Temple Tuesday: Shirley, James Dean, and Gone with the Wind

I would not have imagined a post where there is a common thread for all three, but here it is! The backstory: when I acquired the first image from today’s post, I realized I also had another shot of Shirley from the same evening. At this point, I had zero context. No date of the shots or anything. So...I reached out to Melissa (aka “The Colonel”). Within minutes, she had figured out through Mr. Google that the photos were from August 10, 1954 when Shirley and husband Charles attended the re-premiere of “Gone with the Wind.” That was all I needed; I was off to the races and falling down a rabbit hole of six degrees of separation.

The photo below was found online with this vintage caption:

Shirley Temple was only 11 years old when she saw first premiere of "Gone With the Wind," 15 years ago. She is shown arriving with husband, Charles Black, for second premiere last night at the Egyptian Theatre. “I know I will enjoy and understand it a little better,” she said.

Although the press crossed Charles out from the published shot, I can assure you that Shirley NEVER crossed her beloved husband out of anything. Don’t they look stunning?

Here’s the backstory on the re-premiere: Selznick liquidated his company in 1942 for tax reasons, and sold his share in “Gone with the Wind” to his business partner, John “Jock” Whitney, for $500,000. In turn, Whitney sold it to MGM for $2.8 million. MGM re-released the film in 1942 and 1947. I THINK the shot below is from the night of the re-premiere; on the left is Kay Gable (Clark’s wife). In the middle I am fairly certain we have “Jock” Whitney, with Herman Hover the owner of Ciro’s on the right (thanks Beachgal for the ID!).

From the 1977 book Scarlett Fever by William Pratt:

In February 1954, fireworks had exploded after a televised tribute to MGM’s Thirtieth Anniversary. It seemed that on “The Ed Sullivan Show,” a film clip of GWTW had been shown along with some other MGM films produced over the previous three decades, and David O. Selznick was enraged by the studio’s taking credit for the production. By August—after apologies all around—the Hollywood “premiere” actually became a personal testimonial to the producer as Oscars representing the film’s Academy Award triumph were on display in the Egyptian’s lobby along with David’s own Thalberg Award for the August 10 grand gala event. MGM publicists informed the press that “the gala event marked the first time in history that any picture ever had been given a second Hollywood premiere.” The 125 stars who held reservations for that big night included most of MGM’s remaining contract players, a selection of the town’s Old Guard (Joan Bennett, Gary Cooper, Joan Crawford, Merle Oberon, Tyrone Power, Edward G. Robinson, Barbara Stanwyck, Norma Shearer, Shirley Temple, and Spencer Tracy) and several surviving members of Gone with the Wind’s cast (Mary Anderson, Jane Darwell, Clark Gable, Cammie King, Thomas Mitchell, and Ona Munson, six months before her suicide). 

How did the film look after 15 years had gone by? The version shown in 1954 was the first time the film had been shown in widescreen. Since the film was not originally shot in that format, MGM cropped the top and bottom to an aspect ratio of 1.75:1. In doing so, a number of shots were optically re-framed. What do I think about that?

More from Scarlett Fever:

While viewers throughout America appreciated the film’s new panoramic scope that year, many wondered why the color had faded so drastically in certain segments. The cause was simple: in projecting the 1939 image onto a wide screen, crucial portions of some scenes were cut off and, to compensate, MGM had actually rephotographed those sequences with a black mask at screen bottom to raise the affected footage. In so doing, the original color was significantly drained from those moments and their new appearance was limited to a near tint-like quality.…The 1954 presentation also offered a novelty that was a distinct advantage for those theatres equipped with the latest sound systems. Despite is original one-channel, optical (or monaural) sound track, MGM technicians did a difficult and splendid job of dividing it onto a new multiple=channel magnetic tape which broadcast the film in “Perspecta stereophonic sound.” The effect was brilliant: conversations were actually divided line by line (only in certain scenes) and the voice of a character out of camera range could be heard over a viewer’s shoulder—from the back of the theatre. This was particularly well used for Ashley’s reminiscences at the lumber mill and in the finale. Stereophonic sound lost its popularity fairly quickly int he following years and this particular divided sound track was never employed again.

Based on the version available on blu ray, somehow the film has been restored back to its original glory. You can fiddle-dee-dee but don’t fiddle with the film, thank you.

As if all this weren’t exciting enough, guess who else was at the re-premiere event? JAMES DEAN! The thought of Shirley actually meeting my other favorite actor truly boggles my mind. Dean attended the event because he was dating actress Pier Angeli, who was under contract to MGM at the time. Note the Oscars behind them from “Gone with the Wind.”

Here they are with Jane Powell and then-husband Patrick Nerney. If Dean looks uncomfortable, you can bet he was. These types of events were not his type of thing, especially having to wear a tuxedo.

I have no idea if Shirley actually met James Dean. But, on the right side of the photo in the background, it looks like it could be Shirley. For the sake of this post, I’m going to say it is. Don’t burst my bubble, please.

Back to Shirley; this is HER post, after all. Let’s zoom in for a closer look at her in all her gala finery:

A closer look at the table tells us the after-party/dinner was held at Ciro’s nightclub on Sunset Boulevard.

In my collection, I just happen to have a shot of the exterior of the Club from 1954:

Franchot Tone and Zsa Zsa Gabor seem to be having a deep conversation at the party:

Parliament cigarettes were apparently the smoke of choice that evening:

Here are Betsy Blair (wife of Gene Kelly at the time) and “Gone with the Wind” star Evelyn Keyes (who played Scarlett’s sister Suellen):

I’m not sure who the gal on the right is, but she has a big old pack of Parliaments, too. Maybe they were a sponsor for the evening.

Other guests that evening included Debbie Reynolds:

…and MGM musical favorites Ann Miller and Vera-Ellen:

Phew…that was a long one! I hope you enjoyed all the six degrees of separation going on here!

See more Shirley Temple photos at my main website.