat:

She had many visitors from all over the world, but if we had time to know who was coming, we’d always do geography and customs for that particular country. I think she had a way of meeting people…and a certain personal dignity...unconscious...and she knew how to greet people…she knew how to get along with them, and was always very gracious, and seemed to be interested in what they were representing. There didn’t seem to be anything artificial about Shirley.


At the “Love, Shirley Temple” auction in 2015, some of Shirley’s original artwork was sold, including these pieces that she created especially for her beloved teacher:



Here is the auction description:

Comprising a hand-lettered note with colorful border reading "Miss Klamt I really love you. From Shirley Temple. (c. 1935), along with a profile pencil sketch labeled "Miss Klamt by Shirley Temple", and with a photograph of the teacher working with Shirley. In her 1988 autobiography, Child Star, Shirley describes Miss Klamt as she first met her. “A slight woman who stood with both feet together, she wore a small felt pancake hat tipped at a barely perceptible angle and clutched her handbag directly in front of her."

Zooming into the drawing on the right, you can see that Shirley originally inscribed the picture to “Klammy,” but then changed it to “Miss Klamt.” In her autobiography, Temple spelled the nickname “Klammie” but referred to her teacher as “Miss Klampt.” You say Klammy, I say Klammie.



Klamt also was a teacher to a very young Natalie Wood while she was at Fox from 1947 to 1949. From Gavin Lambert’s book on Wood:

“…small and trim, fortyish and God-fearing, unemotional but not unfeeling, who ten years earlier had taught Shirley Temple. As well as degrees from UCLA and USC in history, geography, math and education, Klampt had a sense of mission. She believed in the natural creativity of children, and encouraged her pupils to develop talents and interests beyond the world of the soundstage. Klampt’s extracurricular talent was for designing ceramics, some of which she kept on display in the schoolroom. When her sharp eye registered Natalie’s fascination with them, she not only encouraged her to design her own ceramics, but offered after-hours support.…Klampt had aroused an interest that continued to develop after Natalie left the schoolroom.

In Charmian Carr’s memoir, “Forever Liesl,” the actress describes filming “The Sound of Music” scene in the cemetery when the Von Trapp family must hide from the Nazis:

[Nicholas Hammond] felt it was one of the few scenes in the film that required him to act.…“The thing I remember,” he recalls, “is that I wanted to be able to stay on the set and hang out with all the adult actors. But our teacher, Frances Klampt, never let us stay on the set. During that scene in the graveyard, there were all these extras on hand, and I remember I was sitting in a chair just reading a book and being very bothered when Frances made me leave. ‘There’s stories and gossip—and language—that these people use that you shouldn’t hear,’ she said. She felt it was her job to protect us.”

Actress Kym Karath, best known as the youngest von Trapp child in “The Sound of Music” tweeted this in June 2018:

“A picture from the Sound of Music set - school with Duane Chase and Frances Klampt, our teacher at 20th Century Fox. I loved her.”



Co-star Nicholas Hammond’s response:

“Miss Klampt was a wonderful teacher and a steady guardian to every child actor at Fox from Shirley Temple onwards. One of Hollywood’s unsung heroes.”

A few months later, Karath tweeted this along with a photo from the set of “Lost in Space”:

“On the set of original Lost In Space with beloved studio teacher Frances Klampt. I adored her (as is obvious!). I was ecstatic to be reunited with her after SOM. Great teachers inspire a lifetime passion for learning.” ⁦



Frances Klamt Willis was an amazing woman who shaped the future of Shirley Temple without seeking the spotlight for herself. Her passion for teaching and care for the curly haired tot was one of the main reasons Shirley was able to be so well-rounded and well-adjusted. Let’s not forget the important role that teachers play in the future of our world; how about a loud “thank you” for all that they do?

See more Shirley Temple photos at my main website.

