Showing posts with label the little princess. Show all posts
Showing posts with label the little princess. Show all posts

Tuesday, April 01, 2025

Temple Tuesday: Shirley and the Fools



In honor of April Fools’ Day, today’s post shows Shirley getting fooled or her costars portraying a fool, beginning with “Just Around the Corner” (1938). In the plot of this musical comedy, Shirley mistakes wealthy businessman Samuel G. Henshaw (Claude Gillingwater) for the beleagured Depression-weary Uncle Sam.



In order to help poor old “Uncle Sam,” Shirley stages a benefit in his honor, making him the laughing stock of New York City.



When all is figured out, the benefit goes on as planned and Henshaw single-handedly saves the world from the Depression. Sound far-fetched and stretched? It sure is, but somehow Shirley makes it all work out. She may have been fooled, but she was definitely no fool!



In “The Little Princess” (1939), Shirley Temple’s costar, Arthur Treacher, portrays the Court Jester/Fool in a dream sequence.



It is fairly hilarious to see the typically dignifed-butler-portraying Teacher in satin and tights, prancing around with his jester puppet.



He may have portrayed stiffs, but Treacher knew how to do a good turnout, as seen by his pose below!



Treacher’s faded tunic came up for sale in the Debbie Reynolds auction:

Arthur Treacher court-jester tunic designed by Gwen Wakeling from the Shirley Temple movie, "The Little Princess," 1939. SOLD FOR $650. Veteran British character actor Arthur Treacher plays a frustrated ex-vaudevillian forced into subservience to his cruel sister running the girls boarding school which Shirley Temple attends. This humorous split-color satin jester’s outfit by Gwen Wakeling is worn by Treacher to great effect in Shirley’s dream fantasy number in The Little Princess. United Costumers label inside reads, “ARTHUR TREACHER B931”. The special blue dye for costumes in 3-strip Technicolor films is one of the most fragile, and has here faded to aubergine; else, with minor handling and aging, Very Good overall.



His tights appeared at a later date. Hard to believe they survived all this time!



A few screenshots from the lavish Technicolor© production:



My favorite Treacher line from this dream sequence referring to Mary Nash’s evil character:

Listen to the old grand-mommy,
You’re a nasty peeping tommy!



In “Young People” (1940), as Shirley’s father, Jack Oakie portrays the biggest fool of them all.



Blustery and a bit full of himself, he is the butt of every joke. Below, daughter (Shirley) and wife (Charlotte Greenwood) have to remind him that their dressing room is in the opposite direction of where he is heading.



When the family retires from showbiz to settle down in a hick farming community, they are not readily accepted by the conservative townfolk, who appoint Oakie is a one-man-chamber-of-commerce as a joke. The problem is, Oakie thinks it’s for real.



When Oakie’s character helps the kids stage a somewhat raunchy musical number for the townsfolk, the joke is revealed and the town spinster reveals to him exactly what everyone thinks of him.



Sad to find out that her dad has been made out to be a fool, Shirley drowns her sorrows in multiple sodas. 



Fear not, as Shirley never stays down for long. Dad saves the kids from certain death during a hurricane and is hailed a hero. The family ends the film on a high note by entertaining a more receptive community with a musical number.



Remember any other fools from Shirley’s films?

See more Shirley Temple photos at my main website.

Tuesday, October 15, 2024

Temple Tuesday: Let Them Eat Cake



Based on the many publicity photos released of Shirley Temple during her heyday, you’d think she was Marie Antoinette, always indulging in cake! In the photo above, she attends the fifth birthday of Harold Lloyd Jr., January 25, 1935. Jane Bannister, daughter of actress Ann Harding, is on the right. What a cake! It would be difficult to decide, should you eat it or play with it?



Above, Shirley is celebrating friend and costar Bill Robinson’s birthday held at Fox Studio, May 25, 1935.



Although FDR was not in attendance, a birthday celebration was held at the Biltmore Hotel in Los Angeles on January 30, 1937 in the President’s honor. Shirley Temple and Eddie Cantor are pictured below in front of the spectacular cake!



Arthur Treacher, Anita Louise, Shirley, Mary Nash, and Marcia Mae Jones on set for the filming of Sara’s lavish birthday party.



Shirley convinced her mother that the other child actors in “The Little Princess” (1939) weren’t satisfied with the “fake” birthday party called for in the film. As a result, they were given a “real” party in the studio’s CafĂ© de Paris afterwards. The children sat at a decorated table, gorging themselves on cake and ice cream. The only “casualty” of the occasion was that one little girl spilled a plate of ice cream over her dress, and the production was held up until it was cleaned. Among those present at Shirley’s party in the photo below were Sybil Jason Marcia Mae Jones, Deidre Gale, and Ira Stevens.