Wednesday, September 11, 2019

Batman at the Chateau Marmont



As a kid, the 1966 “Batman” TV series was one of my favorites; as an adult, its appeal has only increased as I now appreciate even more the nuanced performances by Adam West and Burt Ward. Amidst the absurdity of the guest stars, the scripts, and the costumes, those two played the characters as if they were grounded in reality. Brilliant! It was a no-brainer during my recent illness that while relegated to the couch I would pull out my “Batman” blu-ray set and indulge in a little nostalgia. While doing so I noticed a few interesting details in the episode that originally aired on January 20, 1965 titled “The Penguin’s a Jinx.” Leslie Parrish has a bit role as a bored movie star, Dawn Robbins, who wishes something exciting would happen in her dull life.



Where is she staying while in Gotham City? Naturally at the Pelican Arms Hotel!



Batman & Robin race to save her from being kidnapped by the Penguin. As they pull up in the Batmobile, you can see a large billboard in the background.



What’s this? Holy Governess, Batman! It’s a poster for “The Sound of Music!”



Much of the 1966 TV series was shot on the 20th Century-Fox backlot. The studio owed a lot to that blockbuster musical; even a few years back when I visited Fox, they were still paying homage to the Julie Andrews movie with this mural on the side of one of their parking lots:



Back to Batman…as the camera shows an exterior shot of the Pelican Arms Hotel and Dawn’s penthouse apartment, viewers see...what’s this? Holy Hollywood, Batman, it’s the Chateau Marmont!



Who knew there was a Gotham City connection to my favorite hotel?



See more “Batman” photos at my main website.

Tuesday, December 10, 2013

Auf Wiedersehen, Darling



It is with great sadness that I note the passing yesterday of Eleanor Parker, who portrayed one of the most delicious villains in screen history, The Baroness from "The Sound of Music." If you only read the script, you would have simply written Parker's character off as a money-grubbing heartless shrew.



Thanks to her acting chops though, she infused humor and even sympathy to what could have been a one-dimensional supporting role. Because of Parker, the movie is given a bit of balance, keeping it from being too sickeningly sweet. She delivers some of the film's funniest and most memorable lines with understated relish:

"Darling, haven't you ever heard of a delightful little thing called boarding school?"

Can't you hear the audience hissing?



After hearing Maria and the gang sing, she quickly neutralizes the saccharine with this quip:

The Baroness: Why didn't you tell me?
Max: What?
The Baroness: To bring along my harmonica.



Only Parker could have made jealousy so much fun:

The Baroness: My dear, is there anything you can't do?
Maria: Well, I'm not sure I'll make a very good nun.
The Baroness: If you have any problems, I'll be happy to help you.



I mean really...how could a Baroness even begin to compete with a nun for an audience's affection? And yet, when she gives a tearful and knowing goodbye to her almost-husband Captain Von Trapp, you can't help but feel sorry for the woman who nearly had it all.



"Somewhere out there is a lady who I think will never be a nun. Auf Wiedersehen, darling."



And while we're saying goodbye...Micechat recently posted that Disney has announced the impending demolition of the Fantasyland Skyway Station, featured here in this publicity art from March 1956, just three months before the Skyway opened to the public.



An August 1958 view of the finished structure:



The Fantasyland Station has been allowed to rot away, just like Fort Wilderness before it. Having seen firsthand what Historic Preservationists can do with dilapidated buildings, I find it hard to believe that nothing could be done to restore this adorably detailed little Chalet.



On the flipside though, while it is very sad to lose another part of the park's early history, there really is no point in keeping this building unused on a valuable piece of real estate hidden behind a canopy of trees that made it almost invisible to the public.



One thing I do feel strongly about though...they better put something damn good in its place.

See more vintage Disneyland Skyway photos on my Skyway web page.

Sunday, March 10, 2013

Favorite Movies: The 1960's



Only in a 60's melodrama could an affair be so glamorous. In "Back Street," (1961) Susan Hayward steals the show as good-girl Rae Smith. She falls in love with a married man who has two kids, but it's ok...his wife (Vera Miles) is a wicked drunk.





For drama on a much more serious note, "Judgment at Nuremberg" (1961) is the movie to watch. Judy Garland and Montgomery Clift give riveting cameos in a movie that deals with the atrocities that occurred during World War II.