Shirley can be seen at the top right, next to Marcia Mae Jones. Deidre Gale is front left, Ira Stevens has her mouth full with a roll on the right.



In April 1942, Shirley shared birthday cake with her fellow cast members of the radio show, “Junior Miss.” A “V” for Victory on the patriotic themed cake.



Instead of eating cake at her 1945 wedding to first husband John Agar, Shirley seemed to take greater pleasure in shoving a piece into the mouth of her future ex-husband.



The public also shared in Shirley’s simple meals, such as this basic breakfast of toast and fruit at her Santa Monica home.



A bowl of Quaker Oats Puffed Wheat:



A quick snack between takes of “Little Miss Broadway” (1938).



Ready for lunch?

See more Shirley Temple photos at my main website.

Tuesday, September 03, 2024

Temple Tuesday: From Riches to Rags and Back Again!



In the 1939 Shirley Temple Technicolor classic, “The Little Princess,” when Sara Crewe’s father (and fortune) is lost during the Boer War, evil schoolmistress Miss Minchin (Mary Nash) removes the child from her luxurious suite of rooms and sends her up to the attic. Besides dust, dirt, and cobwebs, the little girl only has her doll, Emily, to keep her company.



Don’t feel bad for Shirley; she still had the use of a plush limo to take her to the set every day!



Below is a still from a deleted scene, showing Sara cleaning Miss Minchin’s office while the old bag watches.



Once jealous of Sara’s former coveted position with Miss Minchin, rich bitch Lavinia (Marcia Mae Jones) delights in bossing around the poor little girl who is now forced to work off her debt as a scullery maid.



After one of her many failed hospital searches and a fight with the old bag, Sara goes to sleep in tears. We are treated to a dream sequence where she becomes a princess.



AND a ballerina!



In this still, we see both Shirley as the princess AND Shirley as the ballerina. How can this be?



If you look closer, you can see that it’s Mary Lou Isleib, Shirley’s stand-in, on the throne.



When Sara wakes up from her fantasy, her room has become a den of luxury! Since it’s a Shirley movie, there is no explanation of how her benefactor was able to lift the bed, put a fur rug, change the linens, and redecorate the entire room without little Sara waking up. Don’t be a curmudgeon, it’s a Shirley Temple movie!



Once she rubs the surprise from her eyes, little Sara invites her friend and next door neighbor Becky (Sybil Jason) to enjoy a delicious breakfast.



Renewed and refreshed, Sara delivers some much needed revenge in the form of an ash bucket dumped on Lavinia.



One take was enough for Marcia Mae Jones!

See more Shirley Temple “Little Princess” photos at my main website.

Tuesday, June 04, 2024

Temple Tuesday: Trailers and Tutors



The September 1938 issue of Better Homes & Gardens ran a feature story on Shirley titled, “Mrs. Shultz visits Shirley Temple.”



Gladys Denny Shultz was part of the magazine’s Child Care & Training Department, and was sent to Hollywood to interview Shirley on the set of “Just Around the Corner” (1938) which was still being referred to as “Lucky Penny” at the time this article was written.

How do you bring up a child to have a million-dollar personality? That’s what I went to Hollywood to discover, if I could, and I came away with a brand new appreciation of a happy, healthy little girl and her mother—of Shirley Temple and Mrs. Temple.…I had an excellent chance to watch Shirley—at the studio, doing scenes for “Lucky Penny,” rehearsing and discussing the next “take,” studying her lessons in snatches in the little dream trailer which is her schoolroom during pictures, with her mother, her teacher, her director, other children in the cast, and with several dozen more people all engaged in making the important Temple pictures. I saw her in action thru a long grueling afternoon as she made and remade a difficult sequence that had the adults on pins and needles long before it was over.…Shirley off the screen is perhaps even more remarkable than the Shirley in pictures. To me, she’s most attractive in real life. The camera makes her seem plumper than she is—her 68 pounds is just a good, sturdy, 9-year-old weight for her 50-inch height. Neither can a camera really show her healthy, glowing complexion. Shirley never wears make-up. To prepare her for a scene, Mrs. Temple merely sees to it that her curls are in order.…In the scene they were shooting…Shirley was supposed to snip off the long red ringlets of Bennie Bartlett with electric clippers, in the dog lounge in the basement of a luxurious apartment house. It was Shirley’s first experience at barbering, and she wasn’t quite sure about the clippers. She attached the job gingerly, afraid alike of cutting her fingers and shearing Bennie of his real curls. For those Shirley clips in the picture are false ones, artfully interpolated in the glowing mass of Bennie’s own crowning glory. The children rehearsed the scene and then were ready with lines and action. But things went all wrong. Every time Shirley took hold of an artificial curl, it would come off in her hand before she could touch the clippers to it, and it was necessary to start over again. As the afternoon wore on, Shirley got more and more intrigued with those clippers. Between attempts, her eyes darted about the set, seeking whom she might pretend to clip, and discussing the possibilities with delight. Then, as will happen, and as would have happened much sooner with another child, the fun began to get a little hysterical. At once Mrs. Temple leaned forward on her stool and said, not sharply, but as tho she meant it, “That’s enough now, Shirley. Let’s attend to business.” Instantly Shirley snapped into character again. Before they stopped, the scene was in the bag, Shirley operating the clippers in the final take with impish abandon.…There’s a very beautiful bond of love and understanding between mother and daughter. Mrs. Temple is simply quietly determined that what Shirley does shall be done right.



The photo below is courtesy of Melissa (aka “The Colonel”) who was recently gifted a copy of it by fellow Shirley’s Army member, Lori. It was Shirley expert supreme, the great Rita D, who let us know what the occasion was for this photo shoot, and then I hunted down a copy of the magazine itself. Yes, it takes an Army! Now you can see Shirley’s Fox studio trailer which was cropped out of the magazine article.



This photo from my collection also shows Mrs. Shultz, along with Shirley’s beloved studio tutor, Frances Klamt, inside the trailer.



Here’s what Mrs. Shultz had to say about Frances Klampt:

Miss Frances Klammt, Shirley’s teacher, is an M.A. who taught five years in the Los Angeles public schools before taking over Shirley’s education two years ago. She represents both the Los Angeles Board of Education and the Child Labor Board and has authority to halt production if anything occurs on the set which she considers harmful to Shirley, or if they’re not getting in the three hours’ schooling daily which the law requires for movie children. Even when the Temples vacation between pictures, Miss Klammt goes wherever they go, for Shirley must have her three hours of schooling every day that other children are in school. It’s often piecemeal study, but, as Miss Klammt pointed out, “Shirley possesses marvelous powers of concentration. She throws herself into a scene for al she’s worth, then instantly centers upon her studies the moment she sits down at her table.”



Another interior view of Shirley’s trailer taken during the filming of “Just Around the Corner”:



Shirley had to catch a snack between takes in her trailer during the filming of “Little Miss Broadway” (1938). Gotta’ keep that energy up!



A series of three shots taken during filming of “The Little Princess” (1939) with Miss Klamt:





Time for the cameras!



Shirley’s cute little trailer was the perfect place to keep up on her correspondence:



SPELLING COUNTS! A note about the spelling of Shirley’s tutor’s name. In the BH&G article, it is written as “Klammt.” In a vintage 1935 drawing Shirley created to give to her tutor, she wrote “Miss Klamt.”



When Shirley was welcomed back to the Fox lot in 1948 with a gala party, the publicity blurbs used the “Klamt” spelling.



By the time Shirley wrote her autobiography Child Star in 1988, Shirley referred to her as “Miss Klampt.” Shirley expert supreme Rita D also used “Klampt” in her book, as did author Gavin Lambert in his Natalie Wood bio, as did former pupils (and “Sound of Music” stars) Charmian Carr, Nicholas Hammond, Angela Cartwright, and Kym Karath.



The Palo Verde Valley Times referred to her as “Frances M. (Klamt) Willis” in her May 23, 2008 obituary as does imdb. In the A&E Shirley Temple documentary, she was interviewed and the onscreen credit reads, “Klamt.” I would hope they got it right for that one at least!



But that’s not all in the questionable spelling department for this post! The author of the BH&G article, Gladys Denny Shultz, was written up this way by the New York Times for her June 22, 1984 obituary:

Gladys Denny Schultz, a writer and editor, died of cancer Tuesday in Allentown, Pa., where she was staying with the family of her son, Peter. She was 88 years old and had retired to San Diego, Calif., in 1972. Mrs. Schultz was a writer and correspondent for The Ladies Home Journal from 1946 to 1961. Earlier she had been a child care writer for Better Homes and Gardens from 1927 to 1945. Mrs. Schultz was the author of several books. Among them, she wrote or edited ''It's Time You Knew,'' a discussion of sex problems of younger girls, (1955), “Lady from Savannah: The Life of Juliette Low,” a biography of the founder of the Girl Scout movement, (1958 - see cover below), ''Letters to Jane,'' a revised edition of a book published in 1947, (1960), and ''Jenny Lind, the Swedish Nightingale,'' (1962). In addition to her son, she is survived by a daughter, Eleanor Dale, of East Lansing Mich., six grandchildren and six great-grandchildren.



So much for the NYT’s spellchecker! Thanks to Mrs. Shultz for her vintage insights into Shirley’s world!

See more Shirley Temple photos at my main website.