Lightening up the mood quite a few notches, "The Parent Trap" (1961) is probably my very favorite live-action Disney film. Sure, Hayley Mills is wonderful, but Maureen O'Hara is spectacular as the independent Irish woman who is still in love with her ex (Brian Keith).



"Bye Bye Birdie" (1963) is a powder-puff of a musical done on the cheap, but thanks to a memorable score, Ann-Margret, and Paul Lynde, it is a ton-o-fun to watch.



"North by Northwest" is Hitchcock to perfection, but "Marnie" (1964) is the master at his most gloriously raw and flawed self. Hitch carefully and painfully guided model Tippi Hedren into a top-notch performance as the frigid kleptomaniac who is able to resist Sean Connery.



What can be said about "Mary Poppins" (1964) that hasn't been said already? Julie Andrews proved that you don't have to be a huge name to carry a film. Walt's instincts on her were supercalifrag...you get the idea.



Often criticized as being too saccharine, "The Sound of Music" (1965) still stands the test of time. Who could ever tire of Julie Andrews going from nunnery to Captain's wife with all the gusto and bravado of a "whirling dervish"? You can't help but fall in love with the beauty of Salzburg as well, as Maria and the Von Trapp children take you through the city on a musical tour with "Do Re Mi."





Just when you think you might overdose on the sweetness of the film, Eleanor Parker comes on board to even the playing field as the quietly bitchy Baroness. Hisssssssssss...





Glamorous MGM screen siren Lana Turner lets it all hang out in "Madame X" (1966). Whether she's tying one on with Burgess Meredith in Mexico or dramatically collapsing in a bank of snow in Europe, she will tug on your heartstrings as the poor misunderstood girl from the wrong side of the tracks, Holly Parker.



"The Graduate" (1967) shows Hollywood transitioning from artifice to reality, as it shows the trouble an aimless college graduate gets into when he has an affair with a much older married woman.



"Oliver!" (1968) is the Hollywood musical of the 1960's; dirty, gritty, and a wonderful soundtrack to boot, it doesn't shy away from showing the not-so-pretty side of Charles Dickens' characters.



See more classic Movie & TV photos on my regular web page.

Thursday, October 06, 2011

Traveling Thursdays: Salzburg & The Sound of Music



Back in my High School days I was fortunate enough to take a whirlwind European trip, including a day in Salzburg. The photos here were taken on a 126 camera back in July 1981. For you "Sound of Music" nuts, this post should be right up your alley; for the rest of you, just enjoy the beautiful scenery.

From what I remember 30 years ago, it took 3 homes to create the Von Trapp family villa on film. One house for the rear view (shot #1 shows that home's front), one home for the lake scenes (shot #2), and another home for the rear views of the house. Imagine being the actor doing your lines with the lake behind you to an imaginary actor who was actually being filmed a few miles away at a different home.



Here is the gazebo on the property that most people associate with "Sixteen Going on Seventeen." Not to burst the bubble, but that number was actually filmed on a soundstage. This gazebo was only seen briefly in an actual outdoor shot of the property.



The rest of this set shows photos of Salzburg, which changed little between the time of filming and when I captured these shots. Most of the scenery you can see in the movie when Maria (Julie Andrews) is singing "I Have Confidence" as well as when she joins the children with "Do-Re-Mi."











Hozenzollern Castle is high on the hill:



You can see it in the opening shots of the movie, which I captured at my recent visit to the Hollywood Bowl:











The Abbey Gate, where the children beg the nuns to let them talk to Maria. Apparently a fake rope was put here by the film crew so that the children could ring the fake bell. The nuns liked it so much that it stayed. At least that's the story we were told. Sorry for the blurry shot; couldn't retake it because this was pre digital. Imagine having to wait a few weeks to see how your photos on a once-in-a-lifetime trip turned out?!?





A statue of Mozart:



The birthplace of Mozart:



Mirabell Gardens is the site of the grand finale to "Do-Re-Mi," when the children inch up the steps.





One day I hope to return, as Salzburg was my favorite city of the trip.



See more Daveland photography on my photography web page.